One of the biggest challenges with the first issue of a new comic series is finding balance. You want to build your world and story, but at the same time leave room to establish characters. That is a lot to do in only a few pages.
I equate it to trying to write a TV pilot where everything important is established before the first commercial break. In Our Bones Dust #1 Ben Stenbeck, Dave Stewart, and Russ Wooton look to use the broken world they are building to inform the story being told.
The issue opens on a set of aliens excavating the land of what seems like a dead society. Space junk orbits the earth in great abundance while the land appears full of garbage and discarded human remains.
Right away, the setting is established and we get a few more clues regarding the current state of the world with knowledge of body parts being forcefully removed from the found corpses.
That is by far the greatest attribute of this issue. So much is established about this world without having to blatantly say it or start with an endless prologue that gives a paragraph of text before we get into the story. We are thrown right in and it is up to us to figure things out. I appreciate this approach because it demonstrates trust in the audience. The key though is being able to pull it off.
Ben Stenbeck is on both writing and art duties, which may explain the confidence in the storytelling. This is best summed up in a scene that involves the spilling of a bottle of water. Based on the character reactions to that moment we learn what is valued in this world. The fear placed in the eyes of one character informs so much about the lack of resources that exist.
Stenbeck tends to use four to five panel grids so with the larger sized panels it makes for a breezy read. By switching between a variety of vertical and horizontal shots it avoids the imagery becoming stale. He also has a knack for staging knowing where exactly to place the camera to set the stage. Zooming into characters faces just at the right moment to set the intensity only to back away quickly when the moment passes.
One of my favorite moments comes with the alien plants a tree into the ground. It is a wordless sequence that gives off a sense of tranquility in a story that is otherwise full of chaos. It was rather a brave choice to have a quiet moment like this that does not move the plot along, but tells us so much about this alien’s desires. It also juxtaposes well against the actions of the humans that continue to destroy while this being looks to create and preserve.
As I was reading this I was quite impressed with the colors. The palette at times is limiting but never dull. This is a desolate world so a great deal of grays and browns are used. You can smell the rust if you look at the page long enough.
Credit: Image Comics
That sells the world’s atmosphere, but then you get small bits that pop off the page like a pair of sunglasses or a character with blue hair. When violence does occur, backgrounds explode with scratched orange to sell the intensity. This was a professional job in ever sense of the world, and when I saw it was Dave Stewart it made perfect sense. The man is a legend in the industry.
Credit should also be given to Rus Wooton. Beyond doing the unsung duty of being a letterer he designed the logo as well. By no means am I a graphic designer, but as a person who reads comics it informs so much about the story. It is clean, simple, and effective. Everything you want in a good logo.
To get back to the concept of balance there was some struggle there. After this issue I have a great sense of what this world is, but I am not fully sure what the story is about or who these characters are on a deeper level. We have a conflict that is built upon survival.
This is a world that makes Mad Max look like a day spa. Placing a young boy into that world as the apparent main protagonist brings with it inherit investment. The pieces are certainly there, and I again appreciate the trust in the audience to put them together.
Any person with an ounce of empathy can feel for his plight, but not much is known about who or what he is to have any true emotional connection. Rather looking forward to see this story further balance out in upcoming issues.
It has been the motto of one of Marvel’s most controversial squads. Under the helm of Baron Zemo, the Thunderbolts rose through the ashes of post Onslaught to deceive the people of the Marvel Comics Universe into thinking they were true heroes.
With countless stories since, the team has carved their own spot into the history of Marvel. Now with a brand new incarnation debuting with The Winter Solider at the helm, fans have much to be excited about. Considering the creative team, expect nothing but fireworks from here on out.
That’s why for this monumental occasion, its an N.I. Bullpen joint review with Matt (N.I. Assistant Comics Editor/Hops Geek News and Ken (N.I. Comics EIC/ODPH Podcast) breaking down the first issue of this incredible story.
The Writing:
Matt: Look , there’s a reason the Hivemind are two of the best writers out there and continue to be chosen for Marvels heavy hitting characters. The two bring about the Marvel fun quips along with building a world and excitement for the story at hand. They understand the characters they’re playing with in this world and build upon their lore excellently.
Ken: The Hivemind cook up something special for fans with this first salvo. The unlikely pairing of Bucky and Val works to create instant tension to the dangerous game they’re going to play. Knowing how personal Bucky is making the mission, it gives readers a version of the Winter Soldier that is more locked in to succeed than in recent memory.
The rest of the team creates a strong impression as they enter the playing field. Each makes their marks with big action, driving the story into the final stretch. The closing moments tie up all the action while ending with a haunting message. Rest assured, the Hivemind are setting the stage for one hell of an explosive journey.
