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“Midnight: Fantastic Four #1” Review – A Thing of Horrifying Beauty

Earlier this year, when Marvel announced their new “Midnight” universe, it was met with excitement from some, harsh judgment from others. Then, when it was revealed that none of the starting runs would involve the Midnight Sons, the criticism became even further mixed. Well, allow Shawn and me to hopefully lay those fears to rest as we review Benjamin Percy’s “Midnight: Fantastic Four”!

Writer: Benjamin Percy
Artist: Kev Walker
Colorist: Frank D’Armata
Letterer: VC’sJoe Sabino

Source: Kev Walker, Marvel Comics

The Writing

Shawn: What an outstanding way to start the Fantastic Four edition of Midnight. Benjamin Percy beautifully taps into a dark Eldritch Horror-type feel for this story. Right out of the gate, Percy crafts an issue that feels familiar through characters we know, but with a distinct Lovecraftian feel to the story. While there are some elements of the Fantastic Four you know, Percy eschews many of the familiar aspects of the story for a chance to reset the Fantastic Four origin story. Despite some changes, there’s still key aspects of the characters to latch on to.

Sue Storm remains a distinctly powerful individual. Every time she’s on the page, Percy’s characterization of her has her power radiating from the panel. It was nice to see a new and unique version of Johnny Storm, Ben Grimm, and even Reed Richards. Percy seems to be setting up a unique adaptation of the Fantastic Four’s signature Negative Zone with a distinct horror element. The story paces well, allowing the darkness to creep into you like the water overflowing the top of a cup. Percy’s narrative sits on you until you feel the darkness of the story.

Eda: First off, the way Benjamin Percy started this run was… fantastic! If you’re a fan, you know the classic backstory and setup for the team. Here, Percy manages to take aspects of that story and make it more horrifying than it already was, while taking some cues from the classics. If that wasn’t enticing enough, imagine if Lovecraft wrote “Frankenstein”. A part of this, too, is that he makes clear these characters have histories in this new universe that are set to be expanded upon later.

Second, I absolutely adored the pacing of the issue. Percy made the great decision to essentially break the book into three acts. Each act is separated by a page that features something for further info, whether it be a quote or a page of Reed’s diary. This really works to not only build the tension and keep the pacing on track, but to get readers into the minds of the characters and drive home the story in a really unique way. Overall, Percy delivered fantastic work right out of the gate!

The Art

Shawn: What a treat to see what Kev Walker and Frank D’Armata came firing out of the gate with in this issue of Midnight: Fantastic Four. Walker leans heavily into the redesign that this new setting allows and crafts versions of the Fantastic Four that, while identifiable to their main 616 continuity counterparts, are distinct and unique. In doing so, Walker introduces perhaps the most significant update or alteration to the Fantastic Four since the world was introduced to The Maker. Walker’s line work looks polished while at times appearing intentionally messy to help sell the Arkham style of the art.

Frank D’Armata steps up to the challenge of having such a dark story beautifully. The horror aspect means that D’Armata really had to lean into the colors available while also heavily utilizing shading and shadow. As he consistently does, D’Armata executes this perfectly. There are subtle little choices in color palettes that, while not glaringly obvious, allow you to form a sense of connection and familiarity with these new versions of the characters. Joe Sabino comes in clutch with lettering to close out the art team’s work. It really feels like Sabino is helping not only set the pacing but also set the tone the narrative and visual team is hoping to convey for this series.

Source: Erik M. Gist, Marvel Comics

Eda: Personally, I’m already loving what Kev Walker and Frank D’Armata are doing here. First, when it comes to Walker’s art, the new character designs are amazing. At first glance, they look classic yet contemporary. To add to it, the creature designs are already absolutely nightmarish. Something I especially loved, however, was how Percy tackled the paneling on certain pages. Whenever a character starts to seem to lose themselves, the panels break apart, and the lineup falls away beautifully.

As for the coloring from D’Armata, I absolutely loved it. One decision he made that I thought was genius was to continue giving their lab wear the classic white and blue. In a universe where we’re getting used to new things, it’s smart to give readers something familiar. A decision like that prevents things from feeling completely alienating. Lastly, the lettering from Sabino was absolutely great work. He managed to take reading and make it feel like a cinematic experience through text box placement and sound.

