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New York Comic Con 2026: A Celebration Of All Fandoms

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Another New York Comic Con 2026 in the books.

As someone who has been an attendee for the last three years, this one has to be my favorite. Coming together with the Nerd Initiative team as a collective, was amazing and monumental. As all of us having different love and appreciation for all fandoms, we wanted to cover and talk about everything that happened. This article will cover some of the things I personally attended, but, there was far more that was going on.

DC Next Level and Beyond

With the addition of many comic book authors, including Jamal Campbell, Matt Fraction. Steve Foxe, Matt Fraction, Joshua Williamson, Cody Zigler, and Stephanie Williams. Many of the announcements that included some familiar heroes like Batman and even Super Boy. Some highlighted superheroes that I am personally interested to read are Vixen by Stephanie Williams and Static Shock by Cody Zigler. I really can’t wait to see all the superheroes come to life, in their respected comics. DC is definitely making a big statement with these characters that resonate with people. The most fun part as well, is for me to able to sit with many members of the Nerd Initiative team.

Credit: DC: Next Level Panel New York Comic Con
Credit: DC: Next Level Panel New York Comic Con

Image Comics With Kyle Higgins

Kyle Higgins did a fantastic job explaining the Massive-Verse. All of the panelists, including Kelly McMahon (The Dead Lucky), Rod Reis (C.O.W.L) and Kyle Higgins (Radiant Black and No/One). All of them explained their experiences with different companies, and why this is so different than the others. Kyle expressed his interest in trying to do something new with superheroes. He was really inspiring and motivating to get involved with reading these specific comics. Kyle also stressed that you didn’t need to read anything beforehand, you can just jump in where they are. I am looking forward to reading all of the comics that they have created and put so much passion into.

Credit: The Massive-Verse & More Panel New York Comic Con
Credit: The Massive-Verse & More Panel New York Comic Con

Jim Lee and Friends

Jim Lee who is the head of DC Comics, had his usual panel that he has at New York and San Diego Comic Con. This con was very different though. He brought out many people, including the head of the Warner Brothers Animation. Jim talks about a lot of updates and the biggest surprise was Absolute Batman. The NYCC Jim Lee and Friends audience got a chance to see very rough draft footage of what the Absolute Batman series would look like. Jim was so excited as to what is coming. He had a chance to chat with all of the comic writers and illustrators about their individual works that are coming. Unfortunately no film or photos were allowed at this panel.

Credit: Jim Lee & Friends Panel New York Comic Con

Naruto: What’s Next?

This panel was the last one of my night. It brought Japanese voice actor Junko Takeuchi who voices Naruto Uzamaki. As well as Japanese voice actor Noriaki Sugiyama as the voice of Sasuke Uchiha. The moderator was able to ask and translate questions that many of the fans had. Also it was announced that Naruto will be teaming up with Ninku in a brand new series. It seems that Ninku is a very playful and very mischievous, so this will give Naruto and team some trouble. I cannot wait until the series arrives on Crunchyroll.

Credit: Naruto: What’s Next? Panel New York Comic Con
Credit: Naruto: What’s Next? Panel New York Comic Con

New York Comic Con 2026 has been an interesting time. I can’t wait see what 2027 has in store. Please if you can, make your way to New York Comic Con. Definitely you have a fantastic, and wonderful time being immersed in Fandom.

What was your favorite panel at NYCC? Let us know in the comments below!

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With Great Power Comes Monstrous Unpredictability

I thought Midnight Marvel was going to be some kind of What If? stuff. Lights down, costumes dirtier, one bad choice, and then the usual story with extra teeth. Peter keeps the symbiote. Rogue lifts the hammer. You clap because you recognized the trick.

It is not that. I read the three number ones that dropped today, and the trick never shows up.

