Home Blog Page 10

“Marvel Tokon: First Strike #1” Review – Ready, Set, Fight!

The Run Down

Set in the all-new Marvel Tokon universe created in part by Arc System Works, “Marvel Tokon: First Strike” tells three separate stories. Have you ever wanted to see Silver Surfer take on the Champion and the Promoter? Or how about Thor having to tame the mighty Hulk? When you read ahead, be ready to witness all of that and more with me as I review “Marvel Tokon: First Strike”! Get ready… FIGHT!

Source: Juan Frigeri, Federico Blee, Marvel Comics

Writers: Steve Orlando (“Cosmic Contender”), Tom Waltz (“Fighting Avengers”), Josh Trujillo (“The Battles Ahead”)
Artists: Bruno Büll (“Cosmic Contender”), Áthila Fabbio (“Fighting Avengers”), Ryusei Yamada (“The Battles Ahead”)
Colorists: Yen Nitro (“Cosmic Contender”), Javier Tartaglia (“Fighting Avengers”), Jim Campbell (“The Battles Ahead”)
Letterer: Joe Sabino

“Cosmic Contender”

In the first of our three stories, we witness some truly great things: some backstory to this universe’s Promoter and fantastic showdown between Norrin Radd and the Champion. For someone like me who was never familiar the Promoter, seeing her backstory made me feel truly heartbroken. In such a short amount of time, Steve Orlando managed to build plenty of emotion and tension.

In addition to the writing is the artwork and colors, beautifully done by Büll and Nitro! For example, the way that Büll drew made everything feel vast and infinite. There was so much detail that the action felt exciting and the world felt alive. This was boosted to infinity by Nitro’s exceptional color work.

“Fighting Avengers”

Meanwhile, our second story shows us the happenings of the Avengers as they take on the Skrulls on Earth Seemingly heavily inspired by the MCU, Tom Waltz manages to craft a story of heroism told through the eyes of everyone’s favorite soldier. In such a short amount of time, he shows just how much he truly understands these characters and crafts an exciting battle around them.

Source: Michele Bandini, Marcelo Maiolo, Marvel Comics

When it comes to the art and colors, Fabbio and Tartaglia give something that falls a tad bit short compared to the other stories. In order to best describe what I mean, the art and colors aren’t bad, they just feel a bit normal. Whereas with the other stories, the art feels daring or even falls in line with the game.

“The Battles Ahead”

Finally, we’ve now reached the final story of this trilogy. First thing I love about this story is how Trujillo builds up the mystery of what the X-Men are fighting against. If you know who’s in the game, then there’s a chance you may already know. However, for those who don’t, I won’t spoil the surprise! The only thing that I’ll say is that Trujillo does a fantastic job of building the suspense and tension.

That being said, when it comes to the art and colors, Yamada and Campbell absolutely nailed it as well. Yamada did an excellent job of translating the game’s anime style to the comic medium, making it blend seamlessly. As for Campbell’s colors, they were absolutely stunning to look at! I especially loved this shot of Storm using her powers to form this tornado-like whirlwind. The blending of Yamada’s anime style with Campbell’s color work truly made something like that come to life.

Final Thoughts

While not perfect throughout, “Marvel Tokon: First Strike” remains a truly great one-shot thanks to the collaborative effort between all involved! If you’re at all interested in the game, I highly recommend purchasing this book to learn more about the new universe. I personally had a fantastic time reading this and I think you will as well!

As for the game itself, it releases on August 6, 2026 for PS5 and PC! Be sure to grab your copy on disc as you won’t want to miss out!

Overall Grade: 8.5/10

Read more from me here and be sure to check out my socials!

Comments

Are you looking forward to playing “Marvel Tokon: Fighting Souls”? If you read the comic, which of these stories was your favorite? Let’s discuss in the comments below!

Leave a Reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.

The Amazing Spider-Man #34 – Damage Control

Spider-Man is now teaming up more and more with Damage Control in New York City. Working side by side to bring “A-Lister” villains down. Will this newly established relationship last, or will someone mess it up for the both of them…?