Final Thoughts

Shawn: What a great start for Percy, Walker, D’Armata, and Sabino. This is everything I could have wanted out of Midnight: Fantastic Four, and it gives Marvel a strong three for three on amazing Midnight series launch titles. Midnight: Fantastic Four #1 makes it clear right out of the gate that this is not the same Fantastic Four you’ve come to know and love, but something much deeper, darker, and intriguing.

Eda: If “Midnight Fantastic Four” is anything to go by, this new universe is off to a truly great start. If you’re not already one, Percy will make a Fantastic Four fan out of you yet. The thrills and chills are building, so here’s to hoping the payoff will be fantastic.

Shawn’s Grade:10/10
Eda’s Grade: 10/10
Overall Grade:10/10

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Have you been looking forward to the Midnight universe? Which are you picking up first? Let’s discuss in the comments below!

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MIDNIGHT X-MEN #1 – The Coldest War

Creative Team – Jonathan Hickman, Matteo Della Fonte, Arthur Hesli, VC’s Cory Petit, Dike Ruan & Moreno Dinisio

Published by Marvel Comics

MORE FROM NERD INITIATIVE HERE!

The Story

This review is brought to you by Nerd Initiative’s Megan and Shawn!

Shawn – Great things happen when you step back and just let Jonathan Hickman cook. It feels like that is what Marvel did with Midnight: X-Men #1. I’ve long been a huge fan of Hickman’s work and was really interested to see what this new horror universe would look like under him. After just the first issue, I am astonished and excited for the future of Midnight: X-Men. There are plenty of callbacks and familiarities and while the faces may be the same, the positions and world are not. While Empyre might have been an amazing Marvel event, this first issue feels like it will become the second most familiar use of the word in the Marvel lexicon.

Midnight: X-Men #1 brings back some classic X-Men villains in a new setup and setting. One thing Jonathan Hickman has always excelled at when taking over a Marvel series is knowing what to hold on to for dear life and what to let go of. In the case of Midnight: X-Men #1, Hickman executes that skill perfectly again. While the setting is new, certain things like close relationships between characters and team dynamics remain, while other aspects are drastically different. This feels like the beginning of a unique and enjoyable story.

Cover art by Dike Ruan & Moreno Dinisio. Published by Marvel Comics

Megan – I wasn’t sure what to expect going into this, but I can confidently say that Midnight X-Men #1 exceeded every expectation I had. The story is as dark as the world of this new universe. The characters are very different but somehow very much the same. The story is compelling and keeps your eyes hooked on the pages until the very last page. There are so many places Marvel could go with this story, and I am very excited to see what comes of it.

In Midnight X-Men #1, there’s a war brewing and you can cut the tension with a knife. New York City has a looming presence of vampires, but not just your normal vampires. There’s different mutant vampires that the humans call empyres and they are as terrifying as they sound. To make matters worse, some of them are the classic mutant characters that we’ve all read about and have loved. In this universe, things are extremely different than what’s been shown in the Marvel Universe. There’s no room for safety and there’s no place to hide. At any point, there’s someone out to get you. With different groups of mutants, humans, and vampires at each other’s throats, sometimes literally, the war will come much sooner than any of them expect.

The Art

Shawn – Matteo Della Fonte, Arthur Hesli, and Cory Petit saw the beautiful script from Jonathan Hickman and brought that same energy to the art. Matteo Della Fonte blew me away with the dark and brooding art in this issue. The line work from Della Fonte is absolutely stunning. The familiar shapes of known characters with new lines and new edges just set the tone right out of the gate for this entire series. From the first panel, Della Fonte lets readers know this is not the same X-Men you are familiar with, even if it looks familiar.

I’m so excited to see Arthur Hesli on this issue. I loved his work on Magik and Colossus and have been such a fan ever since. Hesli does a beautiful job of capturing the shade and subdued hues of this dark new world, while also using some of the characters and scenes afforded by the narrative to add bright pops of color. The result is that you’re not pulled out of the world, but drawn deeper in as the contrast of both palette and hue further draws you into the divide that exists in this world. Cory Petit does a killer job on this issue. His choices in bolding and location for these speech bubbles really help the story flow smoothly and let the art shine. Petit also just nails the sound effects in this issue.

