Well, it’s now spring break, I mean All-Worlds day, and we finally get to peel back and get some more background on two of our main cast.
Spring breakdown
As most of the kids are going to party, spa, or spend time with Family, Caleb refuses and gets special permission to stay at school. But he has more time to reflect on his lack of communication with Tarima.
You’re getting married whether you like it or not
Darem is kidnapped!! Apparently think is typical in Kioanan culture. And in the entire campus/ship, the only person to witness it was Jay-Den. So we now get a reluctant Klingon as Darem’s Best Man. Because he honorably wanted to make sure his friend was safe. Oh, and apparently he was just getting married, he was marrying up to become the leader of his planet!
Karim Diané as Jay-Den in season 1, episode 7, of Star Trek: Starfleet Academy streaming on Paramount+. Photo Credit: John Medland/Paramount+
This again led to Jay-den having another bout of body about public speaking and walking off, but came back in the nick of time to support Darem. Which led Jay-Den to give a heartfelt speech, so much so that Darem’s new wife forced him to abdicate his throne, because Darem had changed since joining the academy and could not live with the fact that, once again, Darem was choosing his life for others and not himself.
The Genesis Effect
Apparently, our favorite Dad-miral daughter for me was the highlight of the story. She was also adept with computers and hacked her way back into school for the lockdown. WHY: Because she needed to fix her transcript. She “fixed” them to get in because Captain Ake was going to put her into the Captain’s training program.
Bella Shepard as Genesis in season 1, episode 7, of Star Trek: Starfleet Academy streaming on Paramount+. Photo Credit: Brooke Palmer/Paramount+
Caleb just thought this was all fun and games till they hacked their way onto the bridge so she could get to Captain Chair to make a key to get her master file to REALLY fix the situation.
Filler filler filler episode. Don’t get me wrong, I enjoy getting to know some ideas about these characters, but where is the TREK in this? I’m still looking for it, but it’s just because it takes place on a Starship or another planet that these are just human stories, not space-the-final-frontier stories.
We already know that Jaden is the heart of Starfleet Academy, and the fact that he is still so lowkey brings great honor to all Klingons as a distinct representation of the warrior race.
But I have to give a huge shout-out to Bella Shepherd for her portrayal, now that we finally see the huge, huge hole in her armor with the parental generational trauma and always living in someone else’s shadow. But the fact that she can play someone so well as a con is instrumental to her character; it can really come back, and I hope to see it bite her in the ass at some point.
Showing that Caleb has a softer side is great, and all, but again, this whole episode is feelings, feelings, feelings, feelings. Where’s the “TREK”? Just my opinion.
If I could give this episode 2 reviews, I would give one for the drama and another for THE TREK.
Star Trek Starfleet Academy S1E7 Ko’Zeine gets a 5 out of 10
Like I’ve said, there’s so much interpersonal trauma that we’re losing sight of what Trek can be, in my opinion. Hopefully, they rectify this by the season finale and shore up the hull breaches in season two.
Dark Horse Comics announced a new Dungeons & Dragons Comic Trade Paperback.
The book’s all-star creative team includes:
Writers: Sam Maggs(Critical Role: The Mighty Nein Origins- Jester, Critical Role: Tales Of Exandria- Artagen)& David M. Booher(Ghostbusters: Dead Man’s Chest, Canto: A Place Like Home)
Artists: George Kambadais(The Black Ghost, Joy Operators)& Jack Lawrence(The Pride Onmibus)
Colorists: George Kambadais(The Black Ghost Vol. 2), Josh Burcham(Steeple #3 Cover), John-Paul Bove, Kendall Goode(Mae #6), Ed Pirrie & Ben Pirrie
Letterers: Ed Dukeshire (Power Rangers Prime) & Rus Wooton
Dungeons & Dragons: Animated Adventures Library Collection Cover By Rex Xie (Credit: Dark Horse Comics)
The book’s official description reads:
“Every Saturday morning in the mid-’80s, millions of children would pour themselves a bowl of cereal, sit down on the couch, and tune in to the rip-roaring cartoon series Dungeons and Dragons. Featured in this deluxe collection are three “lost” episodes from that technicolored adventure.
Once upon a time, a group of six friends hopped aboard a Dungeons & Dragons themed rollercoaster and it magically transported them to the Forgotten Realms!