Creative Team

Joe Kelly (Writer), Ed McGuinness (Artist), Mark Farmer / Wade Von Grawbadger (Inkers),
Marcio Menyz (Colorist),  VC’s Joe Caramagna (Letterer)

Jay Bowen (Designer), Kaitlyn Lindtvedt (Assistant Editor), Tom Groneman (Associate Editor),
Nick Lowe (Editor), C.B. Cebulski (Editor-in-Chief)

Publisher: Marvel Comics


Damage Control

Issue thirty-four focuses more on the newly formed alliance between Spider-Man and Damage Control. This new team-up shows some very promising change to the streets of New York City. Which could be a breath of fresh air to the citizens of the city.

Damage
The Amazing Spider-Man #34, Credit Marvel Comics. Cover by Ed McGuinness & Marcio Menyz


This amazing issue starts off with Spider-Man in a losing situation as he is fighting Electro. One of the more educational issues from this series as Spider-Man narrates some pretty heavy yet informative facts about the human body and electricity. He does all of this while somehow finding the will to stay alive with the help of some technology that he has handy.

During this issue Spider-Man does take some time to have a heart to heart conversation with the leader of Damage Control, Agent Griffyn. During this conversation there is some serious information tossed around about Electro. But that ultimately gets washed out by the comedic humor between Spider-Man and Agent Griffyn. It has been some time since fans have gotten this level of humor from Spider-Man.

Within this issue the elephant of the past few issues is mentioned. If you read issue thirty-three you know that Spider-Man enlisted the help of a reporter to do some research on his newly introduced cousin, Cormac Crane. Well, the research results are in… Is Cormac a good guy or a bad guy…? You’re going to have to get this issue to find out! But do know that Peter Parker is still struggling with the appearance of Cormac and his sudden intrusion in his life. I’m not sure what it will take for Peter to completely accept it either…


The Writing

Joe Kelly adds more and more to this ASM series. I really enjoy the fact that he has introduced Damage Control into this series around the same time as the new Spider-Man movie, Brand New Day. The addition of scientific educational facts from Spider-Man is a healthy reminder that he is a scientist, and loves it! Continuing to build on the “long lost cousin” story line is just as entertaining as the other plot lines within this story. This issue is very entertaining to read and keeps you guessing about what Spider-Man/Peter Parker will encounter next!

The Artwork

Ed McGuinness, Mark Farmer, Wade Von Grawbadger and Marcio Menyz give this issue some of the brightest art that I have ever seen! The pencil work is sharp and bold giving outstanding outlines making characters and subtle details easy to see. The coloration is AMAZING! The numerous splash pages will throw you back in your seat. The brightness and sheer POP that Spider-Man and Electro share with the gorgeous amounts of electricity raging through the pages is ironically, ELECTRIFYING!


Variant Covers

  • Comic book cover featuring Spider-Man mid-swing inside a green circle; title 'Spider-Man Brand New Day' above, inset close-up of a snarling villain, and 'The Web-Slinger Is Back' text in the corner.

Final Thoughts

Issue thirty-four brings together educational fact, team building, action and family investigation. All these elements are woven together so elegantly that it transforms this into one amazing page turning read. This series continues to challenge Peter Parker as a man and as Spider-Man. Struggling to keep personal and super hero separated is a never ending task for our friendly neighborhood hero. You will love all of the aspects (story and art) of this issue. Don’t make the mistake of missing out!

Overall Grade: 10/10


Links

Comic Book Reviews & Entertainment News: Nerd Initiative
Previous ASM Review: The Amazing Spider-Man #33 – Family Tension
Travis’ NI Portfolio: TravisComicHaven – Nerd Initiative
Travis’ Personal Content: Travis’ Comic Haven


PLEASE SHARE YOUR THOUGHTS IN THE COMMENTS SECTION BELOW!

Leave a Reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Iron Man #8 – Whip It Good!

Main Cover of Iron Man #8 from Marvel Comics
Iron Man #8 – Cover – Ryan Stegman & Frank Martin (Credit Marvel Comics)

Iron Man #8

Writer – Joshua Williamson

Artist – Carmen Carnero

Colorist – Nolan Woodard

Letterer – Joe Caramagna

Cover – Ryan Stegman & Frank Martin

Read the review of the last issue in this series HERE!