The Art:
Matt: Geraldo and Arthur bring a bright element to AJ exciting first issue. The character costume designs stand out to me as old familiar while adding fun new age additions to each of them. I’m excited to see them expand upon each characters costume and the action this series is sure to bring.
Ken: GERALDO. BORGES. NUFF. SAID! Being a big fan of his work in No/One, I knew the action was going to be loud and intense. The art team doesn’t disappoint as each panel continuously raises the bar. The sequences feel big and never a forgettable moment. Even the ones driven by dialogue carry a certain weight with them.
While on their mission, the art team gifts an excellent two page spread to kick the event off in style. The following images reflect the dangerous path the characters have chosen. The resolution comes via a full page shot that feels like it’s right from a Hollywood blockbuster movie. The parting shot is a lasting panel that will only fuel the demand to see where things lead from here.
Overall Thoughts:
Matt: This serves as a prequel of a larger story that is upon the horizon. Each character gets a fantastic introduction into the story while teasing more to add. Bucky being the leader makes sense and his beef with Red Skull is promising to be a fun ride until the end. I’m very optimistic about where this story is headed.
Ken: With the legacy of reformed villains doing heroic acts, the creative team behind this new series aim for the stars with an ambitious mission. The Hivemind creates a new stat quo for the team with its’ superb writing. Fueling this assault is the dynamic art of Geraldo Borges and the team, which bring excitement to each panel of the story. Buckle in for an explosive journey of action and espionage!
Written by: G. Willow Wison; Art by: Chris Wildgoose; Colors: Msassyki; Letters by:Simon Bowland;
Color Assistant: Diana Sousa.
The Hunger and the Dusk, from IDW Publishing
In Issue 3 Tara continued to show her worth, intelligence, and (ironically) her humanity. She may have single handedly saved both human and orc-kind. She not only noticed the captured Vangol to have unusually dirty fingernails, but she was also able to translate a language that seems to be the equivalent of speaking Latin in modern day. While interpreting this “dead” language, so to speak, Tara was able to figure out that the Vangol are ambushing both orcs and humans by using underground tunnels. We wrapped up issue 3 by sending off a human to go follow the recently released Vangol.
We kick off issue 4 with a new song in the works. Previously we’ve learned humans have many songs mocking orcs and portraying them as evil savages. However, with the current peace treaty, and the The Last Men Standing suddenly finding themselves bonding with Tara (an orc), they’re rewriting those songs, in the hopes they can also rewrite their destinies against the Vangol. However, much like in our world today, not everyone can so quickly overcome their biases and discrimination for those who are different.
The Hunger and the Dusk Issue 4 – Images by IDW Original.
The orc tribes meet and discuss self preservation against the humans, verse their team up against the Vangol. All the while, our human scout, Mikil, continues to follow the Vangol captive that was released in issue 3. However, Mikil quickly learns he bit off a bit more than he can chew. On more than one level.
The Hunger and the Dusk Issue 4 – Images by IDW Original.
The Art
There really isn’t anything I can say about the art that I haven’t said in my last 3 reviews. It’s gorgeous, consistent, and moves the story along beautifully. The expressions on all the character’s faces fantastically showcases their fear, love, anger, or whatever they may be feeling in the moment.
The Hunger and the Dusk Issue 4 Rating: 9/10
This comic continues to be my favorite comic of the year. I love the twists and turns, while still maintaining the positive relationships of my two new favorite power couples. Nevertheless with the stakes suddenly higher, and the orcs not all on the same page, I wonder if our new human/orc couple will go from a peace treaty relationship with a hopeful future for all, to a Romeo & Juliet tragedy. Or will nature simply decide everyone’s fate first.
Lauren is half of Hops GEEK News: a weekly podcast that discusses all things geek pop culture, while enjoying a craft beer of the week. They also interview many different people from the comic book world and beyond.
As the Energon universe unfolded, Transformers secured its prime position atop every fan’s must-read list! The series’ soft reboot, designed to welcome new readers, combined with an exceptionally talented creative team steering the narrative, has ignited a buzz of anticipation month after month.
The Nerd Initiative BullPen team, brimming with enthusiasts, couldn’t resist the pull, prompting us to unite for a collective review. Join us as we delve into the latest installment and discover what our team has to say about this thrilling series!
The writing truly shines as it delves into the complex struggle that humans, particularly Carley, Spike, and Sparky, face in distinguishing friend from foe among the Transformers. The breakneck pacing adds a thrilling dimension, intensifying emotionally gut-wrenching moments and keeping readers on the edge of their seats throughout.
Nonstop action permeates the issue, immersing readers in the Transformers’ world and amplifying the stakes. The narrative skillfully unveils the Decepticons’ motives, prompting readers to question the consequences once their goals are achieved.