Midnight Spider-Man, Midnight Fantastic Four, and Midnight X-Men hit at the same time, which already feels like a statement. Phillip Kennedy Johnson and ScieTronc. Benjamin Percy and Kev Walker. Jonathan Hickman and Matteo Della Fonte. Same trade dress. Same little clock of light over the logo. Same letter in the back treating them as three distinct terrors that add up to one universe. That is not three guys lobbing isolated nightmares over a fence. That is a house with a floor plan.

Reed Richards bloody with boils all over his body.
Ryan Stegman, Marvel Comics

The shared-universe part is the thing people are going to miss, because it is not obvious on the rack yet. I have confirmed the goal is the whole messy Marvel promise: crossovers, team-ups, books that eventually have to look each other in the eye. That matters. Three writers playing in a sandbox with no map is a vibe. Three writers agreeing on the streets before they agree on the monsters is a project with weight. Midnight was designed to connect.

These stories are not simply alternate branches, either. Nothing is the same.

In a What If? book, you are looking at familiar people whose lives follow the usual trajectory until something twitches and the rest of the trip changes. The pleasure is recognition. You already know the song. You are just here for the wrong note.

Midnight does not offer that comfort. The names are bait. The origins arrive vaguely familiar and then refuse to cooperate. You can feel the old story under the floorboards, the lesson you thought you owned, the family you thought you knew, the dream you thought the book was about. Then the page corrects you. What you are holding is not a detour. It is a rebuild. New enough to be exciting. Familiar enough to trick your brain into waving. Disturbing enough that you curse yourself for allowing it.

And it is horror. Actual horror. Not the garnish.

Listen. For a while now, horror—in movies, television, prose, and comics—has felt bullied into a corner where shock is the whole meal. Jump scares. Gore as a high score. How gross can the panel get before you wince and turn it. I love that stuff. I will always love that stuff. But love evolves, and fright has a harder time keeping up with the actual world. A violent death on the page is not frightening anymore. We have worse, closer horrors waiting in the group chat and the hospital hallway. A story that only kills someone is entertainment with red paint.

The people who still know how to unsettle you do not attack the body first. They attack your comfort. Curry Barker and Zach Cregger have been proving the thesis on film. Loss of agency. Loss of self-control. The sick freefall of having to fight for your life against someone you call a friend or a loved one. The special nausea of watching a person find joy in dismantling someone else’s future. Those are the thoughts that sit in the skin. They fester. They make you feel ill when you catch yourself entertaining them on the walk home.

Black Cat lowering sunglasses and grinning menacingly. The rotting carcass of a dead cat over her head
Peach Momoko, Marvel Comics

That is the frequency these three books are broadcasting on. Not “what if the hero was scary.” What if the self was negotiable? What if the people you trust were the instrument? What if power did not arrive as responsibility, but as a contagion you cannot consent your way out of?

Johnson does it by taking a moral you can recite in your sleep and turning it until it faces the wrong direction. Percy does it by making curiosity feel like the original sin, a brilliant man and the people around him walking toward a door they should not open. Hickman does it with appetite and policy, everybody holding a reason while the peace they keep invoking already sounds like a threat. Different dialects. Same illness. I am not going to walk you through the rooms. The inference is enough. You will know it when the page stops feeling like a remix and starts feeling like a trespass.

You finish an issue and you want the next one, which is the little evil at the center of great horror. An appetite for dread. You know it is bad for the nervous system and you reach for it anyway, because the discomfort is precise. It is not gross for the sake of gross. It is aimed. It knows where you live.

So no. Midnight is not some kind of What If? stuff. What If? is a detour on a road you have driven a hundred times. Midnight is a different city after dark, built by people who agreed on the map, populated by faces that almost trick you into waving, and governed by the kind of fear that does not fade when the lights come up. The light had its turn. Midnight approaches. Are you ready? Let me know what your thoughts in the comments!