Megan – The artists of Midnight X-Men #1 went out of their way to make this first issue nothing short of spectacular. Matteo Della Fonte, Arthur Hesli, and Cory Petit are to thank for the dark and dramatic artwork that made this issue a home run. Matteo Della Fonte brings incredible linework that allows the reader to fully invest in the story. Leaving little to the imagination, the artist draws the whole picture, leaving no stone unturned. The horror aspect of the comic is felt heavily in the artwork, cementing the fact that this is unlike anything we’ve seen in Marvel Comics before.

Arthur Hesli’s colors bring so much heat to the story in a big way. Leaning heavily into the darker tones, the looming threat is felt constantly throughout the book. What I loved was how Hesli used the color red as a focal point, whether it be the vampires’ mouths or a power set used when you least expected it. Cory Petit does a beautiful job with the lettering, perfectly capturing what makes these characters have their classic mannerisms while showing just how much they’ve changed. I loved how Petit used the sound effects in this issue, intertwining them perfectly in the action. The artists are firing on all cylinders, and the readers will benefit greatly from it.

Final Thoughts

Shawn – 10/10. Dark and brooding yet familiar, Midnight X-Men #1 is the perfect launch for this Midnight line. The story hooks you in from the very beginning, setting a tone that makes you think you know what you’re about to read, but you have no idea.

Megan – 10/10. I went into this not knowing what to expect, and was left with every expectation surpassed. Midnight X-Men #1 is dark; it’s brutal; it’s a home run. I cannot recommend this issue enough! Do yourself a favor and make sure it’s on your pull list!

Overall Grade -10/10

Let us know in the comments what you thought of Midnight X-Men #1!

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“Sabrina the Teenage Witch #1” Review – Witches and Rats Up to Bat!

The Run Down

When it comes to new reboots of characters as big as Sabrina, things can get a bit dicey. New writers, new artists, new… everything. However, there’s no fear to fear anything here. Everything that makes Sabrina who she is has stayed with this new retelling that starts from the beginning. Without further ado, let’s look at Corinna Bechko’s “Sabrina the Teenage Witch #1”!

Writer: Corinna Bechko
Artists: Kano (“Life or Death”), Nick Cognetti (“Caring for Your Familiar”)
Letterer: AndWorld’s DC Hopkins

Source: Kano, Oni Press

The Writing

If you’re a fan of Sabrina, this first issue from Bechko should leave you smiling from ear to ear. Here, it becomes clear that Bechko is adding to the thrills without sacrificing what makes Sabrina who she is. Off the bat, what she seems to be going for is something between the classic and the “Chilling”. While she gives us the campy humor of the early years, it also becomes clear that there’s something wicked coming this way.

To make things even better, this serves as a clean slate for those looking to get into the character. The issue sees Sabrina in her first week as a witch, her powers only having recently manifested, with Salem simultaneously entering her life. However, it’s this exact manifestation that leads a new evil to the town of Greendale. What does this evil want with her? Only time will tell, but Bechko created a fantastic setup indeed.

Lastly comes “Caring For Your Familiar,” which serves as an excellent palate cleanser. While being something that initially comes off as simply humorous, it’s chock full of positive messages. Taking care of what you love, no matter the form it comes in, should always be a top priority.

The Art

When it comes to the art, both Kano and Nick Cagnetti absolutely killed it! When it comes to Kano’s work on “Life or Death”, I’m especially digging his style. It comes off as a more modern version of the classic Archie look, and I absolutely love it. When I say that, I don’t mean just the line work but the colors as well. However, it delivers on the eeriness when it counts as well, giving everything a true Halloween vibe perfect for the season.

Secondly, there’s Canetti on his pages for “Caring For Your Familiar”. To keep in theme with the title, his art truly feels like stuff you’d see in a magazine or a “…For Dummies” book. That’s helped even more with the incredible lettering of DC Hopkins, who shares their wide range of skills throughout the issue.

Source: Chloe Brailsford, Oni Press

Final Thoughts

This new run on Sabrina is off to a strong start thanks to Bechko and her crew. Full of spellbinding writing and enchanting artwork, “Sabrina the Teenage Witch #1” is something every fan will love! After this issue, I’m excited to see what else is cooking in the cauldron.