When the kids arrived, they met Dungeon Master, who gifted them with enchanted items that gave them powers. Noble ranger Hank, charismatic cavalier Eric, dexterous acrobat Diana, wise magician Presto, clever thief Sheila, and brash barbarian Bobby just want to find a way back home—but instead, they always end up fighting off forces of evil or helping those in need.
Tag along with the team as they leap through a mysterious portal and find themselves at a spooky monastery in Waterdeep! Get out the sunscreen and hit the beach with the kids as they plan on having summer vacation, only to end up tangling with dragons! And finally, set sail for the swashbuckling Sword Coast where the friends find themselves clashing with pirates!”
This will collect all of the IDW Saturday Morning Adventures comics, including:
Dark Horse Comics has announced the newest Avatar: The Last Airbender graphic novel.
Jet’s back, and we are getting a new story with him. The book’s creative team includes:
Avatar: The Last Airbender- Jet- Rebels And Rhinos Trade Paperback Cover By Peter Wartman & Adele Matera (Credit: Dark Horse Comics)
Writer:Faith Erin Hicks (Avatar: The Last Airbender- Ashes Of The Academy, The Last Of Us: American Dream)
Artist: Peter Wartman (Avatar: The Last Airbender- Azula In The Spirit Temple, Avatar: The Last Airbender- The Bounty Hunter And The Tea Brewer)
Colorist:Adele Matera (Avatar: The Last Airbender- Suki, Alone, The Legend Of Korra: Ruins Of The Empire)
Letterers: Jimmy Betancourt (Avatar: The Last Airbender- The Kyoshi Warriors, Ghostbusters: Dead Man’s Chest) & Tyler Smith (Star Wars: The High Republic Comics)
The book’s official description reads:
“After his village is destroyed by the Fire Nation Army’s elite unit known as the Rough Rhinos, Jet’s life’s goal becomes making Colonel Mongke and his cavalry of soldiers pay for their crimes. But in a war-torn kingdom, who’s going to adopt a child’s mission of revenge?
Jet uses his powers of persuasion to gather a small but determined force of other young people who are looking for something different in the midst of war: a community. When Jet has his chance to confront Mongke, will he throw away the found family he’s helped to build in pursuit of vengeance?”
Amazon MGM Studios and Atomic Monster just dropped all 8 episodes on Prime Video, of their new original series, 56 Days. While, it is based on a novel of the same name by Catherine Ryan Howard, it does not take place in Dublin. Nor does it take place during the COVID lockdown. For a spoiler FREE review, click HERE. However, if you’ve already binged the series, my spoiler filled thoughts are below.
Starring Dove Cameron as Ciara Wyse, and Avan Jogia as Oliver Kennedy, 56 Days is full of sex, mystery, and twist after twist.
**WARNING SPOILERS AHEAD**
56 Days starring Dove Cameron and Avan Jogia. Image by Amazon MGM Studios
The Story for 56 Days
We kick off with the most disgusting decomposing body. As we go through the season, we continue to flash back to the last 56 days. Day 1 of 56 being the day Ciara and Oliver met. What at first looks to be a random meet cute, turns into so much more. She was playing him all along, while he was hiding a huge secret. Unknowing that she’s known his secret since it happened. This back and forth leads us to believe that the body in the tub is one of them, put there by the other. However, it all beautifully unravels at the end, as the body is revealed to be…
***LAST CHANCE TO AVOID THE BIGGEST SPOILER OF THE SHOW!***
While I didn’t expect the discovery of who the corpse is, to become obvious right away, the reveal of it being the therapist never crossed my mind. We spend 8 episodes trying to figure out who is the most manipulative and conniving, and all along the ultimate predator is the one person that should be doing nothing but helping. I absolutely loved this twist, as it all made sense in the end. He had everything to gain from this young rich kid needing a therapist on call.
While the therapist was the ultimate predator, neither Ciara or Oliver are innocent. While Oliver attempted to make good on what he had done, he didn’t. The guilt ate him alive, but he still never took accountability for drowning his classmate, and letting Ciara’s brother take the blame. Just the right amount of money however, can apparently forgive a lot.