TRANSFORMERS #3 – DANIEL WARREN JOHNSON, MIKE SPICER AND RUS WOOTEN (Credit: Image Comics via Skybound Entertainment)
Ken:
Johnson doesn’t delay in hitting fans with the dramatic action. The initial opening with mr. Whitwicky and Cliffjumper play into how humans are not fully understanding the war they have now been caught up in. This only amplifies as events progress, adding in a new dynamic to the conflict. The banter between Soundwave and Starscream is vintage Transformers.
The latter half of the book brings all parties together for a bigger battle. Johnson keys in on some emotional sequences building to one unforgettable panel. Its’ resolution starts a domino effect with readers as “business picks up” like Jim Ross would say. The closing moments further elevate an already impressive issue. If there was ever a question of why this series gets so much praise, just pick up this issue and it will leave no doubt.
Matt:
This issue certainly brought it all. From the jump it’s a fast paced tale of classic human stupidity mixed with the heroism you’d come to expect from the autobots. Seeing the shift Optimus has from hating humans to now trying to save spike shows an immense amount of growth and talent by DWJ to pull it off seamlessly.
The art, characterized by Johnson’s distinctive style, paired with Spicer’s eye-popping colors, is a visual feast. The vibrant aesthetics contribute to the overall delight of the reading experience, creating a compelling atmosphere that complements the narrative.
Wooton’s lettering deserves special mention for seamlessly integrating with the art and enhancing the intensity, tone, and pacing. The onomatopoeic elements, especially during action sequences, add a dynamic layer, immersing readers further into the unfolding events.
TRANSFORMERS #3 – DANIEL WARREN JOHNSON, MIKE SPICER AND RUS WOOTEN (Credit: Image Comics via Skybound Entertainment)
Ken:
Johnson brings the action right from the opening page (literally). The sequence with Cliffjumper, Mr. Whitwicky and Laser-beak set a high pace that locks readers in. The panels with Starscream and Soundwave conversing bring more tension with an uttering of a single name.
Johnson captures that moment and places a great easter egg for something down the road. However, the driving force of this issue is Optimus Prime versus Skywarp. Johnson gifts Prime’s introduction with a perfect two-page image that will have readers yelling in excitement.
The fight sequences never falter. Plus as an old school pro wrestling fan, I always appreciate Johnson sliding in some moves which is perfect for this series. The action needs to be bold and daring.
This delivers each time. Once the game changing moment occurs, Johnson’s art reflects the intensity and franticness of the race against time. The issue closes with a perfect final image that readers can’t help but be excited to see where the next issue leads now.
Matt:
I’m really enjoying the 80’s cartoon vibe I get from this comic. Within each panel is a nostalgic action packed feeling that transports me back to my childhood. The colors and blending of each character stand out vibrantly in a more dark story that is unfolding.
TRANSFORMERS #3 – DANIEL WARREN JOHNSON, MIKE SPICER AND RUS WOOTEN (Credit: Image Comics via Skybound Entertainment)
Final Thoughts:
Marty:
With its gripping narrative, stunning visuals, and effective lettering, it stands as a testament to the creative prowess of Daniel Warren Johnson and the entire team! This issue leaves readers eagerly anticipating the next installment in this thrilling series.
The war of Decepticons vs Autobots rages forward with another intense issue! Johnson combines high level drama with blockbuster art to craft a story that readers won’t be able to put down on New Comic Book Day. If you’re not reading this series, you are missing out on an experience that truly is more than meets the eye.
This issue was fast, it was action packed, but most of all it’s emotional. We get to see the human aspect of kill everybody while the few humans understand what is happening. You’re screaming at Whitwickey at every panel to just shut up and listen already meanwhile jumping out of your chair watching Optimus beat someone down with his own detached arm. If you’re not pulling this each month then I think you just hate fun.
Transformers is an interesting world overall, to get lost in. It shows and tells a lot of action, dialogue, and fast-paced movement across the pages. The art is a unique style, reminding me of an old-cartoon look, with a sprinkle of a throwback style of cartoon pages in a newspaper looked. The storytelling is also fast-paced, with dialogue that goes back and forth with easiness. It also doesn’t shy away from violence, and that makes it feel even more intriguing. I can’t wait to see what happens next.
Welcome to a very special edition of Parlay Points, the comic book review blog to the ODPH podcast!
For this entry, DC Comics is giving readers one hell of a holiday treat. Gotham City can very very unfriendly to outsiders. However, one person pays no mind as he travels there on his route around the globe every December 25th. What event could possibly bring Kris Kringle to the scariest city in the DC Universe?
BATMAN/SANTA CLAUS: SILENT KNIGHT #1 by Jeff Parker, Michele Bandini, Alex Sinclair, and Pat Brosseau kicks off an unforgettable story perfect for the holiday season. Let’s take a closer look and see how this team-up fares.
