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The Cull: Issue 4 of 5 – Mystery, Beauty & the Apocalypse

Lauren The Hoppy Geek
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The Cull: Issue 4 of 5 – Mystery, Beauty & the Apocalypse

Creative Team

Words:  Kelly Thompson; Art & Colors: Mattia De Iulis; Letters: Hassan Otsmane-Elhaou; Variant Covers: Mattia De Lulis (A) & Tula Lotay (B) Edits: Charles Beacham; Design: Rian Hughes

The Cull #4 from Image Comics

This comic is a five issue run, and issue 3 really kicked up the intensity. What started as a group of teenagers who are working on a film, but also appear to be dealing with issues beyond their age, has morphed into an incredible science fiction action mystery. At the end of issue 3, we had a quick moment of relief, before realizing the danger and mystery not only increased, but it appears to have leaked into our world.

If you’re new to this comic, check out the Nerd Initiative review for Issue #1 of The Cull.

Page 1 of The Cull, issue 4 by Image Comics.
The Cull Issue 4. All images by Image Comics.

The Story for Issue #4

Our makeshift filmmaking crew are back where they began on Black Water Beach, however, a lot has changed since their last visit. Each of them (well except one, which is another mystery) is equipped with newfound powers that seem to be an extension of who they are. This quickly proves to be useful when a giant monster looking creature greets them on a now eerily abandoned and empty beach. As the group, who has no idea how long they have been gone, searches for their families, we see neighborhoods straight out of The Walking Dead, just minus the walking corpses. 

Throughout this issue there are ups and downs, as they puzzle together what happened. Naturally, they all feel guilty, as they assume they are at fault for letting the monsters into our world, and kicking off what appears to be the start of the apocalypse. However, these kids are tough, and they’re not backing down. They’ve been through hell and back (metaphorically), and to another dimension and back. The last page leaves us once again with a feeling of curiosity, hope, and anticipation, only to then leave us with the words, “TO BE CONCLUDED.” 

Page 2 of The Cull Issue 4 by Image Comics.
The Cull Issue 4. All images by Image Comics.

The Art

This is not your parent’s comic book art. I in no way mean that as a jab at comic book art of the past. I just want to emphasize the beauty that is on every page of this book. The characters are so well drawn, they almost look like actual pictures at times. Meanwhile, the emphasis on light throughout this series showcases a level of beauty I have never seen in a comic.

Once Will, Lux, Wade, and Kaite got their powers, this art became even more beautiful. As did the characters that possess said powers. We also get quite a lot of close ups of each main character. The details shown in these close ups, convey every single emotion they are feeling. Therefore, better helping the reader to feel for the characters and fall into the story. 

The Cull Issue 4 Rating: 9/10

The first couple issues built mystery, and showed us who these teenagers are, and gave us an idea what they’re dealing with. It then took off in issue 3, and continued strong in 4. I have no idea how it will wrap up in one last issue, but I can’t wait to see how.

The Cull has taken childhood trauma, and literally turned it into superpowers. Now, we’ll have to see if that’s enough to save the ones they love, and possibly the world. 

Check out another comic review by Lauren. She is half of Hops GEEK News: a weekly podcast that discusses all things geek pop culture, while enjoying a craft beer of the week. They also interview many different people from the comic book world and beyond.

The Ministry Of Compliance #1: A Slashing New Sci-Fi Thriller

Matthew Roth
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The Ministry Of Compliance #1: A Slashing New Sci-Fi Thriller
The Ministry of Compliance by John Ridley, Stefano Rafaele, Brad Anderson, and Ariana Maher. (Credit IDW Publishing.)

Creative Team:

Writer: John Ridley

Artist: Stefano Raffaele

Colorist: Brad Anderson

Letterer: Ariana Maher

The Rundown:

The story opens with our Minister of Compliance Avigail cutting off the heads of Carlyle and Regulators who were sent to kill her. As it turns out Avigail and the others are a species not from Earth who are set to invade and take over the planet until their Prime Minister was “recalled” leaving everyone in disarray. Avigail enlists the help of Kingsley a rookie who is Bi-racial both alien and human to help her get the launch codes from the Minister of Transportation to help prevent the takeover. upon reaching the Minister they enter his panic room to find him gutted and murdered violently. As the first issue closes it seems things are not as they appear with our rookie Kingsley setting the stage for our story.

The Art:

The art is a blend of bloody and gruesome delight as Stefano and Brad clearly had a blast creatively cutting up The Regulators and anyone who stood in Avigail’s way. The amount of detail in the action is impressively on display giving John Wick vibes only with cannon fodder missing arms and legs thanks to a mighty sword as though we have entered the world of Mortal Combat.

The Ministry of Compliance by John Ridley, Stefano Rafaele, Brad Anderson, and Ariana Maher. (Credit IDW Publishing.)

The Writing:

John Ridley kicks off the story by roping us in with intense action and confusion as he weaves a web of lies and deceptiveness. The character of Avigail is a mixture of Bond and John Wick in how sly she is working her way through the mystery with both her mind and the help of her sword. Serving as a set up issue there are a lot of exciting plot potentials leaving us to let our imaginations run wild with excitement for more.

Overall Thoughts:

If there is one way to bring someone into a new world it is how the team does it with issue #1. A mix of violence and intrigue leaves you in awe wondering just what comes next in the story. An alien species invading Earth alone is enough to bring me into this world but, when you add explosive action and the threat of a spy thriller then if you aren’t picking this up you are sorely missing out. Be warned this issue is not for those with a weak stomach, Avigail is here and she is not playing around. 4.5/5 Cigars.