Ciara is no angel in this case. She has a mission, and it’s to take down the man she blames for her brother’s suicide, and ultimately the collapse of her family: Oliver. She knows he was the one to kill his classmate, not her brother. However, Oliver had money, and her family did not. So Ciara’s brother took the blame, and then killed himself. Ciara is unaware, this was at the suggestion of the school guidance counselor (now Oliver’s on call therapist), and that Oliver intended to turn himself in. However, if she hadn’t fallen in love, would that have mattered?
Ciara’s goal is ultimately achieved. Oliver confesses, and her family is financially compensated. Despite her hate for Oliver in the beginning, there was still a passion for him, and that comes across very clear in their early sex scenes. However, you can see the moment where her passion for Oliver turns to love. Something she did not see coming.
Is Ciara what a (non manipulative) therapist would call emotionally healthy? I’m gonna guess absolutely not, but she makes for a hell of a fictional character. The twist of her brother, Shane, being the one accused for Oliver’s crime, rather than the one who Oliver killed was definitely unexpected. Giving the story an extra layer of surprise.
Oliver’s Past
It’s made very clear that despite Oliver being raised with money, he’s not emotionally well taken care of. His parents have been absent his whole life, doing nothing more than cutting a check. At one point he’s on the phone with his mother and we see her letting a child watch Invincible. While this may be just a fun Easter Egg to another Prime series, any adult who has read or watched Invincible, knows full well that is not for children. Oliver’s mom is not winning any mom of the year awards, and allowing a child to watch Invincible is a good (fun) example of that.
SIDENOTE: It’s my all time favorite comic, and an amazing show. ADULTS should absolutely read AND watch Invincible.
While it’s clear Oliver has some trauma from his childhood, his morals seem to still be in tact. Despite him not ever turning himself in and clearing Shane’s name, he does seem like a good guy. Just a bit of a coward. However, we’re regularly getting thrown off with characters like Jane, the reporter, or Alison, his boss’ wife. Were their suspicions warranted? How did they become so close?
I wanted to see more of their backstories in the hopes it would lead to more about Oliver’s past. Seeing that Alison’s death was clearly an accident, and Jane had a whole conspiracy wall and broke into Oliver’s apartment, seemed to show they were just nosey and over dramatic. While, I love how it all played out in the end, I was hoping for more from both of their storylines.
We meet Lee (played by Karla Souza) and Karl (played by Dorian Missick) early on. They’re brought on to solve the murder of the body in the tub. As the case develops we learn about them. They seem to have a good social and professional relationship. However, neither are without their faults. Lee’s faults being a bit more illegal than Karl’s. While I enjoyed their story throughout, I was starting to wonder why we were so focused on them personally.
That was until the end. Another satisfying wrap up. It’s always fun to root for the “good guy” when they’re doing shady stuff. They plant evidence, and solve two problems at once. Lee should be safe now, and Ciara and Oliver essentially get off. Even if they’ve already fled for good.
Good Guys Finish Last
The one character who genuinely seemed sweet and pure throughout this series ended up alone. Elliott (played by Alfredo Narciso) lost his best friend, his surrogate son, and his wife. He saw the good in Oliver when no one else did. Without Elliott we’re led to believe Oliver would have turned himself in. Thereby not getting his happily ever after. While, I think Oliver would have found any excuse to avoid turning himself in, Elliott made him feel good about his decision, rather than guilty. I just hope Elliott eventually got his happily ever after as well.
Overall Grade: 9/10
The overall theme of 56 Days, I believe, comes back to a little street art in the 3rd episode: “If you are happy you can forgive a great deal.” This foreshadowing seems almost comical at first, as it pops up during some illegal car activities. However, it does show up again, and seems to be even more relevant to the story later on. In the end Ciara and Oliver get their happy ending, and all seems to be forgiven.
56 Days was produced by Amazon MGM Studios and Atomic Monster. Starring Dove Cameron, Avan Jogia, Karla Souza, and Dorian Missick. Written by Lisa Zwerling and Karyn Usher.
Time for some revenge on the Russian mob. Writer Mark Silverstri, Artist Raymond Gay, Colorist Arif Prianto, and Letterer Troy Peteri are back with Issue #3 of Image Comics and Top Cow Productions’ The Darkness.
The Darkness #3 Cover B By Brett Booth, Arif Prianto & Sal Regla (Credit: Image Comics/Top Cow Productions)
Raymond’s art in this issue is amazing. It’s bloody, violent, and so perfectly captures what Jackie is going through right now. He captures what is happening and makes it flow perfectly with the story. Tack on both Arif’s coloring and Troy’s lettering, and this book is fantastic.