*** POSSIBLE SPOILER WARNING ***
The story begins with a group of Carolers singing in downtown Gotham. Flying overhead is a mysterious group of creatures that appear to have bat wings.
As the group presses onward to sing in the cold, their performance is cut short. The creatures attack the singing group and leave no survivors.
Arriving on the scene to investigate is the Dynamic Duo of Batman and Robin. During their exam, Batman notices a neck puncture that appears to have drained their blood.
Knowing this seems out of the ordinary, Batman calls in some help. Walking thru a portal is the Mistress of Magic herself: Zatanna!
After using a spell, she deciphers that creatures known as the Draug are at fault. Zatanna mentions that the Draug are of Norse Vampire decent.
As she is breaking down her findings, one such creature attacks! While it’s in the air, the creature is impaled by a wooden stake. The person behind the weapon? None other than SANTA CLAUS!
Readers quickly find out that this is not the same jolly ol’ Saint Nick that they usually think of. What is his connection to the case? More importantly, what is his connection to Batman?!
As the story progresses, the unlikely team-up dives further into what is behind the Draug being unleashed. Readers get an early holiday gift with fast-paced action and memorable conversations between Santa and some of Gotham’s finest.
This all leads into a final page where it appears someone has Santa on their naughty list and plans on delivering pain and suffering as a gift next issue!
Readers get an early gift via the most unlikely of team-ups. The issue moves briskly to hit its’ major points. Parker mixes in well timed one-liners with a more serious narrative. A good majority of this comes from Damien Wayne’s dialogue. Seeing Batman a bit more at ease and less brooding was a nice change as well. The story still had a dramatic feel to it, but one that also embraced the fun aspect and ran with it. This will be a version of Santa Klaus that won’t soon be forgotten.
Each time Santa makes an entrance, Parker sets it up to connect with the audience as a major plot point. Heading into the closing moments, Parker unveils much the background story that flows easily into the present. It caps off with a strong final image that is sure to have fans excited to see where things head next.
Bandini, Sinclair and Brosseau don’t delay about setting the tone for this debut issue. The two-page spread of the Draug’s first strike establishes the dangers lying ahead. This is followed up by full (or near full) page debuts for all the major DCU heroes at play.
Doing introductions like this to readers gives more weight to the impactful appearances. The issue is filled with great action images. This plays off the fun dialogue extremely well. The art team builds up the closing images with a dramatic flair to cap off a fun ride that is a fantastic present for readers.
FINAL POINT: 9 OUT OF 10
The Dark Knight joining forces with Father Christmas makes for an exciting beginning to what will only be a legendary story. Parker’s exciting writing blends perfectly with Bandini and Sinclair’s energetic art to give readers a tale that they won’t be able to wait to Christmas Day to read! Make sure to pick this one up on New Comic Book Day!
Hit me up on ODPH social media and let me know your thoughts on Batman/Santa Claus: Silent Knight #1. Thanks for Reading Parlay points on Nerd Initiative!
Welcome to an all new edition of Parlay Points, the comic book review blog to theODPH Podcast!
For this entry,we are following along the interesting times of Jake Levin via Comixology Originals. What started out as a job opportunity for a struggling writer has evolved into something else. Now deeper into the mess he’s apart of, Jake needs to act fast before sinking further int danger.
Nice Jewish Boys #2 by Neil Kleid, John Broglia, Ellie Wright and Sarah Littpresents readers a picture of organized chaos through crime. Let’s take a closer peek at what’s happening now.
Jake Levin thought his long-time friend Chaim Davidovits, was helping him out when Chaim offered him a job writing promotions for his kosher appetizing stores. However, as the saying goes, if its too good to be true, it is.
One night, Jake went back to the office for his cell phone. When he walked in, he became an accessory to murder!
At this moment, Jake became entangled in Chaim’s organized crime business. Making matters worse is Lenny Klein. Klein isanother childhood friend who now is working with the FBI to take down the business at Chaim’s shops. Where does Jake go from here?
This issue begins with Shloime Garbstein, Chaim’s mashgiach (one who oversees the Kashruth condition of food in a restaurant), and associates going through stolen property and money laundered.
Jake is shown as going through the books and making sure the “Avodah” (work). Readers see how this isn’t something that jak had even planned to happen. They also start seeing the slow seduction of wealth beginning in Jake.
This is a far cry from a previous chat with Jake and Lenny. Lenny lays out his plan to go after Netanel Stern (business associate of Chaim). With Jake’s head spinning, readers see how further divided he has become with his childhood friends.
How does he react when he sees Chaim after this? The next sop at the shop leads Jake into an assignment he might not be ready for.