Overall Grade: 9/10

Read more from me here and check out my socials!

Comments

Are you a fan of Sabrina? Is this new run something you’ve been looking forward to? Let’s discuss in the comments below!

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SUPERNATURAL: SAM WINCHESTER #1

On the road so far, we saw the boys go their separate ways for a bit in the SUPERNATURAL Special: Wayward. Now, while Dean continues to call and check on Sammy, he’s not having it, as he continues on his own mission.

This review is by Nerd Initiative’s Lauren

Creative Team

SUPERNATURAL: Sam Winchester #1 Cover from Dynamite Entertainment
SUPERNATURAL: Sam Winchester #1 Cover from Dynamite Entertainment

Writer & Cover Artist: Paulina Ganucheau;

Artist & Colorist: Kendall Goode;

Letterer: Jeff Eckleberry;

Packager & Editor: Nate Cosby.

Special Thanks to Josh Anderson, Victoria Selover & Megan Logan.

Publisher: DYNAMITE ENTERTAINMENT

The Story for SUPERNATURAL: SAM WINCHESTER #1

It’s 2005/2006 Sammy, so we kick off with a nightmare. Determined to hunt this monster alone (at the monster’s demand), Sam tells Dean to stop calling. Anyone who has ever watched an episode of Supernatural knows full well, that’s never going to happen. So now on the other side of the phone call that you can see in SUPERNATURAL: DEAN WINCHESTER, Sam’s mission continues.

A very frustrated Sam finds himself at what feels like a dead end. That is, until he finds a corpse with a clue. As he heads off to follow said clue, he’s suddenly faced with more questions than answers and a very surprising new monster?

Check out the review for the DEAN WINCHESTER Comic that also dropped today.

The Art

Whether we’re in a nightmare, a gas station, or a cave full of sigils, the art was spot on. While I loved the scene where our “monster” does something to Sam, my favorite moment of the art was where we see Sam show his frustration. This is a comic book, but how he was feeling came through perfectly. Sam is as confused as the readers right now, and it was perfectly captured on his face as he attempts to figure out who or what this monster is that is pushing him, and why. I especially loved the annoyed brother look as he’s on the phone with Dean. It’s a look any fan has seen multiple times on Supernatural. This issue felt it was really about Sam figuring out what is happening to him, and the art in his expressions perfectly moved that story along.

SUPERNATURAL: Sam Winchester #1 Variant Cover from Dynamite Entertainment
SUPERNATURAL: Sam Winchester #1 Variant Cover from Dynamite Entertainment
SUPERNATURAL: Sam Winchester #1 Variant Cover from Dynamite Entertainment
SUPERNATURAL: Sam Winchester #1 Variant Cover from Dynamite Entertainment

Final Thoughts

SUPERNATURAL: SAM WINCHESTER #1 follows the events of the recent Wayward Comic, and it left me excited to see where the hell we’re going. Sam had a lot going on in the first couple of seasons of Supernatural, and that’s the Sammy we’re seeing now. He’s struggling with so many things at once. The loss of Jess, leaving the “normal” life he wanted, premonitions, and now a monster telling him what to do, and to ignore his brother. The one person who has always put him first. Where this road will lead, I’m not sure yet, but I can’t wait to see!

SUPERNATURAL: Sam Winchester #1 Variant Cover from Dynamite Entertainment
SUPERNATURAL: Sam Winchester #1 Variant Cover from Dynamite Entertainment
SUPERNATURAL: Sam Winchester #1 Variant Cover from Dynamite Entertainment
SUPERNATURAL: Sam Winchester #1 Variant Cover from Dynamite Entertainment

Overall Grade: 8/10

HEADING TO NEW YORK COMIC CON THIS WEEKEND? KEEP AN EYE OUT FOR OUR CREATIVE TEAM! WE’LL BE POSTING ON OUR SOCIALS ALL WEEKEND AND COVERING AS MANY PANELS AND INTERVIEWS AS WE CAN!

Check out more reviews from Lauren

Are you a Supernatural fan? Have you checked out any of the comics?

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BENEATH THE TREES WHERE NOBODY SEES HALLOWEEN SPECIAL

Beneath The Trees Where Nobody Sees Halloween Special. Credit IDW Publishing. Cover by Patrick Horvath.