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G.I. Joe: A Real American Hero #301- An explosive return

NI Staff
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G.I. Joe: A Real American Hero #301- An explosive return
G.I. Joe: A Real American Hero #301 by Larry Hama, Chris Mooneyham, Francesco Segala and Pat Brosseau (credit: Skybound entertainment and Image Comics – Cover Andy Kubert)

Welcome to a very special edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, we are checking out the grand return of a legendary comic. Throughout the course of history, the G.I. Joe franchise has been one of the most popular in pop culture.

From live action movies to the classic animated series to unforgettable toys, the brand has made its’ mark with fans for decades. One of the biggest win has been its’ comic book runs.

Since the 1940’s, there has been a connection between G.I. Joe and comics. However, if you talk to most comic fans these days, their first real memories were based in the 1980’s with the run via Marvel Comics.

With an impressive 155 issue run under the voice of Larry Hama, the series left a lasting footprint with fans. The rights had moved to a few different publishers since the series wrapped at Marvel in 1994. Last readers saw, issue #300 hit shelves in November 2022.

Fast forward to the summer of 2023 and little did fans know that spinning out of Skybound Entertainment and Image Comics’ VOID RIVALS would be the birth of the Energon Universe!

The new landscape would be the home for both G.I. Joe and Transformers! With fans buzzing about what is coming, Skybound is bringing back the flagship book in a monster way with the voice of G.I. Joe leading the way once again!

G.I. Joe: A Real American Hero #301 by Larry Hama, Chris Mooneyham, Francesco Segala and Pat Brosseau picks up where things left off for the Real American Heroes! Let’s take a closer look to see how this return fares!

G.I. Joe: A Real American Hero #301 by Larry Hama, Chris Mooneyham, Francesco Segala and Pat Brosseau (credit: Skybound entertainment and Image Comics – Cover Clayton Crain)

*** POSSIBLE SPOILER WARNING ***

The issue opens up with a fantastic “who’s Who” recap of the history of G.I. Joe. Readers get a quick glimpse into G.I. Joe and Cobra and some of the key players involved. (Editor note: This is brilliant and I wish more companies did this with series)!

The main story begins with Duke and Wild Bill flying over Cobra Island. With a damaged plane, they’re trying to salvage the flight, not to mention the precious cargo of a Joe team on-board.

On the ground level, Dr. Mind-bender and Serpentor Khan (COBRA notables) have activated the Mutant Virus Bomb. Preferring this method to defeat the Joes instead of surrender, time is now a factor for the good guys. Outside of Mind-bender’s lair is another Joe squad led by Snake-eyes and Scarlett ready to go.

With the bomb activated, who will survive? The tension races as Cutter tries evacuating the team on the ground. With one note-worthy figure on-board the ship escaping, an event happens proving how dangerous and deadly this conflict is between GI Joe and Cobra.

Once the smoke clears, readers see how this series is a far cry from the cartoons and toys. THIS is vintage GI Joe comics. The aftermath will leave a lasting impression that you can’t help but want to make sure you don’t miss another issue of what is going to be another incredible run in the legacy of G.I. Joe stories.

G.I. Joe: A Real American Hero #301 by Larry Hama, Chris Mooneyham, Francesco Segala and Pat Brosseau (credit: Skybound entertainment and Image Comics – Cover Andrew Krahnke )

In case anyone is diving in for the first time, Hama picks up right where he’s left off involving his story-telling. There is a reason he is synonymous with this franchise. Hama establishes the high stakes right off the bat and never lets up. His dialogue between Serpentor and Mind-Bender illustrates how unhinged Serpentor is and how far he’s willing to go to win.

On the flip side, no one brings out the voices of the Joes better. Duke and Will Bill’s story keeps escalating until it hits the perfect timing and mark. The escape from the island has its’ drama and one moment sparks a bigger match to explode later in this new series. The resolution of the bomb kickstarts a few avenues for the team to venture down in future issues. This is a great re-introduction issue for older fans and a solid jump-on for new readers wanting to find out about the hype.

Mooneyham adds a gritty style to the Joe imagery for this issue. It gels perfectly with Hama’s dialogue. The intro pages are an easy win with readers. Once they conclude, the art speeds events up quickly to layer the dangers of what Cobra is doing. This all leads to an excellent full page image of the teams trying to escape.

The one major moment of the escape comes across to readers as a huge deal, even if they’re not familiar with everyone involved. Its’ following sequences show a variety of reactions. The panels construct the foundation for a lasting image to close this chapter out with. There is so much to compliment with the art for this return issue.

FINAL POINT: 9.5 OUT OF 10

The return of the long-running fandom doesn’t miss staking its claim as a must-read series. With Hama’s legendary writing backed by Mooneyham’s superb visuals, the saga of G.I. Joe strikes back to win over fans new and old alike. Don’t leave the comic shops without this in your possession!

Hit me up on ODPH social media and let me know your thoughts on G.I. Joe: A Real American Hero #301! Thanks for reading Parlay points on Nerd Initiative!

CLICK HERE FOR MORE CONTENT FROM KEN

CAPWOLF AND THE HOWLING COMMANDOS #2: A HOWLING GOOD TIME

Matthew Roth
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CAPWOLF AND THE HOWLING COMMANDOS #2: A HOWLING GOOD TIME

Capwolf and the Howling Commandos #2 by Stephanie Phillips, Carlos Mango, Espen Grundetjern, and VC’s Travis Latham. (credit Marvel Entertainment cover by Ryan Brown)

Creative Team:

Writer:  STEPHANIE PHILLIPS

Artist: CARLOS MAGNO 

Colorist: Espen Grundetjern

Letterer: VC’s Travis Lanham

Cover Artist: Ryan Brown

Variant Cover Artists: Jay Anacleto and Romulo Fajardo Jr.