With tension filling the air, will Jake rise to the occasion or get crushed by its’ weight? Readers quickly see how Jake adapts to the world he’s now in but is he ready for what’s next? If the final page is any indication, Jake’s world just got even more complicated…
Kleid continues to put Jake through the rising challenges of his new world. Being an unlikely “gangster”, Kleid showcases Jake’s awkwardness to his fellow “teammates”.
Blending in the fear and anxiousness forces Jake into near breakdowns. Once he understands the assignment, Jake shifts gears into leaning a certain direction as Chaim plays more as a “devil on his shoulder” with what the life of crime can offer.
The closing moments adds a huge factor into Jake’s life. It also adds a deeper cut into Jake’s life as he tries to stop his world from spinning further out of control.
Broglia and Wright teeter Jake’s reactions from surprise wonderment to growing anxiousness. This begins right after the full page panel of Shloime addressing not only his crew, but the audience with “I Believe In God”.
After that moment, Jake tries fighting the appeal of his new stat-quo.
Once the assignment is completed, Jake and Chaim’s conversation proves to be reflective of the uncertainty of their business.
This leads to a solid parting image further complicating things for the lead who’s in way over his head already.
FINAL POINT: 8.5 OUT OF 10
The balancing act of Jake Levin continues to impress in Comixology Originals’ latest crime drama. Kleid’s strong writing takes readers deeper into the challenges of being a criminal and caring family man. Brolia, Wright and Litt elevates the scenarios unfolding making this a story you won’t want to pass up on New Comic Book day.
Hit me up on ODPH social media and let me know your thoughts on Nice Jewish Boys #2. Thanks for reading Parlay Points on Nerd initiative!
Welcome to an all-new edition of Parlay Points, the comic book review blog to the ODPH Podcast!
For this entry, the simple rescue mission to Themyscira for one of DC Comics’ most famous teams hits a major road block via the Amazing Amazon. The combustible line-up has barely been holding it together. Now saving the world might have to be the second priority as it appears leaving the island could be nothing more than a dream.
BIRDS OF PREY #4 by Kelly Thompson, Leonardo Romero, Jordie Bellaire and Clayton Cowlessets up a collision course between Black Canary’s team and WONDER WOMAN! Let’s not delay any longer and jump right into the action, shall we!
When Sin (Black Canary’s “sister”) is taken by the Amazons to the Island of Themyscira, this isn’t going to sit well with Dinah Lance! Black Canary brings back the Birds of Prey with Zealot, Big Bartha, Batgirl (Cassandra Cain) and Harley Quinn.
Their mission: rescue Sin and leave undetected. Sounds easy enough, right? Wrong.
While trying to leave, Wonder Woman gets wind of the disturbance on the Island. Even with Green Arrow trying to buy time, it’s not enough. The Birds are ready to fly but now stand face to face with one of DC’s most powerful beings: Dinah Prince aka Wonder Woman!
This issue kicks off with the few moments before Wonder Woman arrives. As the team plans, Zealot interrupts them and says she has arrived.
Zealot tries buying time but after a short skirmish, Dinah leaves her to the Amazons to continuing to pursuit.
The issue takes off from here as its’ a HUGE fight between the Birds and Wonder Woman. Who is left standing when the smoke clears? Readers see how things play out as the fate of the world hangs in the balance.
As events move forward, Dinah and her team will be challenged like never before. Will they handle it or break under pressure? If the final page is any indication, don’t expect the Birds to go quietly into that gentle night!
Thompson delivers a knockout combo on the writing for this issue. As previously stated, Zealot is quickly becoming the break-out character of this series. The interaction between her and Wonder Woman is a solid point of this story.
Another element of this story is the banter between Harley and the team. Seeing how her conversations are reflecting on Dinah Lance is a great break in all the action.
Pacing does a great presentation to where all the action is without missing the drama. The final act sets up for a huge showdown while raising the tension and importance of their mission tenfold.
Romero and Bellaire don’t pause before igniting the action powder keg within these pages. There is an excellent two page full spread of the Birds fighting the Amazons.
This shows why this team was put together by Dinah in issue #1. The fighting panels with Wonder Woman pop right off the pages. Cowles’ lettering adds the final touches on making this images feel THAT much bigger to the overall story.
In between the action, the art team captures and highlights the banter between the team. Seeing Dinah start to come around to Harley is a great piece to the overall picture.
The lead-in to the big showdown adds a great layer to the story. The closing act instantly connects with readers the danger that is now involved on the mission. This caps off with a strong final page, and great final panel to send readers onward.
FINAL POINT: 8.5 OUT OF 10
If you’re looking for non-stop action, this issue is going to be YOUR book! Thompson architects the big action with great writing. Romero, Bellaire and Cowles present stunning visual after stunning visual to showcase the magnitude of the battles. This series continues to impress and you won’t want to miss this on New Comic Book Day.