Nightcrawler kneeling over a golden sword. a red stained glass window behind him floods the room with red light. The X logo is in the stained glass design.
Skan, Marvel Comics

3 responses to “With Great Power Comes Monstrous Unpredictability”

  1. Roberto Gonzalez Avatar

    Dammit kid. Came for a Marvel review and got an existential crisis about trust, identity, and the fragility of the human condition. 😂 Seriously, excellent. You articulate something that a lot of horror fans feel but don’t always know how to put into words. As someone who bases their community work on agency, I was compelling your point of taking someone’s agency as horror in itself. There’s a huge difference between grossing someone out and genuinely unsettling them, and you nailed it. Awesome stuff, dude.

  2. Roberto Gonzalez Avatar

    Dammit kid. Came for a Marvel review and got an existential crisis about trust, identity, and the fragility of the human condition. 😂 Seriously, excellent. You articulate something that a lot of horror fans feel but don’t always know how to put into words. All of my community work centers around agency, and pointing at the horrors of losing that also touched a nerve. There’s a huge difference between grossing someone out and genuinely unsettling them, and you nailed it. Awesome stuff, dude.

  3. Roberto Gonzalez Avatar

    Well, damn. Came for a Marvel review and got an existential crisis about trust, identity, and the fragility of the human condition. 😂 Excellent. You articulate something that a lot of horror fans feel but don’t always know how to put into words. Agency is the key to my success in my work with the community and thing the loss of agency to fear is a fantastic 😉 observation. There’s a huge difference between grossing someone out and genuinely unsettling them, and you nailed it. Awesome stuff, dude.

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Dark Horse Announces New Barbie Comic Series

Dark Horse has revealed a brand-new series. 

MORE FROM NI’S COMICS BULLPEN HERE 

Dark Horse & Mattel are teaming up for a new series. Entitled Barbie: Together In Time, this new series will take the beloved character through a brand-new story. The book’s creative team includes: 

  • Writer: Ben Khan (Renegade Rule, Renegade Royale, Mr. Muffins: Defender of the Stars, Monster High Howliday Haunt & Monster High: House Haunters)
  • Artist: Natalie Nardozza (Harley Quinn In Paradise)
  • Colorist: Heather Breckel (Sonic The Hedgehog, Plants VS Zombies & Godzilla)
  • Letterer: Frank Cvetkovic (Kingdom Of Earth, Cyberpunk 2077: Jayk’s Case & Our Brilliant Ruin: Horror At Crane Mansion) 

The book’s official description reads: 

“When Barbie and Ken surprise Barbie at her science internship, they’re not expecting the brush-off they receive. Hurt, Ken wanders into a supercollider test run—and disappears! With the help of their mentor Dr. von Science, Barbie and Barbie must follow Ken’s time energy to different places and eras to collect it and restore their friend to the present. But accessing the time energy won’t be simple!” 

Barbie: Together In Time #1 releases February 10th.

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Dungeons and Dragons Reveals New Star Wars Info

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A new core rulebook is on the way, as well as some new adventures. New York Comic Con allowed Wizards of the Coast to share more information with fans. New pictures as well as a tease about some new content was revealed.

New Updates

Back at GenCon 2026, Wizards of the Coast announced a bunch of updates and initiatives surrounding their Wizards of the Coast property. New updates around settings and even some collaborations were revealed, but perhaps none were as anticipated as the announcement of the Star Wars/Dungeons and Dragons collaboration. New York Comic Con marked a significant shift in the public information around Star Wars and Dungeons and Dragons big collaboration. Disney/Lucasfilm held a publishing panel on October 9th, and they pulled the curtain back on some of the details about the new collaboration with Wizards of the Coast.

Sourcebooks

During the panel, it was revealed that the D&D/Star Wars collaboration will result in not one but two sourcebooks. The first thing brought up was the Core Rulebook. This appears to be a sourcebook similar to the player’s handbook for general Dungeons and Dragons. There wasn’t a lot of other information revealed about the sourcebook. This will likely be based on the 2024 edition of the handbook, but that wasn’t revealed. The hope is that we will get more information about this at Star Wars Celebration in April. The question for most fans in the TTRPG community is how this Star Wars RPG will be different than the one from Fantasy Flight Games. First published in 2012, the Fantasy Flight version is set in the Star Wars universe.