Publisher: Marvel Entertainment

The Plot:

Captain America has become a werewolf right before the Commando’s very eyes leaving everyone in disbelief to the fact that they are now faced with monsters rather than Nazis. The Nazis are under the guide of a. mysterious witch promising them they must do what it takes to win the war no matter the price. Meanwhile, Dugan is convinced Cap still has a shred of humanity left in him despite his transformation refusing to shoot him until he has to. In enters Francine Binoche a member of the resistance firing bullets and asking questions later. As the dust settles Cap’s impeccable heroism and humanity shine through thanks to his super soldier serum and the crew are ready to take the fight to Germany.

Check out Issue 1 Review here!

Capwolf and the Howling Commandos #2 by Stephanie Phillips, Carlos Mango, Espen Grundetjern, and VC’s Travis Latham. (credit Marvel Entertainment cover by Ryan Brown)

The Art:

Carlos and Espen do wondrous work showcasing the sheer size of and horror of a Captain America turned werewolf in this issue. The sheer panic and confusion bursts through the work they do conveying the fear on everyones’ faces and the bravery of Dugan. The way the duo bring to life the wolves in epic detail would make horror fans proud in this dark twist upon the American Boy Scout.

The Writing:

If there is one thing 2023 has taught us it’s that Stephanie Phillips is here to stay and make a case for writer of the year. She just understands the characters in a way that makes you proud and happy. Bringing the humanity to Cap despite the horror he has befallen and showing his classic Captain America bravery and heroism really shine through in issue #2. Another thing she hits is the horrifically scientific methods the Nazi’s were ready to use in order to win the war. Additionally, showing us that the team wasn’t fully aboard Captain America and showcasing that he had to earn their trust was a brilliant creative decision.

Overall Thoughts:

Marvel has another hit on their hands with Capwolf. From the team led by Phillips understanding that Captain America to his core will die fighting the forces of evil to the shining moment Dugan and the Commando’s truly buy into Cap as the leader they did not know they had. This series is shaping up to be loaded with intense action and suspenseful and horror filled moments. I never knew I needed to see Captain America as a werewolf do battle against a legion of Nazi werewolves but here I am. Every full moon make sure you grab your blanket, lock your doors, and grab Capwolf and the Howling Commandos.

5/5 Cigars.

Want more reviews from HopsGeekNews? Click Here!

Arcade Kings 5: A Flawless Victory in Comic Brilliance

martystoked
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Arcade Kings 5: A Flawless Victory in Comic Brilliance
Arcade Kings #5 (Credit: Skybound Entertainment) Creative Team: Dylan Burnett, Walter Baiamonte and Sara Antonellini

Creative Team: Dylan Burnett (Writer/Artist), Sara Antonellini and Walter Baiamonte (Colorist), AndWorld Design (Letters)

Arcade Kings 5 delivers a knockout finale, cementing its status as a top-tier video-game infused fighting comic. Dylan Burnett’s storytelling prowess shines as Victor McMax’s master plan is unveiled, weaving a tale that keeps readers on the edge of their seats.

Check Out Issue 4 Review Here!

The narrative’s strength lies in its exploration of the love-hate dynamic surrounding Victor McMax. The clever move to revisit various dojos and capture crowd reactions to the news adds depth, showcasing a nuanced response to McMax’s return. The epic conclusion strikes a perfect balance between action and emotion, leaving readers with a satisfying experience that elicits both smiles and heartfelt moments.

Arcade Kings #5 (Credit: Skybound Entertainment) Creative Team: Dylan Burnett, Walter Baiamonte and Sara Antonellini
Arcade Kings #5 (Credit: Skybound Entertainment) Creative Team: Dylan Burnett, Walter Baiamonte and Sara Antonellini

The artistic brilliance of Burnett, along with colorists Sara Antonellini and Walter Baiamonte, elevates the series. Bright, vibrant colors not only set the tone but also guide the story’s flow. The action sequences are a visual feast, especially as Ken pulls out all the stops to rescue his brother Joe. The super saiyan-like intensity adds an extra layer of excitement, and the anime-inspired paneling keeps the pacing dynamic.

The full-page spreads are nothing short of breathtaking, showcasing the artistic prowess in its full glory. Every detail contributes to the immersive experience, making each page a visual delight. AndWorld Design’s lettering deserves applause, with onomatopoeia that practically resonates, enhancing the overall reading experience.

Final Thoughts:

Arcade Kings 5 masterfully concluded an enthralling narrative, enriched by compelling storytelling, vibrant artwork, and meticulous design. Devoted fans of the series are bound to be on the edge of their seats, eagerly anticipating the next chapter in Joe and Ken’s journey after this wickedly fun and emotionally resonant conclusion.

Overall Grade: 9.5 out of 10

Thanks for checking out my review for the NI Comics Bullpen. Let me know what comics you’re reading and hit me up on Twitter. Till next time…

Want More Reviews From martystoked? Click HERE

GEIGER: GROUND ZERO #1 – GHOST OF THE PAST

NI Staff
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GEIGER: GROUND ZERO #1 – GHOST OF THE PAST
GEIGER: GROUND ZERO #1 by Geoff Johns, Gary Frank, Brad Anderson and Rob Leigh (Credit: Image Comics via Ghost Machine)

“Characters First”

That has been a statement that has served as an anthem for a company making some big moves as of late.

Coming off the heels of New York Comic Con, fans have been patiently waiting to hear more about an upstart company with an all-star line-up of creators leading the way:

Geoff Johns, Jason Fabok, Gary Frank, Bryan Hitch, Lamont Magee, Brad Meltzer, Francis Manapul, Peter Tomasi, Brad Anderson, Maytal Zchut and Rob Leigh

Creator owned, character driven.

THIS IS GHOST MACHINE

With books like Geiger and Junkyard Joe already making an immediate impact at the comic shops, Fans are counting down the days until January for the Ghost Machine giant-sized one-shot.