Mark’s writing on this issue is second to none. He has captured what made the original series so fantastic, and took that to new levels with this series. Every character is so complex with their own issues and layers, and Mark writes it all so well. This is one of his best series to date.
Now, this issue sees Jackie having revenge on his mind. He has already mastered how to use his new powers, and now he has the Russian mob in his sights. We also see Jenny’s new bodyguards in the Brotherhood of the Darkness. Now everything comes to a head in a brutal fight.
Overall Grade: 10/10
I love it when a great issue has a beautiful and brutal fight moment. This had that and so much more. Mark and the team are really telling an incredible story, and I cannot wait to see where this goes from here.
Issue twenty-two of The Amazing Spider-Man follows Peter Parker as he finally returns back to earth from his long disappearance off planet. Peter is nervous about what he could be returning to. Which makes this issue a guessing game. Joe Kelly leaves no stone unturned and features all aspects of this run into this solid issue.
The Amazing Spider-Man #22, Credit Marvel Comics. Cover by Mark Bagley & Matre Garcia.
Upon Peter’s return to earth his first stop is not surprising, Aunt May. But when she is nowhere to be found, instant panic ensues. Peter is now on a mission to find Aunt May and he knows exactly who to address her disappearance with, Ben Reilly. For those trying to play catch up, Ben is a clone and had taken over the role of Peter while Peter was gone.
Peter confronts Ben regarding the whereabouts of Aunt May, and it’s not cordial. But things simmer down once Peter discovers that Aunt May is now living with her new love interest. This brings a small amount of comfort to Peter, but he is still angry with how Ben has been imitating himself. This is going to cause Peter to do a lot of explaining and relationship rebuilding.
Peter locates Aunt May but is not met with open arms from Ricardo (May’s new lover). He is devastated with how his absence has taken a toll on the people he loves. Peter is allowed to see Aunt May, and it is in this moment, on his knees and emotional in front of Aunt May that she knows the real Peter has returned home…
Writing
This issue is jam packed with various emotions! Joe Kelly brings to life the feelings of joy, fear, discomfort, rage, regret and heartbreak within nineteen pages. The most powerful example of this comes at the end of the issue. Peter is rejoined with Aunt May, and it is a flood of emotions. Dialogue and narration are spot on, and the flow from emotion to emotion is seamless.
Artwork
Nick Bradshaw, Todd Nauck and Nathan Stockman all did a fantastic job bringing this issue to life. The attention to detail on buildings and inside of living quarters makes you feel like you are actually there in New York. Don’t get me started on the linework of Peter’s new Spidey suit. So many details are displayed up close and from a distance. Excellent penciling from these three individuals.
Scott Hanna, Matre Garcia and Rachelle Rosenberg are true masters of their craft! It is truly amazing how colors set the tone for pages and panels. From galactic space, run down apartments and the joyous uplifting ending. One can simply read the wording through a story and capture it, but to visually see it is something special as well. This trio picked the right colors and shading to mold this story into what it is.
I will add one final piece regarding the art. When I read my comic books, I try to play a game. I read all of the dialogue and narrative in its entirety. But then I go back and reread the story, by just the art. And this group of artists told you this story without you needing one word on the pages. Stellar job!
Final Thoughts
This is such a good addition to this already spectacular story. All facets of this issue will have you glued to it. I recommend taking your time when reading this issue. Study the dialogue and pair it with the art that goes with it. Together they make this a captivating story panel by panel. Check out The Amazing Spider-Man #22 for yourself!
Time changes but some things never do. Wolverine: Weapons of Armageddon begins with the truth that someone will always try to create the next super soldier. Folks from Logan’s past begin to show up again, except this time they’re trying to settle the score for the right team.
Creative Team
Writer: Chip Zdarsky Artists: Luca Maresca Color Artist: Jesus Aburtov Letterer: VC’s Joe Sabino
Writing
The path to Armageddon begins here. Sure there are a few issues that are considered the prologue, but it’s here in Wolverine: Weapon of Armageddon that Chip Zdarksy begins the march and what a great first step. First of all, I love seeing Nuke back. Nuke’s had a mixed history of usage in the Marvel Universe so it was nice to see him back.