Hit me up on ODPH social media and let me know your thoughts on Birds Of Prey #4. Thanks for reading Parlay Points On Nerd Initiative!
Welcome to an all new edition of Parlay Points, the comic book review blog to the ODPH Podcast!
For this entry, we are descending further into the fractured mind of DC Comics’ Dark Knight. Since his awakening from the events of “Knight Terrors”, Bruce Wayne hasn’t been himself. With his defense personality in control, BATMAN has become more dangerous. Now poised to face his greatest foe, can Bruce not only defeat the Clown Prince of Crime, but his own mind as well?
Zur-En-Arrh, the back-up personality of Bruce Wayne has taken over after the events of “Knight Terrors”. After causing damage with the rest of the Bat-Family, this version of Batman is flying solo.
While investigating a murder of a toy company heir, Batman knows who the clues are pointing to: JOKER!
The investigation leads to a trap. Joker has attacked Batman on another personal level. Lucie Chesson, who trained Bruce on his way to becoming the Bat, is a pawn in Joker’s twisted game.
However this time around, he’s not dealing with the same ol’ Bat. He’s dealing with Zur-En-Arrh, who sends Bruce back into his own mind. Once in his own mental prison, Batman is confronted by an army of Zur-En-Arrhs.
This issue kicks off with Joker elated to deal with Zur-En-Arrh. Their game of cat and Mouse is about to start. Meanwhile Batman is addressing the other personalities. They claim to be the multi-verse versions. At this stage, readers quickly see any chance for these conflicts ending peaceful being non-existant.
Both fights begin with no remorse shown in either. “Zur-Bat” is unrelenting on the violence he is dishing out on Joker. It is one of the most brutal displays that Batman has ever unleashed on any criminal.
The same can be said for the battle inside Bruce’s mind. Overwhelmed by the odds, it appears Bruce Wayne is on borrowed time as a new Batman has outsmarted the world’ greatest detective.
Readers see how both fights pay out with two sides of the Bat fighting for control. With all the surrounding elements at play, there is no easy road to victory.
The action intensifies with each panel. This all builds to a breaking point. Once that resolution starts unraveling, the closing moments prove that “Mind Bomb” is an appropriate title for this story. Expect to be blown away by the final image!
Zdarsky challenges the Caped Crusader on two fronts for this issue. The first is dealing with his own creations. The personalities of Zur-En-Arrh provides a distinct threat of what Batman can become. Seeing Bruce face them head on shows his own struggle to not lose control. Readers see what happens when he does as the battle with the Joker is brutal and unapologetic.
The writing reflects the blind obsession to serve justice. As Zur-En-Arrh deomstrates, there is a fine line from heroics and villainy. The pacing moves quickly to give both plot points ample time to hit with readers.
Once the latter half of the book starts to take hold, Zdarsky throws in some amazing curves before ending on another solid cliffhanger. The uncertainty of where things are heading makes this a great Joker story. It’s also a huge win for the fans who see Batman’s greatest challenge being himself.
Jiménez and Morey bring the ferociousness of the violence out in each brutal panel of fighting. The opening salvo versus the Joker holds nothing back as Batman starts throwing punches.
With each strike, readers can feel the remorseless anger behind the fists. These images only amplify louder as their fight escalates. It leads to a show-stopping moment which will leave reader speechless.
As for the mind battle, the many “cameos” are a great nod to the many versions of Batman. The “leader” of the personalities was a perfect choice. It led to more importance on when their final fight occurred. There was never a shortage on the intensity as each panel brought out the high stakes involved with the conflict.
The mind resolution stands out for a subtle yet stand-out moment. This leads into the final moments which will leave readers with jaws dropped at the final full-page panel. Jiménez illustrated one hell of an issue within these pages.
FINAL POINT: 9 OUT OF 10
The explosive mid-way point of “Mind Bomb” will absolutely blow readers away. Zdarsky exemplifies the power of the mind through his excellent writing. Jiménez and Morey leave nothing on the table as their superb imagery brings the violent rage of a vigilante up close and personal before throwing another dynamic in the mix on the parting image. This story is an absolute must-read.
Hit me up on ODPH social media and let me know your thoughts’ on Batman #140. Thanks for reading Parlay Points on Nerd initiative!
It is all too often that Hollywood takes real life events and transforms them into stories in the form of film and television. But it isn’t common for a film to address the fact that these aren’t just stories: these are people’s lives. Director Todd Haynes does exactly this in his latest film on Netflix, May December which stars Julianne Moore, Natalie Portman, and Charles Melton. The film follows Elizabeth Berry, an actress who travels to Georgia to meet and study Gracie Atherton-Yoo, a woman whom she intends to portray in a film. Gracie, being infamous for long-term relationship with husband, Joe Yoo, whom she met when he was only 13, and her family are now forced to reckon with the reality of their lives and circumstances.