Variant Cover of Iron Man #8 by artist Dev Pramanik from Marvel Comics.
Iron Man #8 – Cover – Dev Pramanik (Credit Marvel Comics)

The Story:

While Tony Stark has been distracted being a teacher, a villain from Iron Man’s past is wreaking havoc on behalf of A.I.M. But Tony is facing his most dreaded foe of all… business meetings!

The Writing:

Joshua Williamson continues his run of revisiting Iron Man’s rogues gallery in brilliant ways. This issue offers up multiple surprises while moving the story forward in a satisfying way. The way Williamson is choosing to hold off on unveiling the full mysteries being presented makes the reader race to the end of each issue and then beg for the next book. Joshua Williamson is doing a fantastic job of keeping the voice of Tony Stark feeling like the Tony Stark of old. This doesn’t feel like Robert Downey Jr., an issue I’ve had with writer in the past. This feels like Tony Stark and it is constantly refreshing each issue.

Variant Cover of Iron Man #8 by artists Netho Diaz, Jay Leisten, and Arthur Helsi from Marvel Comics.
Iron Man #8 – Cover – Netho Diaz, Jay Leisten, & Arthur Hesli (Credit Marvel Comics)

The Art:

Artist Carmen Carnero is back on this issue and it is wonderful to have her back! Along with colorist Nolan Woodard, this art team is an absolute powerhouse! The action and spectacle on display are top notch, the quiet emotional moments hit perfectly, and each page is a work of art. Plus, Whiplash has never looked more menacing! The surprise at the end of the issue is an incredible blast from the past that had me feeling like that little kid watching Iron Man the Animated Series again.

Overall Grade: 10/10

This series is a wonderful, nostalgic romp through Iron Man’s past foes that also builds a satisfying mystery for new readers! This is another home run for the incredible creative team!

Check out more from Derek here!

Have you read this issue? What did you think? Let us know in the comments below!

Leave a Reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.

WHAT IF…? CAPTAIN AMERICA #1 – Same Task, Different Time

Creative Team – Marc Guggenheim, Ron Lim, Andrew Dalhouse, VC’s Clayton Cowles

Published by Marvel Comics

MORE FROM NERD INITIATIVE HERE!

The Story

This comic is reviewed by Nerd Initiative’s Shawn, and your truly, Megan!

Shawn – It’s no secret that I’m a fan of the 2099 universe. Marc Guggenheim gives us an excellent look at what happens if Captain America woke up in that era rather than the ones in the main timeline. What Guggenheim perfectly captures for me is what Captain America is about. He understands that no matter what era you set Captain America in, there are just certain things that make Steve Rogers tick.

It was really enjoyable getting to see the way that Guggenheim wove 2099 characters into the story. It felt like a nice connection to that universe while still doing something new through Captain America. With this issue, the messages of the narrative go beyond just the surface level of “what if?” and that makes it one of the most enjoyable entries yet.

Cover art by Lucas Werneck. Published by Marvel Comics

MeganWhat If…? Captain America #1 proves that no matter what the fight is, no matter when the fight is, Captain America will always stand on business. In this issue, we see a world where Cap didn’t rise from his icy nap until the year 2099. In this world, he bypassed all the great fights we’ve read about like Secret Invasion, the Mutant Registration Act, or even Civil War.

Instead, waking up in 2099, he finds himself in a version of the United States that he never expected to see, one that’s taken over and ran by selfish corporations. Everything in this country is ran by a scam of corporate greed and the citizens are the victims of its wrath

The Art

Shawn – I love that Ron Lim and Andrew Dalhouse perfectly capture the look and colors of the 2099 universe. It feel familiar enough while also feeling different. Lim intentionally utilizes some of the heavy lines and intentionally gritty line work that became such a signature of the 2099 era.