Creative Team: Patrick Horvath, James Tynion IV, Tony Fleecs, Tyler Boss, Dave Wachter, Jared Cullum, Che Grayson, Matt Emmons, and Hassan Otsmane-Elhaou.

The Story:

There is a delightful mix of incredible storytellers at work in this one-shot special, and each one brings a unique flavor to Samantha’s chilling story. This issue takes me back to when I was a teenager, and we would gather in a cemetery to hang out and tell ghost stories. Each kid on Halloween night trying to one-up the other, each with their own tale of Samantha and her gruesome murders. The stories weave in and out of each other extremely well, and when one kid ends their tale, they all take turns making fun of one another, as kids would typically do. This is the perfect collection to get you or anybody you know into the Halloween spirit!

The Art:

I will never get over playing in a world where the animals all look cute and cut straight out of something such as Zootopia and then utter chaos the next minute. Every story has a unique style of art that immerses the reader into that specific tale. The softer-toned color palettes make for the perfect background and canvas for when the bright red of bloodshed is smeared across the panels. Each artist does a perfect job crafting the world through the eyes of these children, making the murders stand out in a more grisly manner or making Samantha’s face come across as more menacing than she may have been.

Final Thoughts:

Beneath The Trees Where Nobody Sees Halloween Special is a one-shot collection of horror tales that will transport you back to the days of your youth, when telling ghost stories and trying to scare one another was what we did. The collection of artists and writers brings the legend of Samantha to life, holding nothing back in terms of a violent slasher read we would expect from this universe. Gather around that campfire and crack this issue open!

Overall Grade: 10/10

These wonderful creators will both be at NYCC as well as The Nerd Initiative crew! So if you see us say hello! Let us know how you feel about this issue and check out more reviews by Matt!

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THE DEADMAN #5: The Master

Boston Brand finds himself human once again while thrust into one of many possible futures where he comes face to face with the master behind it all.

The Deadman #5. Credit DC Comics. Cover by Martin Morazzo and Chris O'Halloran.
The Deadman #5. Credit DC Comics. Cover by Martin Morazzo and Chris O’Halloran.

Creative Team: W. Maxwell Prince, Martin Morazzo, Chris O’Halloran, and Good Old Neon.

The Story:

Things just are not going well for our friend Boston Brand, who has been thrown up and down every which way in search of what is happening to the world between worlds. Help does come from familiar faces, and it is a delight to see the creativity that Prince delivers with familiar faces, albeit with a touch of the unfamiliar about them. Brand finally comes face to face with our enemy as well, and we’re given a taste of a battle to come. All in all, this issue takes us on yet another journey where we inch ever closer to the end of our first arc.

The Art:

This cover is gorgeous, as it boasts a ton of detail, looking like Swamp Thing, but there are so many intricate lines and details woven throughout his structure that it blew me away before even opening the book. Inside, we are treated to Boston, who is human in this issue but it’s the characters and familiar faces he meets that have a twist to them, showing that this art team continues to keep their hand deep in the bag of tricks.

Final Thoughts:

The Deadman #5 sets us up for an explosive ending to the first arc of this incredible story. Boston’s journey has taken him to some weird places, and he must now face a foe who will not stop until everything is destroyed.

Overall Grade: 9/10

If you enjoyed this book, be sure to find the creative team at NYCC this week, as well as Matt and the Nerd Initiative crew!

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ONLY THE SAVAGE ARE LEFT #4:

Ryder must face the fact that he will need to accept the world as it is and make the hard choices if he wishes not only to stop from becoming a physical monster but also to save the ones he loves.

Only The Savage Are Left #4. Credit Dark Horse Comics. Cover by Stefano Raffaele.

Creative Team: Zack Kaplan, Stefano Raffaele, Thiago Rocha, Hassan Otsmane-Elhaou, and Vincenzo Riccardi.

The Story:

I think it is safe to say that Zack may be one of, if not the best in the business right now as far as character development goes when writing a story. Ryder has come such a long way in only four issues, and his transformation is more than just physical. We know who Ryder once was, but he’s beginning to act and not think; what makes him unique is that he is still holding onto his humanity. He and Fionn are up against the impossible as the virus is slowly taking over the both of them. Amongst the chaos and the uncertain it’s the backstory that Zack is delivering and showing the relationship that Ryder and Oaklynn had. We haven’t seen them interact in this new world much but, the building of who they were tells us so much and makes the current state so heartbreaking.