In the meantime, Ghost Machine returns to New Comic Book Day with the story of Tariq Geiger and his early days after becoming a walking radioactive weapon courtesy of GEIGER: GROUND ZERO #1 by Geoff Johns, Gary Frank, Brad Anderson and Rob Leigh. How does this The Unnamed Universe entry carry the excitement to the one-shot?

With the amount of buzz behind this line, one review won’t be enough. Time for a N.I. Bullpen group discussion with Marty Stoked, and yours truly (Ken – ODPH podcast/NI Comics EIC) breaking down this explosive issue (Possible Spoiler Warning):

GEIGER: GROUND ZERO #1 by Geoff Johns, Gary Frank, Brad Anderson and Rob Leigh (Credit: Image Comics via Ghost Machine – Cover: Bryan Hitch)

The Writing:

Marty: Geoff Johns’ writing seamlessly guides readers through character pasts, employing narrative bubbles for smooth transitions between scenes. The inclusion of Junkyard Joe nods acts as breadcrumbs into the Ghost Machine universe, enriching the storytelling experience.

The use of a comic within a comic, featuring Junkyard Joe, proves an inventive technique to navigate timelines. For those familiar with the first volume, the narrative may resonate differently, offering a nuanced layer to the experience. 

While there are occasional time jumps that might pose a challenge for newcomers, clarity emerges as the story progresses, especially when scenes shift to the present day.

The backstory not only heightens the stakes but also infuses the narrative with emotional depth. Character development is a standout, intertwining Tariq’s and Dr Molotov’s stories, which amplifies the emotional resonance.

Ken: This is a tale of two times. The story of Molotov’s dealing with what he’s caused drives one portion of the book. With being the man behind the bombs, Johns writes him as a conflicted soul who’s trying to find himself a reason with how he’s trying to see his wife.

The conversation with the army troops around him plays into his guilt. The closing portion of his tale sets up a much needed confrontation that readers won’t want to miss.

That said, the issue’s strongest lead is the flashback moments. The emotional ride Johns takes readers on will leave a strong impression. The conversation between Tariq and his family is only amplified knowing the eventual outcome.

Seeing the heartfelt times with him and his children will show a different side of the lead character that only makes readers want to see how he will survive the current state of affairs in the Unnamed. The ripple effect this will have in the current time will make for a deeper conclusion to this limited series. This issue is a very strong read that will win over new readers instantly.


GEIGER: GROUND ZERO #1 by Geoff Johns, Gary Frank, Brad Anderson and Rob Leigh (Credit: Image Comics via Ghost Machine – Cover: Gary Frank)

The Art, colors and letters:

Marty: Gary Frank’s art is a visual feast, intricately detailed and immersive. Brad Anderson’s colors contribute to setting the tone and evoking emotions, enhancing the overall experience. Rob Leigh’s letters add intensity, completing the visual storytelling package.

Ken: Frank, Anderson and Leigh paint a lasting impression of the world Molotov now bears responsibility for. The themes range from despair to wonderment once Geiger crosses his path. There’s an excellent full page display of Geiger’s abilities that ramps up events leading to the final image.

Everything from the coloring to lettering nails the landing on this sequence of events. Readers are in for a surprising closing image which makes the wait for the next issue even tougher.

The emotional moments with the family strike such a note with readers. From Tariq handling a rude neighbor to the power of Chicken noodle Soup, the art team brings “normalcy” to the Unnamed for a brief but memorable time. With such an emphasis on characters, the mannerisms and body language mirror a simpler time that is lightyears away.

With the focus on the two stories, the panels ultimately lead back to one lasting parting shot before ending things on an image of mystery heading into its’ next chapter.

Final thoughts:

Marty: Overall grade 8.5 out of 10. Geiger Ground Zero delivers a compelling narrative with well-crafted characters and a visually stunning presentation. The minor challenge for new readers is overcome by the unfolding present-day scenes. As a reader who has read the first volume I am excited to see how the additional backstory plays out!

Want More Reviews From martystoked? Click HERE

Ken: 9 Out Of 10. The early days of Ghost Machine’s radioactive powerhouse comes to light with an excellent debut chapter. Johns crafts first-class writing of his characters while Frank, Anderson and Leigh drill home the theme of what makes Ghost Machine stand out from the rest: Characters First.

CLICK HERE FOR MORE CONTENT FROM KEN

Thanks for reading this special N.I. Comics review. Make sure to like and follow the NI social media accounts for more weekly coverage on New Comic Book Day!

Top 10 Most Anticipated Comics for the Week of 11/15/2023

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Top 10 Most Anticipated Comics for the Week of 11/15/2023

This week’s Top 10 Most Anticipated Comics is a little extra special as it’s my birthday! What better present than comics? The answer to that is whatever my wife will be getting me. (Have to cover my bases) 

Editor note: All Description portions come directly from their respected publishers

With that being said let’s go to this week’s countdown…

10. The Ministry of Compliance #1

Writer: John Ridley

Artist: Stefano Raffaele

Publisher: IDW PUBLISHING

Description: The Devolution has thirteen ministries, each responsible for manipulating a different aspect of human life. The Ministry of Compliance, the most feared of all the ministries, led by the fierce Avigail Senna, makes sure all the ministries stay in line and remain focused on the Devolution’s mission. As it appears the Ministry’s mission is on the verge of being completed and Earth will be assimilated, things begin to go terribly wrong, and a conspiracy among the ministries breaks out that Avigail must deal with head-on.

Why it Made the List: John Ridley’s transition from movies to comics has been an interesting one. Moving from writing movies like 12 Years of a Slave to DC comics can not be easy. Now he is moving to create his own characters and universe. Some creators do their best work with no constraints, while others do better having some sort of boundaries set. Where does Ridley fall? We shall see. He is also teaming up with artist Stefano Raffaele who he worked with previously on GCPD: The Blue Wall. Hopefully, that past experience works well for this book. 