Dalhouse perfectly captures the bright flashy colors that distinguished the 2099 universe from the main timeline. Together they crafted a new look for Steve Rogers that just felt right. Clayton Cowles masterfully keeps readers on track as they travel through the adventure

Megan Ron Lim and Andrew Dalhouse work perfectly off of each other to bring us the futuristic look of 2099 in the settings and in the characters. I loved the vibrant colors playing off the heavily detailed panels on each page. Every panel captures the emotions of the characters perfectly well such as Cap’s confusion and intensity or the hopelessness of the citizens. This was a hard-hitting story that was brought to life in a beautiful way. Clayton Cowles wraps this story in a perfect bow with his work on the lettering, giving an even flow of dialogue while capturing the depths the story brings.

Final Thoughts

Shawn – 9.5/10. With this entry, Guggenheim, Lim, Dalhouse, and Cowles move up to a solid second place on my list for the What If’s. I still think I like Jessica Jones just a little bit better but Captain America and Jessica Jones’ what if? stories have separated themselves as head and shoulders above the rest.

Megan – 9.1/10. I thoroughly enjoyed this What If…? story because it puts a spotlight on Cap’s determination and moral obligations. It doesn’t matter what time he’s in, it doesn’t matter where he is, he fights for the good and won’t stop until things are set right.

Overall Grade – 9.3/10

Let us know in the comments what you thought of What If…? Captain America #1!

Leave a Reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Queen In Black #2 – Catch Up on The Hyped Series!

Hela has become the Queen in Black. As her armies rise, Tony Stark assembles the Defenders of Light and the Defenders of Dark to battle not only Hela but also the former King In Black, Knull. Unable to stop Hela’s attack on Earth, a new threat emerges as the Symbiote invaders launch a Symbiote Intelligence.

This review is brought to you by Nerd Initiative’s Shawn!

Catch up with my review of Queen In Black #1

Creative Team

Writer: Al Ewing
Artist: Paco Medina and Iban Coello
Color Artist: Guru-eFX
Letterer: Clayton Cowles
Cover Penciller: Ryan Stegman
Cover Inker: J.P Mayer
Cover Color Artist: Frank Martin

Writing

Al Ewing does a really good job in Queen In Black #2, juggling several moving parts at the same time. It’s a credit to his writing talent that he’s able to bring readers to the various fronts in Hela’s war against Earth while maintaining the momentum of the story. Throughout the story, Ewing manages to capture the unique idiosyncrasies of each character. Captain Alliance discovering how painful Spider-Man’s “humor” can be was a real treat. Ewing also drops a little high-level ribbing into the conversation between Cable and Tony Stark

Such joking forms a nice contrast with the encounters shared between Dylan Brock and Mary Jane. There’s a certain level of emotional weight that their interactions bring to the story. Ewing also really combines some deep cuts of Marvel cosmic lore well. Whether it’s Asgardian runes or Kree intelligence, Ewing manages to weave lore into the stories without dragging down the pacing and still keeping Queen in Black #2 accessible to readers.

Art

Queen In Black #2 cover by Ryan Stegman, J.P. Mayer, and Frank Martin. Image from Marvel Comics

Paco Medina and Iban Coello put together a really strong issue. The way both artists allow the story to flow seamlessly between the dialogue scenes and the action scenes is perfect. Even when the scenes are packed with tendrils from all of the symbiotes, the linework feels clean and crisp.

Guru-eFX effectively uses the color palette to establish the scene. This makes it easier for readers to shift from scene to scene as Ewing shifts the narratives. The colors act as a visual trigger, helping to reinforce that the scene has shifted. The art team collectively puts together some dynamic panels that are both bright and dramatic.

Final Thoughts

This was another great entry into the Queen in Black story. I really love that Ewing can move you around the battlefield almost cinematically to help you see all the moving parts of this battle. The art stuns, helping the reader easily move from one setting to another with distinct visual cues.

Overall Grade: 9 / 10

What did you think? Let me know in the comments

Leave a Reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Mary Jane: Face It, Tiger #1 – An Iconic Spider-Man Story

Celebrating sixty years since her appearance in Amazing Spider-Man #42, Mary Jane: Face It, Tiger features an all-star collection of artists and writers. Covering three different stories, across three different eras of Mary Jane, the team brings together a history of Spider-Man’s longest love interest with a look towards the future.