(l-r) Natalie Portman and Julianne Moore as Elizabeth Berry and Gracie Atherton-Yoo in Netflix’s “May December”. All Rights Reserved by Netflix.
May December has been attracting all kinds of awards buzz and critical acclaim, particularly for its style in storytelling and its cast’s performances. For those unaware, May December draws several parallels to the life of Mary Kay Letourneau and Vili Fualaau, a tragic and unsettling story that loosely inspired the film itself. And for all of its melodramatic bells and whistles, like the harsh piano notes in the score or moments that feel so bizarre they’re almost laughable, the film manages to capture the uncomfortable and messy nature of the inappropriate relationship that started it all. It’s very clear from the opening moments that this film isn’t a comedy or a campy story. Instead, it’s a life-long tragedy quickly unfolding over the course of two hours.
However, May December doesn’t take a surface-level approach to the contents of the story in any way. Every character is layered and either holds the power of being impactful or has the misfortune of being impacted. Gracie is excellently written as the woman who refuses to accept the wrongs of her actions, insisting that everything is normal and dismissing the claims that it isn’t. Elizabeth Berry is the personification of an actress obsessed with getting a role right, down to the very lipstick shade her subject uses. It’s not just a role, it’s a science experiment. And Joe, the young husband of Gracie, who has accepted her word as honest and true, is the epitome of a man who hasn’t quite grown in ways he should have been allowed to grow in, and is bursting at the seams to be free.
(l-r) Natalie Portman and Charles Melton as Elizabeth Berry and Joe Yoo in Netflix’s “May December”. All Rights Reserved by Netflix.
Through the startling music and sudden camera pans that intentionally makes the viewer uneasy, we’re made to ponder the question of in what world would anyone have thought any of this was acceptable. We’re all generally aware of the age old case and the parallels being about a striking amount of discomfort. But frankly, that would be the world of Gracie, a character who is so eloquently captured through the performance of Julianne Moore. At times, Moore makes us forget what Gracie’s crime even was. That is, until a scene later, we see her standing side by side with or crying in the arms of her husband Joe, played by the incredible Charles Melton who emanates a heart shattering essence within his performance.
Charles Melton as Joe Yoo in Netflix’s “May December”. All Rights Reserved by Netflix.
And in nearly every moment involving Melton in any way, he steals the attention of the viewer whether we expected it or not. Joe isn’t a character to be ignored, and with his attractive appearance and his charm, it is impossible to forget the youth that was taken away. Melton perfectly relays what it means to be robbed of one’s innocence and identity, all of which belong to one person who manipulated him into believing it was all he wanted. And to wrap it up in a bow is Natalie Portman whose presence and performance disturbs the flow of our characters’ lives and rips apart the veil that shielded them from any hard-hitting realizations. Portman brings an energy that can be typical of any performer in Hollywood but also reminds us constantly that the woman she aims to emulate on the big screen is still a real person.
(l-r) Natalie Portman and Julianne Moore as Elizabeth Berry and Gracie Atherton-Yoo in Netflix’s “May December”. All Rights Reserved by Netflix.
May December is one of those movies where its quality creeps on you the more you reflect and think about it. On the surface, one can say it’s clearly just a fictional adaptation of a true story. But as we dig deeper, it’s so much more than that. Todd Haynes manages to pull back layers of the situation over the course of barely two hours, until we’re left with something raw and childlike, but mostly saddening. So, don’t let Julianne Moore’s worry that there aren’t enough hot dogs fool you. May December is very much worthy of all the praise and discussion surrounding it, and is a must-watch as we approach awards season.
Samosa Rating:
May December receives 4 out of 5 Samosas.
May December is now streaming on Netflix. Runtime: 1hr 53m
This is easily the most staked Top 10 Most Anticipated COmics list I have done so far. Any of the top five this week would have been number one any week prior. Not to mention how hard it was to narrow down to ten. Never would have thought Usagi Yojimbo or Midlife would not make the cut, but alas hard choices where made. So let’s get to those hard choices with this week’s countdown…
Editor note: All Description portions come directly from their respected publishers
Description: When last we saw the Legenderry world’s Red Sonja, she was living the pirate’s life aboard her ship, The Nautilus. But times have changed! In this special 40-page one-shot adventure – created exclusively for Red Sonja’s 50th Anniversary – fan-favorite writer KATANA COLLINS weaves a tale of thievery, deception, and a mysterious painting with a decidedly handsome and unaging owner – all set against the steam-powered backdrop of the Legenderry world!