9. Deep Cuts #4

Writer: Kyle Higgins, Joe Clark

Artist: Ramón Pérez

Publisher: Image Comics

Description: New York City. 1956. Fresh out of prison, a gifted but troubled musician struggles to put his band-and his life-back together. The DEEP CUTS team is joined by Eisner Award-winning artist RAMON K PEREZ (STILLWATER, Tale of Sand) for a time-hopping tale of injustice, redemption, and bebop!

Why it Made the List: Deep Cuts is back! Exciting times. I have no idea how this comic exists. A historical fiction anthology series that focuses on jazz is not something that is capturing the zeitgeist. But good comics are good comics. This is also a series where you get your money’s worth as each issue is its own complete story. Something that is becoming more common with series like Silver Coin and Ice Cream Man, but unlike those this has nothing to do with horror. What is great about that is you can jump right into with issue without reading anything prior. 

8. Star Wars: Visions – Peach Momoko #1

Writer/Artist: Peach Momoko

Publisher: Marvel Comics 

Description: PEACH MOMOKO BRINGS HER UNIQUE STORYTELLING TO A GALAXY FAR, FAR AWAY! CENTURIES after the death of a GREAT DARK SITH LORD, a cult has grown worshipping this SITH LORD and the DARK SIDE. ANKOK believes she is the successor to the LEGACY of THE SITH with her DARK SIDE POWERS! But is she truly in tune with THE FORCE? Or is she just exploiting the people in her village? KAKO and GEL are about to come face-to-face with the truth…even if it kills them!

Why it Made the List: Any time we get Peach Momoko interiors I am a happy guy. I love her covers, but seeing that same style inside the comic as well is a much different experience. I was a big fan of the Star Wars: Visions TV series, and love that are repeating that concept for the comic book medium. I was a fan of what Peach Momoko did with the X-Men so excited to see what she can do with the Star Wars universe. 

7. Rumpus Room #3

Writer: Mark Russell

Artist: Ramón Rosanas

Publisher: ARTISTS WRITERS & ARTISANS INC

Description: Can Erica lead the captives out of the Rumpus Room and back to freedom? Find out in the latest chapter of Eisner and Ringo Award-winning writer Mark Russell’s all-new satirical thriller!

Erica concocts a plan to escape billionaire Bob Schrunk’s nightmarish Rumpus Room…though it takes a lot of convincing to get the other prisoners to go along with it. Meanwhile, Schrunk takes his lawyer on a bizarre art shopping spree, all while dodging questions from the press concerning the strange rumors about his disappearing employees. 

Why it Made the List: I feel like I just read Rumpus Room #3. Time flies when you are reading good comics I guess. I thought issue two really brought this concept full circle after the introduction with issue one. Definitely speaks to how people are so willing to accept the status quo no matter how horrible it is simply because of a defeatist mentality. One of those books that makes you angry in a good way because of how accurate it is about societal issues. 

6. The Deviant #1

Writer: James Tynion IV

Artist: Josh Hixson

Publisher: IMAGE COMICS

Description: As snow falls over Milwaukee in 1972, a blood-stained Santa Claus commits unimaginable atrocities against young men. Fifty years later, a troubled young writer interviews this so-called “Deviant Killer,” who still maintains his innocence from behind bars. And as Christmas approaches once again, the past returns, wielding a sharpened ax. Eisner-winning writer JAMES TYNION IV (W0RLDTR33, THE DEPARTMENT OF TRUTH) and acclaimed artist JOSHUA HIXSON (The Plot, Children of the Woods) unite for a pitch-black holiday horror story.

Why it Made the List: It is James Tynion IV comic book world and we are just living in it. His books are consistently selling out and he is winning Eisner after Eisner. So when he has a new book come out it is a big deal. Great timing as well as this horror theme Christmas book is released right in between Halloween and Christmas. So fans of Spooky or the Holiday season can both be happy. Artist Josh Hixson has proven himself to be a great horror artist with the series The Plot that I adored. Curious to see how he does with this script. 

5. The Man From Maybe #2

Writer: Jordan Thomas

Artist: Shaky Kane

Publisher: Oni Press

Description: The wastelands are ablaze with cosmic peril! Beware! The hard, bad lands of the future are filled with danger even on the best of days! But how can even the toughest mutant rustlers compare to the terror of DINO-NAUTS hopped up on the trippy nega-mind substance that is . . . the Purple Claw?! The Man From Maybe rides hard, searching for revenge for his fallen comrades! Saving the wasteland from the machinations of malevolent billionaire Harvard Denny is just the cherry on top of this oil-slick sundae.

Why it Made the List: The Man From Maybe is a weird comic. I mean that in the best of ways. A big reason I love comics is due to the diversity in style and design they offer in a given week. I doubt I will read anything else this year quite like this series. Part western, part science fiction, part dystopian future all done in the unique style of Shaky Kane. It reminds me of something I would watch on the old Liquid TV series. A story that pushes away from convention and looks to carve its own path. 

4. Lotus Land #1

Writer: Darcy Van Poelgeest

Artist: Caio Filipe

Publisher: BOOM! STUDIOS

Description: In a Vancouver of the future painted with ultramodern decay, a groundbreaking advancement in technology promises an end to entropy itself.

But when an attack on this mysterious “Keeper Program” threatens the lives of everyone tied to it, retired Police Detective Bennie Strikman is called to investigate one last case.

Eisner-winning and Harvey-nominated writer and director Darcy Van Poelgeest (Little Bird) is joined by rising star artist Caio Filipe (Stranger Things: Tales From Hawkins) for this timely and thought-provoking look into the human condition, set in a dystopia that’s as grounded as it is metaphysical.