This review is brought to you by Nerd Initiative’s Matt and Shawn!

Creative Team

Faces In The Crowd

Writer: J.M. DeMatteis
Artist: Andrea Broccardo
Color Artist: Java Tartaglia

Vamp #9

Writer: Ann Nocenti
Artist: Alina Yerofieieva
Color Artist: Fabi Marques

Soft Words at Sunset


Writer: J. Michael Straczynski
Artist: Luigi Zagaria
Color Artist: Matt Milla

Redux

Writer: Ashley Allen
Artist: Phil Noto

Letterer: Joe Caramagna
Cover Artist: Jim Cheung and Jay David Ramos

Writing

Matt: This was a fun collection of stories. I loved how the main focus was on how MJ is always there for Peter through everything and, even at times, wasn’t afraid to stand up for herself. The story tackled different themes where we saw her struggling with PTSD after a run-in with Chameleon, Peter’s death, which was the most heartbreaking story of the bunch, and even symbiote MJ. Every story, however, despite being set at different times, all told a story together. Peter Parker and Mary Jane are the benchmark for comic couples, and this was a fun book showing everyone exactly why.

Shawn: I really enjoyed this issue. It was a nice walk through various stages of MJ’s life. Each story was a poignant look at the connection between MJ and Peter. In the first story, I enjoyed that J.M. DeMatteis gave us a deeper look at the kind of stress MJ encounters being with Spider-Man. It’s a good reminder of Marvel’s “life outside your window” philosophy as we are shown that even for the characters in this world not directly impacted, there are secondary traumas and worries they encounter. For the second story, I thought it was a nice nod to her history that Ann Nocenti built the story around MJ’s acting career. It’s often mentioned in stories surrounding MJ, but it was nice to see the work that she actually puts into her career. In the third story, J.Michael Straczynski really has us pulling out the tissues. His story serves as a good reminder that no matter where writers may take them, MJ and Peter will always be connected. The fourth bonus story gives us a glimpse at what may be coming for MJ in the future. Written by Ashley Allen, it makes me realize how much I would like to see Allen take over writing duties for the character.

Art

Mary Jane: Face It, Tiger #1 cover by Jim Cheung and Jay David Ramos. Image from Marvel Comics

Matt: I was a very big fan of what each art team did with their respective story. It was beautiful the way the third story showed the age across both Peter and MJ’s faces; however, you could still see the youth behind their eyes and that spark that fueled them. I loved the design of Spider-Man’s suit in that story as well, showing how it had evolved. The lettering with MJ wielding Venom and handling her own business captured the duality of Venom and MJ bringing them together as one, all at the same time. This book had a lot of amazing line work and detail with the realism in it. And the coloring in each brought a vividness to it, inviting us into each story.

Shawn: I thought the art across all four stories was simply spectacular. Marvel gave us artists and color artists who each had a chance to show off their distinct abilities while pulling along the same thread as the story goes on. In the first story, I felt that Andrea Broccardo and Java Tartaglia beautifully captured MJ’s emotions. The line work and coloring were simply spectacular. In the second story, Alina Yerofieieva and Fabi Marques got to play with a little different line sizing and darkness, as well as darker shades than the first story. The Haze was beautifully drawn and colored. In the third story, Luigi Zagaria and Matt Milla did some of their best work. Zagaria’s lines are clean and show us a different look at MJ and Peter. Milla’s colors capture the mood and feeling of the story perfectly. In the final story, Phil Noto just knocks it out of the park, closing the issue strong with beautiful lines and well-shaded colors.

Final Thoughts

Matt: 9/10. Too often in superhero stories, we forget that just because someone doesn’t have powers or isn’t fighting crime every night, that they aren’t making sacrifices. This book showed us the everyday challenges Mary Jane faces as she traverses life with Peter and his alter ego. It’s a beautiful reminder of how strong she is and how wonderful their relationship can be at the same time.