Tyro Squadron: Adventures is the second book revealed that appears to be much more similar to a D&D Starter Set. It should provide DMs with a setup on the ways to guide players through an adventure within the world of Star Wars. The limited information released indicates Tyro Squadron will see players taking the role of members of the Rebel Alliance set in the same universe as the original trilogy but it seems likely players would only interact with the original characters if the DM chooses to take it in that direction.

New Art

Among the other exciting things to come out of the panel was some new art that was shared from the upcoming collaboration.

Image courtesy of Lucasfilm / Wizards of Coast

The art showcases some encounters between the Rebels and Empire as well as some new interstellar space ship

Image courtesy of Lucasfilm / Wizards of the Coast

Stay tuned into Nerd Initiative for more gaming news. Are you excited about the new Star Wars expansion? Let is know in the comments below.

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ESPN & Disney+ Announce New Super Bowl XLI Details

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ESPN has announced an additional broadcast home for next year’s Super Bowl. 

MORE FROM NI’S STREAM TEAM HERE 

Disney+ has announced they will be streaming Super Bowl XLI, in addition to the Linear Broadcast that will be aired on ESPN. The team calling the game will include: 

  • Joe Buck 
  • Troy Aikman 
  • Lisa Salters 
  • Laura Rutledge 

The game will also have a Spanish-language broadcast available on ESPN Deportes, and it will air on Disney+ in over 55 International Markets. Some of those markets include: 

  • Spanish-Speaking Latin America 
  • Brazil 
  • The Caribbean 
  • South Africa 
  • Australia 
  • New Zealand 

Alongside this, the ESPN linear broadcast will air in over 130 Countries. Now, Disney+ will also be airing 2 Monday Night Football games as well. The first game is in a few weeks on October 26th, when the Cowboys head to Philly to face the Eagles. The second game will be announced at a later date. 

These 2 Monday Night Football games will also have their linear broadcasts on ESPN/ABC & ESPN Deportes. Outside of this, ESPN back in May at Disney’s Upfronts event announced their on-site plans for the game. They are taking over Santa Monica Beach and turning it into ESPN Beach for the week leading up to the game. They will also have a free activation on the Santa Monica Pier, and that will have: 

  • Interactive Games
  • Immersive Experiences 
  • Family-Friendly Fun 

This is just a small taste of what’s to come for the Big Game in February of 2027.

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”G.I. Joe: A Real American Hero/Tomb Raider #1” Review – A Strange Yet Fitting Tale

The Run Down

When one thinks of “Tomb Raider”, they don’t necessarily think “GI Joe” and vice versa. Yet writer Kyle Higgins manages to make this strange pairing make sense. In her search for the Arbco Star, she enlists the help of the Joes, perhaps not knowing the breadth of trouble she’s stumbling into. Though, knowing Lara, she absolutely does.

Writer: Kyle Higgins
Artist: Elena Casagrande
Colorist: Alex Guimarães
Letterer: Pat Brosseau

Source: Elena Casagrandes, Alex Guimarães, Image Comics

The Writing

While the concept of Lara Croft creating ties with the G.I. Joe crew may seem a bit odd on the surface, writer Kyle Higgins will make you wonder why they don’t cross paths more often. Whether he manages to make them fit seamlessly into her world, or her into theirs, I’m unsure, but it works beautifully. While this is just the start, it got me excited enough to want to read the next issue.

For me, that’s rather surprising, as I could never get into G.I. Joe. Though, if this first issue is anything to go by, Higgins may just entice this girl to read more. He manages to keep the pacing tight and the story tense, making you question what will happen next. With only a few issues, this story is sure to be a short yet great one.

The Art

Where the writing is so far great, the art is a bit less so. While Casagrande’s penciling is great in most panels, it doesn’t stay consistent. However, when it shines, it truly shines! One panel in particular really stands out to me, and it’s our introduction to Destro and Baroness. Casagrande’s choice of angle gives them intimidating power, while the setting gives an intense creepiness and darkness.