The Art:

Stefano and Thiago do some truly wonderful detailing in this issue, especially in terms of Ryder. I know I have been so focused on what is happening with his character, but truly, it is the journey that is driving this story. There are moments where the duo show the virus slowly spreading, whether it’s one of his eyes being mutated or how his face is beginning to turn a yellow shade around half of it. The artwork makes us feel the weight of the stakes and brings about anxiety-inducing moments. Hassan’s lettering work crafts the narration matching the height of this situation building up tense moments throughout this issue.

Final Thoughts:

Only the Savage Are Left #4 is winding the string of tension in an ever more creative manner. The artwork is building up the audience’s anxiety, showing our characters’ physical transformations while Zack crafts tense situations all around.

Overall Grade: 10/10

Zack will both be at NYCC as well as The Nerd Initiative crew! So if you see us say hello! Let us know how you feel about this issue and check out more reviews by Matt!

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SUPERNATURAL: DEAN WINCHESTER #1

Following the recent comic, SUPERNATURAL Special: Wayward, Sam and Dean have gone their separate ways. This is Dean’s side quest. Like all insane stories, it begins in Florida.

This comic review is by Nerd Initiative’s Lauren

Creative Team

SUPERNATURAL: DEAN WINCHESTER #1 Cover from Dynamite Entertainment
SUPERNATURAL: DEAN WINCHESTER #1 Cover from Dynamite Entertainment

Writer: Chuck Brown;

Artists: Rapha Lobosco & Elton Thomasi;

Colorist: Pedro Estouco;

Letterer: Jeff Eckleberry;

Cover Artist: Marguerite Sauvage;

Packager & Editor: Nate Cosby.

Special Thanks to Josh Anderson, Victoria Selover & Megan Logan.

Publisher: DYANMITE COMICS

The Story for SUPERNATURAL: DEAN WINCHESTER #1

We kick off this story in Okefenokee swamp right on the Florida/Georgia line. A romantic evening in the swamp quickly turns bad. In true Supernatural fashion, it’s of course much more than meets the eye. After our what the hell was that monster intro, we cut to Dean in a motel doing what he does best: worrying about Sam. After they went their separate ways, Dean has done nothing but worry, and drink. His drinking lands him in a spot that seems just perfect for him.

A new friend, a cheeseburger, and some pie, and Dean’s ready to hunt again. Of course, right as he’s ready to hit the road, new information comes to light.

CHECK OUT THE REVIEW FOR THE SAM WINCHESTER, COMIC THAT ALSO DROPPED TODAY.

The Art

We got swampland, Mardi Gras, alligators, monsters, and Dean Winchester in his underwear. The art beautifully kicked off this creepy and fun “monster of the week” story. As a born and raised Floridian (not the crazy kind), my favorite scenes were in the swamp. The creepiness of the monster’s eyes and grin against the sparkle the water gets when the sun hits it just right set such a fun and supernatural tone for this story. All to then be thrown into Mardi Gras. The art really captured the two sides of Dean: creepy and party. I absolutely loved it!

SUPERNATURAL: DEAN WINCHESTER #1 Variant Cover from Dynamite Entertainment
SUPERNATURAL: DEAN WINCHESTER #1 Variant Cover from Dynamite Entertainment
SUPERNATURAL: DEAN WINCHESTER #1 Variant Cover from Dynamite Entertainment
SUPERNATURAL: DEAN WINCHESTER #1 Variant Cover from Dynamite Entertainment

Final Thoughts

I’m a sucker for most things Supernatural, and I’m definitely a sucker for Dean Winchester. This comic perfectly portrayed that 2005/2006 Dean. From his attire to the way he talks to strangers, his diet, and his constant worry for Sammy. It really felt like a story from the early Supernatural days. I absolutely cannot wait to see where this story takes us as Dean heads to the Sunshine State!