Shawn: 9/10. This was a really great trip down memory lane. It’s a great quick retrospective of MJ, and how, love it or hate it, she is intrinsically tied to Peter Parker/Spider-Man. Yet, the authors and artists still show us that MJ is her own person with her own dreams, hopes, and fears.

Overall Grade: 9/10

What did you think? Let us know in the comments

Leave a Reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.

“Ripcord #5” Review – A Rip Roaring Finale

The Run Down

At long last, we’ve now sadly reached the end of Cullen Bunn’s “Ripcord”. If you’ve been following since I reviewed issue #2, then you’ll know just how much I’ve loved this series. From the unforgiving dread to the almost grindhouse feel, “Ripcord” has been amazing since the beginning, and that didn’t stop here.

In the previous issue, we saw Dillon was finally able to rip her sister from the clutches of Sera and her Ripcord fiends. Will they be able to fully escape? Or will they fall to Sera’s clutches? Find out with me as I take a look at “Ripcord #5”!

Writer: Cullen Bunn
Artist: Aneke Murillenem
Colorist: Patricia Martin Samaniego
Letters: AndWorld Design

Source: Jorge Fornés, Ignition Press

The Writing

Throughout this whole run, Bunn has delivered an adrenaline rush of horror, and it doesn’t stop here. The Ripcord fiends are at the throats of our main characters, making us feel the pressure alongside them. Let me tell you, that pressure doesn’t let up, especially in the twists. One scene in particular made me think of “Obsession,” and I had to wince back in pain. When you read, you’ll know exactly what I’m talking about.

As for the story itself, I feel like things ended exactly as they were supposed to. That being said, it also leaves me with a lot of questions. Where will our characters go from here? What happens to them? Although I suppose that can be a good hallmark for horror and opens things for a sequel! A sequel that is much deserved, mind you.

The Art

In regard to the art and colors, Aneke and Samaniego absolutely rocked it like they always do. Here, Bunn really seems to have put a lot of trust in these two, and I’m so glad he did. The art here truly tells the story.

While reading, it’s easy to tell that Aneke put a lot of effort into the faces and body language. They both reek of pain, desperation, and fear or courage. Dillon walks tall, entering confrontations and facing the consequences of her actions with determination and confidence. Meanwhile, Janelle constantly looks like she’s fearing for her life and always unsure of what to do. All of this really works to help readers get our minds inside the heads of these characters, and it’s awesome.

Source: Aneke, Ignition Press

As for the colors, Samaniego consistently works to give everything this edgy grind-house aesthetic that just works. The red fits not solely the violence, but the sheer intensity of it. Every organ and piece of clothing looks delicately colored but with a fine edge that my eyes couldn’t get enough of. That carried through every fantastic issue.

Final Thoughts

Despite leaving things with several open-ended questions, “Ripcord” was able to mostly stick the landing. Cullen Bunn truly gave this his all while Aneke, Samaniego, and AndWorld Designed rocked it everywhere else. “Ripcord” is a rip-roaring great time from start to finish.

Overall Grade: 9.5/10

Read more from me here and be sure to check out my socials!

Comments

Have you kept up on “Ripcord”? Are you as sad as I am to see it end? Let’s discuss in the comments below!

Leave a Reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Fantastic Four #15 – Not Ghosts, Just In A Spot of Trouble

It’s 65 years of Fantastic Four. To celebrate, Marvel has unleashed a Fantastic-sized adventure featuring their first family. Ryan North takes readers on a new adventure that honors the past and looks to the future of the Fantastic Four.

This review is brought to you by Nerd Initiative’s Shawn!