Why it Made the List: I thought Darcy Van Poelgeest’s last series Little Bird was one of the best series of that year so I have been eagerly anticipating a follow-up. Three years later we are getting Lotus Land. I can see some similarities between the concept of Lotus Land and his previous book which gives me a lot of hope. Artist Caio Filipe is not someone I am super familiar with so I hope he can make this story work. If all goes well this could easily be one of the best books of the week. 

3. G.I. Joe: A Real American Hero #301

Writer: Larry Hama

Artist: Chris Mooneyham

Publisher: Skybound 

Description: A new era for G.I. JOE starts here…but one Joe won’t survive THIS ISSUE! The legendary LARRY HAMA is joined by new series artist CHRIS MOONEYHAM (Five Ghosts) and cover artist ANDY KUBERT (Batman, X-Men) to continue one of the longest-running titles in comics history!   

Why it Made the List: G.I. Joe was a major part of my childhood. I have so many fond memories of watching the cartoons and playing with the toys, and during the pandemic even introduced my oldest song to the 80’s cartoon. That was a special moment. Despite that connection, I never got into the G.I. Joe comics until the last few years, right in time for them to end. Luckily they are starting all over again! I assume despite the three hundred issues that came before this will still be new reader-friendly. Excited for a chance to be a kid again.

2. Fantastic Four #13

Writer: Ryan North

Artist: Iban Coello

Publisher: Marvel Comics

Description: Two universes, human and dinosaur, are colliding—and if one universe isn’t sacrificed, then both will be destroyed! And making matters worse, an incursion point between universes has swapped the dinosaur and human versions of the Fantastic Four! But there is another incursion point elsewhere…in Latveria. And Doctor Doom has plans of his own—after teaming up with the only person in the universe he can trust…himself! The FF and the Avengers are brought to their knees, and only the Brothers Grimm can save the day! Plus: The Dinosaur Fantastic Four versus the Avengers!

Why it Made the List: Can we just take a moment and appreciate that cover? Doctor Doom riding a Doctor Doom T-Rex. Comics have peaked! This current run on Fantastic Four has been pure comic goodness. A comic that has a throwback style in both design and execution. There’s been a larger focus on one-issue stories rather than long arcs, which I have really appreciated. It’s easily the best comic Marvel is putting out currently. 

1. Fishflies #3

Writer/Artist: Jeff Lemire

Publisher: Image Comics

Description: Officer Danny Laraque arrives at Fred Fox’s farm to pursue a lead on finding the man who shot Paul DuPuis. Young Francis Fox holds a major clue but isn’t going to betray her new friend. A special extra-length issue from JEFF LEMIRE (GIDEON FALLS, Sweet Tooth) deepens the mystery of this small-town surrealist horror.

Why it Made the List: I love Jeff Lemire as a writer, but love him even more as an artist. I feel his best stuff comes from when he is both writing and drawing. He does so much that it would be impossible for him to draw all of his stuff, and his style simply does not fit a lot of stories helps create. For Fishflies it is perfect. Lemire has this minimalist approach with his art where he gets so much emotion out of so little lines. Essex County is my all-time favorite comic and a big reason why is the empathy that is woven into the fabric of every page of that story. A similar level of empathy exists within this story. Although unlike Essex County there’s a large element of the surreal. Something Lemire has utilized a lot more in his work over the years. As a Lemire fan, Fishflies is like catnip that triggers all the key memories and reasons his work has meant so much to me over the years. With this being the penultimate issue I can only hope I am emotionally ready. 

Other books I am looking forward to that did not make the list: Danger Street #11, Deadpool: Seven Slaughters #1, Deep Cuts #4, Hexagon Bridge #3, The Rocketeer: In the Den of Thieves #4, Junior Baker the Righteous Faker #3, Wesley Dodds: The Sandman #2, Alien #1, Green Lantern #5, Daredevil #3, Blade #5, Uncanny Avengers #4, Superior Spider-Man #1, The Rocketeer: In the Den of Thieves #4

‘Killers of the Flower Moon’ – Unsettling but Purely Scorsese

Pooja Chand
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‘Killers of the Flower Moon’ – Unsettling but Purely Scorsese

We all know Martin Scorsese for his legendary filmography and talent for storytelling with titles like Taxi Driver, Gangs of New York, and Shutter Island. His latest film, Killers of the Flower Moon isn’t to be missed, particularly for its leading and supporting cast as well as the heavy and hard- hitting subject matter. The film depicts the real life murders and exploitation of several members of the Osage Nation in Oklahoma during the 1920’s with Ernest and Mollie Burkhart (Leonardo DiCaprio, Lily Gladstone) at the forefront of the story. This story of greed over oil and money was one of the most highly anticipated autumn releases of the year, so it’s time to finally dive in and review it.

Read Also: Remembering the Horrors of the Past Through Film

(l-r) Leonardo DiCaprio and Lily Gladstone and Ernest Burkhart and Mollie Burkhart in “Killers of the Flower Moon”. All Rights Reserved by Paramount Pictures and Apple Original Films.

It goes without saying that the nature of what happened to the Osage Nation is not something to be taken lightly, and to adapt these real events into a film must be done with care. Martin Scorsese takes his time to build the world that the audience can expect to be in for three and a half hours, showing the contrast between the world of white and powerful men, and the world of the Osage Nation. It’s clear that Scorsese went to great lengths to research the culture and traditions of the Osage Nation, especially as the film presents their practices and beliefs throughout individual people’s lives from birth to death.

Despite the long runtime, the film’s plot is straightforward and doesn’t feel as if it is as long as it actually is. We’re immediately introduced to a vast array of characters across the film, pushing the story forward with stalling in one place for too long. It becomes painfully obvious who we need to be entirely suspicious and distrusting toward, and Scorsese does not gloss over or hide the disturbing realities of what feels like a true murder mystery. Except this time, it is through the perspective of the perpetrators, specifically Ernest Burkhart. The motive and goal were clear, and the end result is just beyond heartbreaking, but it is the way the film unfolds these events is what is meant to trigger rage within the audience.