SUPERNATURAL: DEAN WINCHESTER #1 Variant Cover from Dynamite Entertainment
SUPERNATURAL: DEAN WINCHESTER #1 Variant Cover from Dynamite Entertainment
SUPERNATURAL: DEAN WINCHESTER #1 Variant Cover from Dynamite Entertainment
SUPERNATURAL: DEAN WINCHESTER #1 Variant Cover from Dynamite Entertainment

Overall Grade: 9/10

Gators, monsters, mystery, and Dean Winchester. What more could you want? This comic did a fantastic job kicking off a new case, while still reminding us there is a bigger story at hand with both brothers. You don’t need to read everything that came before to enjoy this story (but it never hurts). We’re on a new case, with a new monster to hunt. One with some fun lore behind it, and I can’t wait to see how it all goes. Dean has work to do.

Check out more reviews from Lauren

Are you a Supernatural fan? Have you checked out any of the comics?

HEADING TO NEW YORK COMIC CON THIS WEEKEND? KEEP AN EYE OUT FOR OUR CREATIVE TEAM! WE’LL BE POSTING ON OUR SOCIALS ALL WEEKEND AND COVERING AS MANY PANELS AND INTERVIEWS AS WE CAN!

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Indie Initiative: Mike McCready’s A Farewell To Seasons

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Seattle’s music scene was more than just a blip on the radar; it created some of our generation’s biggest rock stars, but also some of its greatest tragedies. One everlasting presence from that scene is Pearl Jam’s Mike McCready. McCready has teamed up with writer Mark Sable and Z2 Comics to present a graphic novel and rock opera about the Seattle scene he helped build, called A Farewell to Seasons: An Alternate History of Seattle, which is full of the emotion and passion that made Seattle a hub for rock and alternative music in the early 1990s.

Courtesy of Z2 Comics

Mike McCready’s Rock Opera

The book starts with a foreword by Singles director Cameron Crowe before introducing us to the three main characters we follow. David, Angela, and Jonathan each find their way to Seattle in their own unique ways. While they have all been playing instruments and have talent, their stories unfold differently. We are guided through the story by the Queen. A character similar to Marvel’s The Watcher, who is able to see the encompassing story before we do. While any tropes found in rock star stories can be found, many of these are based on true events. Things like meteoric rises, tragic burnouts, and predatory executives have been done before as satire rather than as actual evils.

Like many music scenes, success brings stresses and unhealthy ways to cope with it. Whether it is the sexism that forces Angela to carve her own path after every disappointment, or the copious amounts of substances that numb some of our characters until they are silenced by excess, we see how these affect the characters and the people around them. While drugs can be seen as a villain, it is obvious the record executive is the true antagonist of this story, ensuring his prospects get what they want rather than what they need. These grounded emotional beats sit inside a story that re-imagines the scene through composite characters.

It’s The Same Seattle, But Different

Much of this is clearly drenched in truthful analogy, but McCready was adamant about including details that were true to the area, such as laws prohibiting those under twenty-one from dancing after a certain time of night. That being said, this is not a “what if Kurt hadn’t died” or “what if Pearl Jam had the ‘Smells Like Teen Spirit’ moment” story. The story presented is a retelling of the Seattle scene. There are character stand-ins for some of the big hitters and lost souls of the scene, such as Andrew Wood from Mother Love Bone, whose life was cut short by drugs.

While it is very obvious that there are some references to the scene and other musicians who populated it, they are mostly lost on a person like me who didn’t grasp grunge like others did. In this case, that is not a bad thing. The story itself is still engaging and interesting. We know David, Angela, and Jonathan will cross paths, but reading about that journey is interesting. You can forgive a story that blurs the line between fact and fiction to get its point across as it weighs the good and the bad that fame brings.

The Creative Team

Bastian Piriz’s art is great; he really captures the style of the grunge era beyond its plaid stereotype. As the characters venture out into the U.S., we see some of the country’s and rock ‘n’ roll’s most famous landmarks. Piriz’s interpretation is well done. There’s a gloss over the colors that makes this feel like it’s a rock ‘n’ roll book of the 1980s. I always love the lettering in Z2 books; it’s flashy but complements their stories well. McCready didn’t just come up with the story; he also made a record that is available when you buy the deluxe and platinum editions of the book. The songs serve as a record of David’s point of view in the story.