Creative Team

Writer: Ryan North
Penciller: Humberto Ramos
Inker: Victor Olazaba
Color Artist: Edgar Delgado
Letterer: Joe Caramagna
Cover Artist: Humberto Ramos
Cover Color Artist: Edgar Delgado

Vintage Art: Jack Kirby, George Klein, Stan Goldberg, Stan Lee, Art Simek, John Buscema, Joe Sinnott, Sam Rosen, John Byrne, Jim Novak, Glynis Wein, Steve Epting, Rick Maygar, Mike Perkins, Jonathan Hickman, Rus Wooten, and Paul Mounts

Writing

Ryan North has found the secret sauce. As much as I love a good anthology, Fantastic Four #15 is the way comic book publishers should honor the milestone moments of their characters going forward. Fantastic Four #15 features Marvel’s First Family in a current story that has them traveling through and experiencing their past moments this time as observers instead of participants. While I know this may not be as easy to navigate for other characters and franchises that don’t have the benefit of being a group of scientists, North gives us a perfect story that is equal parts his modern take on the Fantastic Four and a nod to Kirby, Lee, and all those who came before him.

The decision to meld the modern versions of these characters and their art with the original versions pulled from the pages was a brilliant narrative decision, but one that still required execution. To wit, North put together a fantastic (pun intended) adventure that sets the stage for and explains how our heroes find themselves casual observers in the trek through their own history. It’s fitting then that such a great story honoring the history of the Fantastic Four is penned by someone who will one day see his name etch among the list of greatest to ever write the Fantastic Four.

Art

Fantastic Four #15 cover by Humberto Ramos and Edgar Delgado Image from Marvel Comics

Together with the vintage artists whose work was featured in this issue, Humberto Ramos, Victor Olazaba, and Edgar Delgado really created something special. North’s high-science time-travel spectacular doesn’t work if Ramos’s beautiful penciling doesn’t do such an amazing job of bridging the vintage and modern. While I love modern art techniques in comics, there’s something so comforting about seeing Ramos lay down lines, Olazaba follow up with the inks and shades, and Delgado with the colors.

Victor Olazaba and Edgar Delgado did a lot of heavy lifting in this issue. Through shading and careful coloring, they created a look that both connected to the vintage art while maintaining the distinct look and color of this run of the Fantastic Four. Joe Caramagna maintains the distinct classic look and feel of Marvel, helping us remember what we loved about the Fantastic Four from issue one. He does a masterful job of guiding us through the time travel, letting the art sing as it merges into a generational choir of beautiful lines and colors.

Final Thoughts

This is the new standard. Not every Marvel character that hits a major milestone will be able to use time travel to tell their story, but Fantastic Four #15 is the playbook for a new way forward in telling the history of characters without relying simply on anthology style stories. Fantastic Four is fun, daring, unique, and rewriting all the rules in the best ways possible. Instant Classic!

Overall Grade:10 /10

Did you like this style of anniversary book over the anthology style? Let me know in the comments

Leave a Reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Captain America #14 – Of Course Doom Has Enemies In Hell

The souls of Victor Von Doom and Steve Rogers hang in the balance. As Captain America and Doctor Doom fight to control a sword powerful enough to destroy Mephisto himself, another contender for the weapon emerges. With the Antidivine at the center, Doom and Rogers must battle Doom’s first love for control of the sword, Hell, and their souls.

This review is brought to you by Nerd Initiative’s Shawn!

Creative Team

Writer: Chip Zdarsky
Artist: Ton Lima
Color Artist: Romulo Fajardo Jr.
Letterer: Joe Caramagna
Cover Artist: Valerio Schiti
Cover Color Artist: Romulo Fajardo Jr.

Writing

Captain America #14 felt like a really awesome roller coaster ride. Chip Zdarsky comes out of the gate firing on this issue. Once you make it through the first couple of pages and the tension within, Zdarsky lets you rest for a few panels before it’s right back into the fray. As a huge fan of the character Doctor Doom, I love what Zdarsky did with him in this issue. Doom fans know there are only three women Doom has ever loved, and to see him face to face with one of them again was a powerful moment.

Speaking of power, Zdarsky continues to show us through this run that, despite the super serum and all of the other benefits Steve Rogers has, it is his heart and the purity of his intentions that make him a superhero. I’ve said before, one of the reasons that Zdarsky’s run on Captain America has become my favorite is that Zdarsky doesn’t treat Steve like a Boy Scout who runs around thinking everything is star-spangled awesome. This is a Steve Rogers who has lived. He’s suffered, he’s fallen, he’s watched the country he loves fail to live up to its promises, and yet, he persists. Zdarsky cleverly uses other characters for what amounts to a multi-panel treatise on Steve Rogers and why he’s so much more than a super soldier.