As for the colors, Alex Guimarães ‘ work is top-notch. He manages to keep everything realistically lit while intensifying the action and imbuing scenes with emotion. Meanwhile, Brosseau does his usual thing of rounding out every page with great bubble and box placements. This makes things easy to follow while keeping the book well paced.

Source: Stjepan Seijic, Image Comics

Final Thoughts

Kyle Higgins delivers a terrific start to what’s sure to be a wild ride. While one doesn’t normally think of these two worlds coming together, he makes it seem like they always were. Whether you’re a fan of the Joes or of Lara, you won’t walk away from this disappointed. As a massive “Tomb Raider” fan, I sure didn’t and look forward to what’s coming!

Overall Grade: 9/10

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Comments

Are you a fan of “Tomb Raider” or “G.I. Joe”? Is this a run you’re looking forward to reading? Let’s discuss in the comments below!

One response to “”G.I. Joe: A Real American Hero/Tomb Raider #1” Review – A Strange Yet Fitting Tale”

  1. Michael Nie Avatar

    This is a fantastic story to jump into, whether a long-time fan of either G.I.Joe or Tomb Raider, or a new reader all-together!

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“Death Vigil #3”Review – A Vigil’s Watch

The Run Down

If you missed the previous issue, then allow me to catch you up! First, it turns out Clara’s alive. Second, she’s made a new friend in her brief, permanent death! Whether or not said friend has the best of intentions remains to be seen, but maybe it’ll become clearer here? Well, find out with me as I review Stjepan Šejić’s “Death Vigil #3”!

Writer: Stjepan Šejić
Illustrator: Stjepan Šejić

The Writing

At the end of the previous issue, Šejić hinted that we’d get some unknown history between two of our characters. Well, I’m happy to report that he decided not just to tell, but to show! From the first page, I was absolutely sucked in, wanting as much of this backstory as possible. Since I was able to see everything, it made me feel that much more immersed in the world and characters. This move also allowed Šejić to show off one of his other strengths: making these larger-than-life characters relatable.

Creating character relatability has always been one of his strengths, and he shows it beautifully here. Šejić is excellent at leading you in with expectations and making you leave with so much more. The relatability that he brings really works to make everything feel more tangible and makes the incredible cliffhangers hit harder.

Source: Stjepan Šejić, Image Comics

The Art

While Šejić’s art is almost always incredible, he truly went above and beyond here, specifically with the facial expressions. When it came to Bernie specifically, seeing her cry damn near made me do the same. The facial expressions truly lend themselves heavily to the aforementioned relatability. His art and colors really work to make his worlds feel real in a way that’s tough for most others to accomplish.

Final Thoughts

Stjepan Šejić is on a serious roll with “Death Vigil”. Šejić is creating a story full of not just death, but life and its complications. I really can’t wait for the next issue!

Overall Grade: 10/10

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Are you reading “Death Vigil”? What’re your thoughts so far? Let’s discuss in the comments below!

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Midnight Spider-Man #1 – Birth Day

“Power makes monsters every time. And monsters just do what they do.”


Creative Team

Phillip Kennedy Johnson (Writer), Scietronc (Artist), Neeraj Menon (Colorist), VC’s Joe Caramagna (Letterer)

Jay Bowen (Designer), Kaeden McGahey Assistant Editor), Jordan D. White (Editor), Dan Buckley (Executive Editor), Stephen Wackler (Editor-in-Chief)

Publisher: Marvel Comics


Birth Day

Midnight Spider-Man is a new chilling story from Marvel Comics. This series provides a “horror” side to the Spider-Man franchise. This first issue is not your typical Spider-Man story. Readers are going to see an almost adult Peter Parker have to decide something he wasn’t expecting to have to make yet in his life. A lot is going on within this story. A lot of “behind closed doors” science things. This story also looks as if it is set in the present year (2026), but it looks very futuristic in the artwork.