(l-r) Robert De Niro as William King Hale and Leonardo DiCaprio as Ernest Burkhart in “Killers of the Flower Moon”. All Rights Reserved by Paramount Pictures and Apple Original Films.

It’s incredibly important to also note that this is not a movie about love between a man and his wife. This is a movie about a man who was willingly trapped by greed, and conspired to exploit his wife in the name of a fake display of love. The performances of Leonardo DiCaprio and Lily Gladstone prove to be astounding and convincing, particularly in the way that their chemistry attempts to fool the audience into thinking everything is fine, masking intent with sincere concern and care. It’s as if DiCaprio pulled in all the energy of his previous roles as a distraught or troubled husband, and channeled it into Ernest Burkhart until the very end, exposing himself for he truly is. Performances from Robert De Niro as well as the vast supporting cast all play perfectly into intertwining stories that lead up to the film’s finale. Everyone has a story, and not one person felt out of place, and for a film this intricate, that is a feat on its own.

With that said, the film does severely underuse Lily Gladstone’s talent as Mollie Burkhart, despite how phenomenal her performance is all throughout. It’s frustrating to see our lead actress go from having a prominent role that reels the audience in as we desire to understand her more, only to be suddenly sidelined in the second half of the film. Considering this is a story of both Mollie and Ernest Burkhart, it is questionable to only follow the perspective of one side, as it does zero justice to Mollie’s story.

(l-r) JaNae Collins as Rita Kyle, Lily Gladstone as Mollie Burkhart, Cara Jade Myers as Anna Brown Kyle, and Jillian Dion as Minnie Kyle in “Killers of the Flower Moon”. All Rights Reserved by Paramount Pictures and Apple Original Films.

There is also the severe underutilization of the Osage perspective which feels as if it was sacrificed in the hopes of trying to build a conscience for a man who had no real compassion for his wife and had every intent of sticking to his plan to eliminate the Osage community. There were several characters introduced that had far more compelling backstories and it’s an absolute shame that the film doesn’t dive into them and allow us to get to know these men and women. A film like Killers of the Flower Moon requires more than just showing off a community’s culture. It also requires the unfiltered perspective of those who were impacted, exposing uglier truths of the tragedy and horror of what occurred. But unfortunately, it remains surface level without that perspective, which begs the question: Who is this film for, exactly?

At the same time, one can’t help but admire Scorsese’s tactical direction of the film which forces the audience to come to terms with who the “wolves” are. In other words, it’s asking the audience if we know who the bad people are. Scorsese can only go so far with a story about a group of people he is not a part of, which can be limiting on one hand but also forces him to take the responsibility of shedding a light on who the true monsters are. Killers of the Flower Moon is a film that needs to be taken in slowly as it showcases a brutal part of history. It is violent but also delicate, and above all, it sits the audience down and forces us to come to terms with the reality of what we just witnessed, and to hopefully learn from the past.

Samosa Rating:  

Killers of the Flower Moon receives 4 out of 5 Samosas.

Killers of the Flower Moon is currently playing in theaters, and is coming soon to Apple TV+.
Runtime: 3hr 26m

If you want even more film discussions, reviews, or just some good old recommendations, be sure to follow @samosasandpopcorn on TikTok!

PARLIAMENT OF ROOKS #1 – A SOARING FLIGHT

NI Staff
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PARLIAMENT OF ROOKS #1 – A SOARING FLIGHT
Parliament of Rooks #1 by Abigail Jill Harding and Richard Starkings (Credit: Comixology originals)

Welcome to an all new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, Comixology Originals has a brand new series debuting with a very familiar creator returning to the line. Since 2018, Abigail Jill Harding has been gifting fans with the stunning imagery of the “Ask For Mercy” series with Richard Starkings.

With this new series, Harding is making her writing debut with a tremendous amount of buzz behind it.

Parliament of Rooks #1 by Abigail Jill Harding and Richard Starkings looks to have fans attention with a magnetic story playing out behind its’ concept. Let’s see how this debut fares, shall we?

*** POSSIBLE SPOILER WARNING ***

The story begins with birds known as rooks flying around a graveyard. Behind guarding stone angels guarding a room, the sky has a red moon. A monstrous figure walks from the doorway with the angles weeping. As it approaches a gateway, the creature shapeshifts and flies away into the night sky.

The scenery moves to a castle on a hill. Inside lies a woman appearing on her deathbed. As she looks out the window, the creature shifts into a human form.

Known as Darius Ravenscar, he kneels at her side. Readers sense there is a strong connection to the pair with the woman asking to relive their past. The stranger obliges and the story kicks into gear.

Parliament of Rooks #1 by Abigail Jill Harding and Richard Starkings (Credit: Comixology originals)

With imagery of a woman casting a spell into a fire deep in the forest, Ravenscar awakes inside his bed. Franticly running late, he makes his way into the city of Eborvik, towards the castle. Inside, he sees a woman named Princess Seraphina playing her harp.

The noticable admiration fills the scenes but there is one person not happy with what is unfolding. King Sitric, Lord of the Four Vales, orders Ravenscar to leave.

While leaving the castle, events start to unfold that drastically change the path of the story. What happens to Darius when he leaves? How does his life change? Readers see there is more than the King interfering with what Darius cares for.

Fate has intervened in an unlikely way. The closing act covers a range of emotions before charging into its’ final moments. Once seen, the ending of the chapter foreshadows a deeper story lurking that has only just begun to come to the surface.

AND NOW THE BREAKDOWN….

Harding paints a dark and complex story with her writing debut. Ravenscar instantly comes across as a tortured soul when he debuts.