Art

Captain America #14 cover by Valerio Schiti and Romulo Fajardo Jr. Image from Marvel Comics

Where do I even start with the art on this issue? Ton Lima and Romulo Fajardo Jr. absolutely stunned me with the art they created for this issue. Ton Lima jumps right out of the gate with some gorgeous design on Valeria’s hell armor as well as the design for the Antidivine sword. One of the highlights of this arc has been Doom’s hell-based costume with the hand-woven mask and ragged cape. The lines have the perfect weight for the situation, with readers feeling the power of Doom and the heart of Rogers through Lima’s art.

Romulo Fajardo Jr. captures the colors perfectly for this issue. Going back to the Doom outfit, not only is the design great, but Fajardo Jr. picks just the right colors. You clearly know it is Doom, but the colors help separate that this is a Doom that is a little bit different. The hues are a little darker, and the colors a little more matte. Fajardo Jr’s colors help you understand that you are still dealing with Doctor Doom, but this is a version of Victor that is not at his full power and finds himself further down the pecking order in Hell. The colors on the backgrounds of the panels, as well as characters like Bart and the Smith, jump off the panel, giving the comic life. Joe Caramagna expertly guides readers through the story, capturing predictable points and surprises with the same level of intensity, keeping readers on their toes.

Final Thoughts

This continues to be my favorite Captain America run. Captain America #14 is such a unique take on the dichotomy between Doom and Steve Rogers. It gives us a version of Steve Rogers that wears his heart on his sleeve, stands up for the little guy, and admits his own faults and shortcomings.

Overall Grade: 10 / 10

What did you think of this issue of Captain America? Let me know in the comments

Leave a Reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.

ABSOLUTE SUPERMAN #22: Welcome to The Peacemakers.

Christopher Smith joined The Peacemakers. He thought he would make a difference by fighting the bad guys. But what if he becomes the bad guy himself? The villain Braniac has turned him into something truly terrifying as Absolute Superman #22 pits Metallo against Kal-El!

Comic book cover: Superman in blue suit and red cape flies over a city toward a glowing brain-headed villain among skyscrapers, with 'Absolute Superman' at the top.
Absolute Superman #22. Credit DC Comics. Cover by Rafa Sandoval and Ulises Arreola.

Creative Team: Jason Aaron, Juan Ferreyra, Becca Carey, Rafa Sandoval, and Ulises Arreola.

The Story:

This issue is hard to stomach because it is sad and brutal. Jason Aaron takes us to the streets of Argentina and hammers home how soldiers, no matter what they are told, at the end of the day are just a number. Chris Smith is no exception, and going between scenes of being killed and then brought back and tortured was hard at times. Aaron brought out so much emotion with it, and while this issue is one giant fight, Superman spends it using his words as a weapon as well. This issue also paints how truly terrifying this universe’s Braniac is. He is a background villain being built up in such a horrifying way. Superman is fighting until his final breath and on the brink of death, making this issue a haunting one.

The Art:

Juan’s art perfectly captures the horror this issue brings to the table. Braniac is designed so well, which is what I will say until I die. The smile with his lips torn off is creepy as can be, and his aura is enough to send chills down my spine. There were moments in the fight with Metallo as well where the helpless emotion came out on both sides. These are two men locked in a brutal fight neither wants to be in. What stood out to me was how, in different panels, we saw different looks at Superman, who even looked Ghoulish himself in a splash page. These artistic decisions aided in telling so much of the story. Becca’s lettering work carries the words heavily through the pages. The design of the voice box that shows Superman speaking to himself almost resembles a brick with each one.

Final Thoughts:

Absolute Superman #22 brings an interlude into our next big arc for this run. It’s a tragic and horror-wrought issue where nobody wins. I love how each issue evolves Superman just a bit more as the team is able to shift genres to match the period.

Overall Grade: 10/10

How do you feel about Absolute Superman #22? Let us know below and make sure to check out more by Matt!

Leave a Reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.