Spider-Man
Midnight Spider-Man #1, Credit Marvel Comics. Cover by Steve Beach


This issue starts off with a humbling beginning for Peter Parker. This portion of the story could resonate with just about anyone who had a pet as a child. This is the first “mistake” that takes place in Peter’s life. There are more to come, and even within this issue. As the story moves on readers start to learn more about Peter and his family dynamic. And in doing so it becomes very aware that someone is missing from this story… Is it a friend from school, or is it a scientist? You’re going to have to pick this book up to find out!

Within this story it’s Peter’s birthday, seventeen going on eighteen and in school as a professor’s assistant to Dr. Connor. In doing this job, Peter is getting the opportunity to learn from one of the best scientists in New York. But just like in any good story, there is always a bigger fish. While Peter assists Dr. Connor during the day, he takes on an alter ego at night with a blog focused at trying to destroy the heavy hitting science leader within New York, Oscorp. Many Spider-Man fans know the background between The Parker’s and Oscorp. That same background is portrayed within this story as well.

Peter’s blog is getting major recognition, especially from Oscorp. This would make any young persons dreams come true. The thing they have been working on for some time is now a hit with people taking notice of them. That is an intense high for youth, just being noticed. But for Peter, it’s whose taken notice of him. The one business he’s made it his goal to take down in a journalistic way. Now comes the strange part, Oscorp wants Peter on their payroll. Sound familiar doesn’t it? But it’s who Oscorp sends to sign Peter that will surprise readers.

As I mentioned before this is meant to be somewhat of a horror style book, and it definitely doesn’t disappoint when it comes to that. The beginning of the issue that deals with Peter and the family pet is drawn so well that it feels as if you’re looking at a scene from “Pet Cemetery“. The bulk of the issue is not horrific at all. But when readers get to the conclusion of this issue, the final five or so pages, strap in. Things are about to take an extreme turn in Peter’s life…


The Writing

Phillip Kennedy Johnson shows that he knows what he is doing within this first issue. The way the story carries itself throughout the pages is so swift and precise. The plot flows effortlessly for the reader, adding in a few speed bumps to slow things down from time to time. The narration and dialogue carry the persona of Peter Parker. The added storyline of big science and tech companies within this story helps to give the reader a better understanding of the world Peter is in now, but also a hint as to the world we are heading towards. This story is going to be dynamic, and I’m here for it and to see what this transforms into next!

The Artwork

Scietronc and Neeraj Menon are a force to be reckoned with for this issue! The art is fantastic! I love the feel of anime-style art for this book. It gives a different feel to the story. The art is so detailed that I had to stop reading to take in all of the details. The pencil work on the more gruesome panels captures everything the reader needs to see and ultimately feel while reading. The coloration is a direct reflection of the art and plot of this story. When it gets dark, it gets dark. When the story follows Peter around, the coloration is very bright and happy. The shading and dark tones add to the details and tone for the horror panels. I loved the artwork for this issue, and I cannot wait to see more from this team!


Variant Covers

  • Spider-Man
  • Spider-Man
  • Spider-Man
  • Spider-Man
  • Spider-Man
  • Spider-Man
  • Spider-Man
  • Spider-Man
  • Spider-Man
  • Spider-Man
  • Spider-Man
  • Spider-Man
  • Spider-Man
  • Spider-Man
  • Spider-Man

Final Thoughts

This is but also isn’t your typical Spider-Man story. It carries some of the basic mainstream feel of a Spider-Man story and background. But with some twists along the way that get readers hooked after the introduction. The writing is intriguing, and the art is beyond eye-catching. Fans of Spider-Man will want to read this issue! If you’re just getting into Spider-Man, you will want to pick up this issue! There are so many Peter Parker details within this issue that new fans will gain an understanding of Spider-Man. Great debut issue for this brand new series! Get your copy today!