Courtesy of Z2 Comics

Overall Grade 8/10

Z2 Comics definitely releases many projects that are niche to certain fanbases but are done properly for them. Of the handful I have read, the packaging, the story, and the art are all phenomenal. Mike McCready’s Farewell to Seasons is no exception. While there are aspects of the Seattle grunge scene I enjoy, it was never something I was all in on. Even though there are some references I am sure I missed, I can recognize how special this comic is. Z2 Comics continues to impress me with the types of projects they release and the love they put into them. They are proving that it’s special enough… It’s worth it. You can purchase all versions of “Mike McCready’s A Farewell to Seasons: An Alternative History of Seattle” at Z2 Comics.

Check out more of Forrest’s articles, here.

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QUOTH THE RAVEN… WHATEVER #1 – Spooky Vibes All Around

“Super Satanic Panic” Creative Team – Rosie Knight, Noah Doa, Steve Wands

“House Rules” Creative Team – Lucas Lowman, J. Bone, Dave Stewart, Steve Wands

“Fear Knowing” Creative Team – Rebecca Mack, Ferran Delgado

“Tricks, Treats, and Comic Books!” Creative Team – Chris Rosa, Pop Mhan, Hi-Fi, Josh Reed

“Cat’s Out of the Tomb” Creative Team – Nina Vakueva, Ivan Plascencia, Jodie Troutman

“For Abby” Creative Team – Patrick R. Young, Francesco Tomaselli, Travis Lanham

“The Lovers of Losthall Manor” Creative Team – Tini Howard, Isaac Goodhart, Leonardo Ito, Travis Lanham

“Anansi’s Web” Creative Team – Domo Stanton, Andrew Dalhouse, Andworld Design

Published by DC Comics

The Story

MORE FROM NERD INITIATIVE HERE!

Quoth the Raven…Whatever #1 brings all the spooky vibes you need to get into the Halloween spirit. With eight stories that lean heavily into the darker mystic side of the DC Universe, there’s something in here for everyone to love. Whether it’s Raven teaming up with John Constantine or Deadman, or Swamp Thing, there’s plenty to choose from here, but personally, I think each story was fantastic. The writer team on Quoth the Raven… Whatever #1 is absolutely stacked, so you know it’s a guarantee that there’s going to be many excellently written stories that are all completely different from each other. There are a few stories that I want to see continue, like Vixen in Anansi’s Web, written by Domo Stanton. The other stories are complete, and even with them being short stories, they feel like a complete comic in their own right.

Cover art by Sweeney Boo. Published by DC Comics

I loved that there was an emphasis on Constantine in a few of the stories, whether it was him and Raven teaming up, him and Zatanna, or even Superboy Prime using him as a Halloween costume inspiration. Each time Constantine was used, he brought something special to the story, and you get to see him used in very different ways.

Together, the writers created an exciting one-shot that brings together the spookiness of the DC Universe with characters that just don’t get talked about enough. Each one of these stories could be its own standalone comic, and they all meshed perfectly together in Quoth the Raven… Whatever #1.

The Art

The artwork in each story is vastly different from the others with each story perfectly capturing the spirit of the comic. Some stories are more grounded while others rely on the mystic arts quite a bit, which is illustrated beautifully each time. Super Satanic Panic is one that’ll leave a shiver down your spine, doing a fantastic job at capturing the horror aspect of the story featuring Raven and Constantine. Fear Knowing featuring Doctor Thirteen and Traci Thirteen gives you a false sense of security in thinking anything can be explained through since but quickly goes down a haunting path, which the artists build up perfectly with excellent linework and details that allow the heightened emotions speak for themselves. With how many incredibly talented artists are involved with this comic, it’s guaranteed that each story will have it’s own vibe accompanied with some pretty incredible artwork.

Final Thoughts

Quoth the Raven… Whatever #1 is, it’s the perfect way to get into the spooky season spirit! Each writer and artist brings their talents to center stage and gives 8 excellent stories featuring characters we just don’t get to see enough of.

Overall Grade -10/10

Let me know in the comments what you thought of the comic!

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This review was written by Megan from the Vigilante Vibes Podcast! If you liked my review, be sure to check out my other reviews! Let me know what you think of Quoth the Raven...Whatever #1, or tell me what comics you’d recommend me trying out! Find me on my socials, and check out my Marvel podcast, Vigilante Vibes, by clicking here!