The elements of horror and hope dance through the dialogue as both he and Seraphina play into a world they hoped to have found together but never did.

Parliament of Rooks #1 by Abigail Jill Harding and Richard Starkings (Credit: Comixology originals)

The backstory of the pair dives into the brooding conflict with the King. Emotions run high as his majesty is determined not to allow events to grow further.

The direction of the book shifts after the castle into unlikely places. This is where Harding’s writing goes up another level, connecting the doomed couple into fleeting moments of happiness.

It’s these events that feel even further away once the closing moments happen.

Once the chapter close, there is much left for readers to return and see how things play out.

LET’S TALK ABOUT THE ART!

The art reflects the moods and themes portrayed from the beginning. The full-page introduction image of Darius creates a bold debut locking readers in.

This is also matched buy another full page panel of Darius after events have changed his future.

The use of coloring adds another layer to the saga at hand. Being a black and white book, once the red coloring is used, it signifies a change.

It also announces the Rooks hovering overhead and where they connect to the shift in moments.

The book is detailed with emotion and striking visuals. It has a great deal going on but paced enough where nothing feels out of place. The final panel brings the book to a screeching halt but leaves no doubt for things to come.

FINAL POINT: 8 OUT OF 10

Powerful imagery bolsters the strong writing debut of Harding for a love story unlike any other. Blending the worlds of horror and hope, the story of Ravenscar and Seraphina takes readers into many directions before leaving a terrifying note as to what the future holds.

Hit me up on ODPH social media and let me know your thoughts on Parliament of Rooks #1. Thanks for reading Parlay points on Nerd initiative!

CLICK HERE FOR MORE CONTENT FROM KEN

BATMAN AND ROBIN #3 – IT’S ALL ABOUT FAMILY

NI Staff
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BATMAN AND ROBIN #3 – IT’S ALL ABOUT FAMILY

Welcome to an all-new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, we’re following along a brand new tale involving one of DC Comics’ most notable father-son duos. In the mix of the Batman/Catwoman civil war, this series debut and has been lights out each issue!

With the creators involved, it’s not hard to believe. The only questions fans have now is: where are we going after that ending for issue #2. Luckily, that answer comes in form of the latest issue.

BATMAN AND ROBIN #3 by Joshua Williamson, Simone Di Meo and Steve Wands presents the Dynamic Duo with a brand new challenge along with repairing a strained relationship. Let’s check it out, shall we?

CLICK HERE FOR LAST ISSUE REVIEW

*** POSSIBLE SPOILER WARNING ***

With the events of “The Gotham War”, Wayne Manor is no longer at Bruce Wayne’s disposal. Batman sets up shop in a brownstone and continues his never-ending battle against crime. The Dark Knight’s status is heavily strained from most of his closest allies. There is one exception as Damien Wayne aka Robin is with his father.

BATMAN AND ROBIN #3 by Joshua Williamson, Simone Di Meo and Steve Wands (Credit: DC Comics – Cover: Kael Ngu)

After investigating a kidnapping case involving Dr. Kafira, the pair struggle to co-exist in their new stat quo. All the while, they need to stop a new threat emerging in Gotham: Shush.

As their investigation goes deeper, it now puts them in Shush’s crosshairs while they try to protect the White Rabbit, who may hold a key to breaking the case wide open.

This issue begins with a flashback to a happier time. Damien is talking to Alfred Pennyworth, the longtime butler/ally/confidant to Bruce Wayne. The discussion is over when to stop learning.

Damian’s stubbornness pushes until Batman walks in the room. Bruce gives the advice about not becoming too comfortable because that’s when one slips up.

It plays into the present moment. The Rabbit finds a way to escape her fate. The heroes try figuring out what happened until Shush intervenes. Readers get thrown a curve as Shush plans an unexpected surprise which draws the attention way for an escape….or does it?

With an escape comes a bigger chase. Fans are greeted to a high-octane trek through the streets of Gotham. Where it leads is to unexpected territory.

BATMAN AND ROBIN #3 by Joshua Williamson, Simone Di Meo and Steve Wands (Credit: DC Comics – Cover: David Finch)

Who comes out unscathed? These questions become the match lit for the final act. Once upon arrival, the final page drops another big bombshell on what is going on. Brace yourself for impact from this issue!

Williamson hits the gas petal on giving readers a solid mix of drama and action. Right from the beginning, the introduction involving Alfred hits heavy with readers.

Considering the current stat quo of the Bat Family, seeing the advice given and received gave a great start to the comic. This became the perfect “on Your Mark” sequence because from here, everything sped up to reflect the heated action.

Events unfolded rapidly enough to invest the readers into the danger. This only took a small break before hitting the closing moments. Williamson pens a Damian that falls back on his brashness that makes him a fan favorite. The conclusion of the chapter is a great closing statement on an already must-read story.

Di Meo brings some incredible action sequences to the pages in the chapter. Once the Rabbit makes her run, a great two-page spread ushers in the excitement of the chase.

The mix of character moments like Shush’s “connection” hit a big mark to break the pace up. However, fans will be blown away by the hunt for Rabbit. It legitimately feels like a Hollywood blockbuster film. Just when readers have a break, the art raises the danger up to a high mark. This is all before delivering on a final image that will have readers on the edge of their seats waiting for what’s next. Incredible work.

FINAL POINT: 9.5 OUT OF 10

The creative team puts the “Dynamite” in the Dynamic duo with a action-driven chapter. Williamson crafts key character moments in-between Di Meo’s explosive action images to give readers an issue they simply won’t want to end. Check it out on New Comic Book Day!

Hit me up on ODPH social media and let me know your thoughts on Batman And Robin #3. Thanks for reading Parlay points on Nerd Initiative!

CLICK HERE FOR MORE CONTENT FROM KEN

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