Overall Grade: 10/10


Links

Comic Book Reviews & Entertainment News: Nerd Initiative
Previous Spider-Man Review: The Amazing Spider-Man #1000!
Travis’ NI Portfolio: TravisComicHaven – Nerd Initiative
Travis’ Personal Content: Travis’ Comic Haven


PLEASE SHARE YOUR THOUGHTS IN THE COMMENTS SECTION BELOW!

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“Red Sonja: She-Devil With a Sword #6” Review – Three Beers for the King!

The Run Down

With the RisingSun defeated and the corrupt king killed, Red Sonja attempts to take some time for herself. However, as we all know, that never lasts long. With the fall of one king comes the rise of another in this properly spooky start to a new arc. When a monstrous creature comes to town, will Red Sonja be able to solve who created it? Find out in this week’s “Red Sonja: She-Devil With a Sword #6”!

Writer: Rory McConville
Artist: Pablo De Bonis
Colorist: Salvatore Aiala Neto
Letterer: Carlos M. Mangual

Source: Stuart Sayger, Dynamite Entertainment

The Writing

After how intense and chaotic the previous two issues were, McConville takes a bit of a necessary step back here to slow things down. While the introduction of an heir feels a bit fast, the rest feels slowed down to allow these new plot developments to stew. After the previous arc, I trust McConville knows what he’s doing, and I believe this to be the smart move.

While some may want the intensity to be consistent, the story needs to be interesting. Sometimes, things need to be slowed down to make that happen. What McConville introduced here is going to lead to some rather interesting developments for Red Sonja. I can feel it in my bones!

The Art

As usual, the team of De Bonis, Neto and Mangual left us with gorgeous pages to look at! With us now being six issues in, it’s astounding that De Bonis has yet to drop the ball on his penciling and line work. Firstly, he’s not only great at creating scenes, but selling them. Secondly, the way he draws facial expressions really works to sell the scene to the reader, making us feel what they feel.

When it comes to the colors from Neto, he helps sell the scenes even further. Through his colors, it’s easy to imagine there’s more going on in Red Sonja’s world outside of what we’re currently seeing. The colors he uses make the world feel real and moody, lending a sense of grit and magic.

Lastly comes the lettering from Mangual. As the final pillar of making this world feel real, Mangual’s skill in lettering helps the reader hear the sounds in their mind. Doing this while making the boxes give a sense of cinematic flair really helps us visualize the comic like a film, and it’s beautiful.

Source: Lucio Parrillo, Dynamite Entertainment

Final Thoughts

What McConville delivers here is a fantastic start to a brand new arc. While the action is there, it takes a bit of a backseat to develop this new piece. Doing this while delivering on some thrills and chills makes for the start of something truly amazing.

Overall Grade: 9/10

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Comments

How have you been liking “Red Sonja: She-Devil With a Sword”? Is there anything you would do differently? Let’s discuss in the comments below!

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“Midnight: Fantastic Four #1” Review – A Thing of Horrifying Beauty

Earlier this year, when Marvel announced their new “Midnight” universe, it was met with excitement from some, harsh judgment from others. Then, when it was revealed that none of the starting runs would involve the Midnight Sons, the criticism became even further mixed. Well, allow Shawn and me to hopefully lay those fears to rest as we review Benjamin Percy’s “Midnight: Fantastic Four”!

Writer: Benjamin Percy
Artist: Kev Walker
Colorist: Frank D’Armata
Letterer: VC’sJoe Sabino

Source: Kev Walker, Marvel Comics

The Writing

Shawn: What an outstanding way to start the Fantastic Four edition of Midnight. Benjamin Percy beautifully taps into a dark Eldritch Horror-type feel for this story. Right out of the gate, Percy crafts an issue that feels familiar through characters we know, but with a distinct Lovecraftian feel to the story. While there are some elements of the Fantastic Four you know, Percy eschews many of the familiar aspects of the story for a chance to reset the Fantastic Four origin story. Despite some changes, there’s still key aspects of the characters to latch on to.