I really love the tone that Zdarksy set for this issue. There are looks back at the past as well as the obvious story set in the present, but it’s done in a way that is not distracting. The flashbacks portend something far more sinister than being simple flashbacks but they leave you wanting just enough. A few newer characters are introduced into the Marvel lexicon and we get to see some familiar faces. Are the folks we meet in this issue going to be the power brokers of Armageddon or are they simply going to be pawns? Thankfully Zdarksy doesn’t alert us to their status right out of the gate giving us time to build to the big Marvel event this summer while clearly setting the tone of what we are going towards.
Art
Wolverine: Weapons of Armageddon #1 – Image by Marvel Comics
The art team did a really great job moving the story forward with this issue. Zdarsky is a master storyteller, but it’s the team of Maresca, Aburtov, and Sabino that bring the words to life. The art definitely gives me a gritty days of future past feeling to it and I really enjoyed that.
I consider myself a pretty receptive person, but even the art worked to misdirect from the reveal at the end of this issue. Sabino’s lettering was great. I’ve always felt letterers are like QBs in football. They should win you games but shouldn’t lose you one. Sabino is one of the best in the business at that. The lettering is easy to follow and enhances not distracts from the story.
Final Thoughts
Overall this is a really good start to the story as we march towards Armageddon. It feels different than a general X-Men comic that features Wolverine. It feels more Logan than Wolverine even and honestly, I love that. There’s a lot of room to grow into Armageddon and what is coming but if this book is setting the tone of what we may see, I like where the art and narrative is headed
Overall Grade: 10/10
Until next time, may your pulls be magical and your multiverse remain stable.
The world has ended, and survival is a family affair in White Sky. For David and his daughter Violet, the apocalypse isn’t just the collapse of civilization; it is the beginning of a graveyard that refuses to stay quiet. Forced out of safety, David and Violet must try to make their way to find a new home that may not even exist. When even the air you breathe feels haunted, what lengths will you go to in order to protect your family?
Creative Team
Writer: William Harms Artist: Jean Paul Mavinga Colorist: Lee Loughridge Letterer: Ed Dukeshire
Writing
What a strong opening from William Harms with White Sky #1. While the comparisons to Joel and Ellie and The Last of Us will begin immediately, Harms is doing something really different with White Sky. You only need to make it about halfway through the comic before those comparisons swiftly end. Harms creates an apocalyptic story that feels different and new. The big reveal for the antagonist feels impactful. Harms starts off making us think the biggest threat is other survivors, before something more sinister appears.
Harms ending to the first issue is a gut punch and drives home the dire straits the world finds itself in. I also really appreciated Harms closing out the comic with a short letter outlining his inspiration, dreams for the comic going forward, and what to expect. It was a nice touch that is a stark contrast to some of the “mail call” type closing pages seen in Marvel or DC comics.
Art
White Sky #1 Main Cover by Jean Paul Mavinga. Image from Image Comics
The combined team of Mavinga, Loughridge, and Dukeshire really set the tone right out of the gate. The art in White Sky #1 feels gritty but not cheap. Dukeshire deserves particular praise for the work with lettering ensuring each action word is carefully colored and distinct within the comic.
Mavinga’s lining is simply amazing work. Clear lines with shading to show depth and crispness in an otherwise open and gritty art style really shows off ability. Loughridge does an amazing job choosing the proper tones for each panel.
While Harms writing is impressive, it’s the work for the art team that really brings his words to life. You are not only reading the words but Mavinga, Loughridge, and Dukeshire pull you into the world. There’s been a lot of apocalyptic comics, but not all of them had a creative team that so perfectly crafted images to match the words on the page
Final Thoughts
Ultimately, the creative team crafted an outstanding opening first issue for a brand new comic. Harms, Mavinga, Loughridge, and Dukeshire are crafting a post apocalyptic world that contains the elements you are familiar with while bringing something new to the table. The big reveal of the main antagonists and their interaction with Violet shows the power of synergy between great writing and great art. I can’t wait to pickup up the next issue and see where the team takes it from here.
Overall Grade: 10/10
Until next time, may your pulls be magical, and your multiverse remain stable. You can check out more of my writing HERE!
