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Welcome to an all-new edition of Parlay Points!
For this entry, Comixology Originals is unleashing a new horror story that is making quite a buzz. Considering the creative team behind it, it’s completely justified. Handling the writing is the showrunner of Netflix’s Daredevil. The co-creator of Jessica Jones is on art duties. Mix their talents together and fans have much to be excited about.
BENEATH by Steven S. DeKnight, Michael Gaydos, Kate Sánchez and Tobin Racicot present a tale of survival through unnatural circumstances.
Let’s take a deeper dive and see what unfolds now.
*** POSSIBLE SPOILER WARNING ***
DeKnight blends in elements of grounded conflicts into the supernatural realm to craft an engaging tale. Deputy Sheriff Jess Delgado comes across as unlikely hope trying to pull off the impossible. With the tense relationship between detainees and guards, Delgado is pushed to her breaking point. The writing reflects the struggles as being equally great to the true horror lying beneath the surface.
This comes to the forefront early with her conflict with Pritcher. As they investigate the border attack, Delgado establishes herself as one not to tolerate any nonsense. From here, the pacing shoots forward building the horrors at hand. DeKnight slow rolls the true threat debut. It allows the audience to sink further into the growing fear.
Once the story arrives at its’ midway point, readers get clarity on what the unlikely group is now facing. The tone of the book splits with its’ conflict. the personalities involved are combustible enough. Add in the real threat and there’s much to balance. DeKnight doesn’t struggle with this. He keeps events leveled right through the final act.
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At this stage, there is a fair share of classic horror themes along with a question of who is the true terror. It plays out to a satisfying finish. The closing pages end events as it should: leaving the readers wanting more.
This works to perfection with the art of Gaydos and lettering of Racicot. The panels reflect the seedy nature of human conflict. Pritcher’s demeanor stands out as a character you instantly dislike. It plays off Delgado’s stern, even-keel responses. The conflict between the residents at the detention center comes across as uncomfortable as expected. The reactions and body language shown speaks volumes of what the true horror of this issue was.
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As for the supernatural side, the art delivers on crafting imposing evil. The deaths showcased are gruesome and unforgiving. Mixed with the coloring and lettering, they signify how brutal the true evil attacks are. It is not one for the squeamish. There is a bold full page splash bringing that reveal to readers. This is complimented by origin pages that switch the coloring and structure. Readers can appreciate the break from the dark, gritty setting of the book in this moment.
Gaydos and Racicot do a fantastic job of creating the frightening surrounds going into the close. It does feel like it’s directly out of the movies. There is loud action and high drama. Readers will be especially invested in the final pages. With simple lettering, it leaves this tale with a solid landing spot as all great horror stories would.
FINAL POINT: 8.8
Combining a supernatural threat with the genuine conflicts of human nature, “Beneath” delivers a story with many layers underneath its surface. DeKnight constructs a chilling environment of lost hope. Gaydos and Racicot orchestrate the haunting images that will keep readers on edge. There’s much for horror fans to enjoy with this saga.
Hit me up on ODPHpod social media and let me know your thoughts on BENEATH. Thanks for reading Parlay Points on Nerd Initiative!