Sue Storm remains a distinctly powerful individual. Every time she’s on the page, Percy’s characterization of her has her power radiating from the panel. It was nice to see a new and unique version of Johnny Storm, Ben Grimm, and even Reed Richards. Percy seems to be setting up a unique adaptation of the Fantastic Four’s signature Negative Zone with a distinct horror element. The story paces well, allowing the darkness to creep into you like the water overflowing the top of a cup. Percy’s narrative sits on you until you feel the darkness of the story.

Eda: First off, the way Benjamin Percy started this run was… fantastic! If you’re a fan, you know the classic backstory and setup for the team. Here, Percy manages to take aspects of that story and make it more horrifying than it already was, while taking some cues from the classics. If that wasn’t enticing enough, imagine if Lovecraft wrote “Frankenstein”. A part of this, too, is that he makes clear these characters have histories in this new universe that are set to be expanded upon later.

Second, I absolutely adored the pacing of the issue. Percy made the great decision to essentially break the book into three acts. Each act is separated by a page that features something for further info, whether it be a quote or a page of Reed’s diary. This really works to not only build the tension and keep the pacing on track, but to get readers into the minds of the characters and drive home the story in a really unique way. Overall, Percy delivered fantastic work right out of the gate!

The Art

Shawn: What a treat to see what Kev Walker and Frank D’Armata came firing out of the gate with in this issue of Midnight: Fantastic Four. Walker leans heavily into the redesign that this new setting allows and crafts versions of the Fantastic Four that, while identifiable to their main 616 continuity counterparts, are distinct and unique. In doing so, Walker introduces perhaps the most significant update or alteration to the Fantastic Four since the world was introduced to The Maker. Walker’s line work looks polished while at times appearing intentionally messy to help sell the Arkham style of the art.

Frank D’Armata steps up to the challenge of having such a dark story beautifully. The horror aspect means that D’Armata really had to lean into the colors available while also heavily utilizing shading and shadow. As he consistently does, D’Armata executes this perfectly. There are subtle little choices in color palettes that, while not glaringly obvious, allow you to form a sense of connection and familiarity with these new versions of the characters. Joe Sabino comes in clutch with lettering to close out the art team’s work. It really feels like Sabino is helping not only set the pacing but also set the tone the narrative and visual team is hoping to convey for this series.

Source: Erik M. Gist, Marvel Comics

Eda: Personally, I’m already loving what Kev Walker and Frank D’Armata are doing here. First, when it comes to Walker’s art, the new character designs are amazing. At first glance, they look classic yet contemporary. To add to it, the creature designs are already absolutely nightmarish. Something I especially loved, however, was how Percy tackled the paneling on certain pages. Whenever a character starts to seem to lose themselves, the panels break apart, and the lineup falls away beautifully.

As for the coloring from D’Armata, I absolutely loved it. One decision he made that I thought was genius was to continue giving their lab wear the classic white and blue. In a universe where we’re getting used to new things, it’s smart to give readers something familiar. A decision like that prevents things from feeling completely alienating. Lastly, the lettering from Sabino was absolutely great work. He managed to take reading and make it feel like a cinematic experience through text box placement and sound.

Final Thoughts

Shawn: What a great start for Percy, Walker, D’Armata, and Sabino. This is everything I could have wanted out of Midnight: Fantastic Four, and it gives Marvel a strong three for three on amazing Midnight series launch titles. Midnight: Fantastic Four #1 makes it clear right out of the gate that this is not the same Fantastic Four you’ve come to know and love, but something much deeper, darker, and intriguing.

Eda: If “Midnight Fantastic Four” is anything to go by, this new universe is off to a truly great start. If you’re not already one, Percy will make a Fantastic Four fan out of you yet. The thrills and chills are building, so here’s to hoping the payoff will be fantastic.

Shawn’s Grade:10/10
Eda’s Grade: 10/10
Overall Grade:10/10

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Comments

Have you been looking forward to the Midnight universe? Which are you picking up first? Let’s discuss in the comments below!

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