What did you think about seeing the ghosts for the first time? Let me know in the comments
In a not-so-distant place called Florida, resides a mammal conservation full of family fun and laughter! However, it is also a front for drug lords who are about to put the name Florida Man on the map through a bust gone wrong, torture, and ravaged drug-fueled hippos!
The Florida Hippopotamus Cocaine Massacre #1. Credit Mad Cave Studios. Cover by James Edward Clark.
Creative Team: Fred Kennedy and James Edward Clark
*SPOILERS AHEAD*
The Rundown:
We’ve got Florida, hippos, manic law enforcement, and an overweight drug lord packed into one crazy issue. Kennedy takes us on a trip from the start, making me feel almost like I was back in 6th grade during D.A.R.E. with the old lady telling us why drugs are bad as she beats on the old television set to work. It almost felt as though every character was on cocaine. Which is hilarious and makes this story work so well. The story itself is tongue-in-cheek as well as full of surprises, and Kennedy’s plot will have the readers laughing the entire book.
Clark is doing the art, cover, and letters, which aid in making this feel as though we are on a trippy journey into a 70’s action spoof. The overzealous hairstyles and acrobatics lend to the laughter as we move from panel to panel, continuously asking ourselves what in the heck we are reading.
Final Thoughts:
The Florida Hippopotamus Cocaine Massacre #1 is a wild adventure from start to finish that will leave you laughing and needing more. It’s everything I wanted in a comic, and we are even left off with a cliffhanger teasing the next issue, which I need ASAP. Check this book out, you will not be disappointed!
What starts as a thrilling tale of mutants in the Wild West turns into a fight for the ages between mutants and monsters. The Outliers are comfortable and safe at Haven House, in the exciting throws of a bedtime story they’ve found themselves to be the stars of. As on edge as Calico is, the story is captivating and holding all of their attention. What they don’t notice is that true danger is on its way to them while their mentors are in their own horror story.
Cover art by David Marquez and Matthew Wilson. Published by Marvel Comics
Outside, the older X-Men are ambushed by the antagonists of the scary stories parents tell their children. Elsa Bloodstone, Morbius, Frankenstein’s Monster, Manphibian, The Living Mummy, and Werewolf by Night appear at the Haven House with one thing of their mind; to control New Orleans. The X-Men aren’t willing to give up their home and will fight to the death, even if some of these villains are already dead.
Gail Simone brings a huge horror aspect that we’ve seen a few times in this comic run back with a bang. Bringing in iconic horror characters to fight the X-Men is as exciting as it gets, for the reader anyways. The X-Men find that these monsters are nothing to scoff at, but the real question is who is behind this plan? Who is it that sent the monsters to Haven House and who is pulling the strings? Whoever it is has their eye on the younger X-Men, who have no idea about what’s going down right outside their home. We’re left on a huge cliffhanger, leaving the comic to end on a very tense moment. Leave it to Gail Simone to leave the reader desperate for more as she does it the best!
The Art
David Marquez, Matthew Wilson, and Clayton Cowles continue their top quality artwork for The Uncanny X-Men. Switching to and from different stories, they’re able to show a variety of tones that are the exact opposite of each other with ease. From the Wild West to a spooky abandoned theme park, the reader is able to feel the emotions through the art as if they’re in the scenes themselves. What really hammers down the emotions are the facial expressions of the characters, which I’ve always loved about David Marquez’s art. The facial expressions, especially from Rogue, tell the story themselves.
Matthew Wilson brings so much fire to the pages of The Uncanny X-Men #24 with his work in the colors, somehow making the theme park panels look as gorgeous as they are menacing. Joining Wilson and Marquez is Clayton Cowles, who wraps the artwork in a nice bow with his fantastic talent with the letters. Together, the artists, once again, knock it out of the park.
Final Thoughts
With every new arc, The Uncanny X-Men gets more and more compelling. We see so many different characters that you wouldn’t expect to see in The Uncanny X-Men #24, and Gail Simone handles the balance with ease. X-Men fans will absolutely thrive with this issue as well as the fans of the monsters.
Overall Grade – 9/10
Let me know in the comments what you thought of The Uncanny X-Men #24
This review was written by Megan from the Vigilante Vibes Podcast! If you liked my review, be sure to check out my other reviews! Let me know what you think of The Uncanny X-Men #24, or tell me what comics you’d recommend me trying out! Find me on my socials, and check out my Marvel podcast, Vigilante Vibes, by clicking here!