Why It Made the List: I am always up or a good Red Sonja comic. With this being a special it is even more enticing because you do not need to worry about anything that is happening in Red Sonja’s current ongoing. We have gotten past Legenderry Red Sonja comics in the past, but I am pretty confident that this one will be welcoming to new readers. I enjoyed what Katana Collins did with the Batman: White Knight Presents – Harley Quinn series, and now she gets to take on another iconic comic book character. Hoping for similar success.
Description: If you dare, get into the sinister spirit of the season and join The Nightmare Keeper for a demented Saint Nick story… one who decks the halls with holiday horror, crafting a very merry macabre Christmas unlike any other!
As malls continue to die, a down-and-out former mall Santa named Heinrick Fiddler’s rage turns to madness, and he’s dead-set on making sure department store shopping isn’t the only thing that’s deceased.
Treasured Fear Street and Goosebumps author R.L. Stine is joined by Bram Stoker Award-nominated artist Pius Bak (Eat the Rich) for another tale straight from your nightmares!
Why It Made the List: When I hear the name R.L. Stine a shiver runs up the spine of my ten year old self. Like many from my generation the Goosebumps books hold a very special place with me. Now he is trying his hand at comics once again. I was not the biggest fan of his run on Man-Thing, but the previous installment of this series in September I thought was enjoyable. Also love Christmas Themed horror as well so plenty to be excited about.
Description: Step into the world of a forbidden video nasty! A group of college kids have plans for renovating the old, abandoned Flesch House. But they will soon discover that their new home contains hidden terrors. Who is the menacing figure that haunts Cindy’s dreams? What danger lurks in the basement? Will anyone survive… the House of Creeping Flesh?
Why It Made the List: I started doing this list around October and there was plenty of horror books to be had. A few months later that has not changed. It’s always spooky season in the world of comics. When I look back at this series it has changed so much from what I thought it was going to be and I love everything about that. It keeps taking classic clichés and finding new ways to approach them. Vault has a pretty extensive list of great horror titles and this is among one of my favorites.
Description: The dark tower and the bright castle. The princess and the pauper. The future written by the past. Some things are eternal. Some things must be changed.
Why It Made the List: When you read the description it sounds like the ramblings of an sidewalk Apocalyptic preacher that somehow has the loudest megaphone known to mankind. Considering the context of this comic that actually makes sense. With Holy Roller last week and The Sacrificers this week Remender is flexing how varied his story telling style can be. Not to take anything away from Max Fiumara as his character design has been quite admirable. He has been able to create a world unlike any I have seen.
Description: The human-orc alliance is tested for the first time as an underwhelming harvest causes the orcs to look toward the fertile farmland of humankind. Will Troth be able to persuade his brethren to stand strong alongside their new allies? Or will the truce break before it really begins? Whether these warring nations are able to work out their problems or not, one thing remains: the Vangol are more organized than anyone could have imagined… and they are on their way.
Why It Made the List: This book is such a joy. This has been a great year for fantasy in both film and comics and this has been leading the way. I make this point every time I mention this book but I love how it does not get lost in its own lore. That lore has depended as this series has gone on to be fair. Why it still works though is because they have paced it out well so it never becomes overwhelming. The danger has been gradually increasing and after the events of last issue this should be a good one.
Description: Outnumbered and overpowered, it’s time for the Autobots to stand their ground, as Optimus Prime goes toe to toe with Skywarp!
Why It Made the List: You know this is a great week when this is number five. If I was going to make list based solely on comic book community excitement this would be number one. It is rare when you see near universal praise for any comic but that seems to be the case for this one. The sales have been traffic and the product that has been put out is very worthy of those sales. I am not even the biggest Transformers fan but I got caught up in it as well. Anytime Daniel Warren Johnson does I book I am there, and everything that makes his work great is found here. You have giant robots doing suplexes. GIANT. ROBOTS. DOING SUPLEXES. God I love comics.
Description: DOOM’S X-MEN! That’s right – Doctor Doom has his very own team of Latverian mutants, loyal to the benevolent leader that keeps their country safe, and they make their spectacular debut in this issue! The X-Men may be in the midst of a fall… but they’re not letting Doom’s personal squad take their title without a fight!
Why It Made the List: Despite not including it a lot on these lists I think the X-Men line has been firing on all cylinders since the Hellfire Gala earlier this year. It did exactly what this line needed and gave it a shot in the arm to shake up the status quo. The Krakoa has been special, but I believe it is time to move on and hopefully have a simplified X-Men line. This title has consistently been one of the best and now you are adding Doctor Doom to the world of the X-Men. Love when characters that do not typically associate show up in a book together. Doctor Doom going head to head with the X-Men should be fun.
Description: START YOUR ROBO-ENGINES! THE CHASE IS ON! Petrol Head and Lupa gun it for the SmogZone border with half the O-Zones security drones and robo cops on their trail. Can one old racing robot outdrive the best new tech the city can build? And will Lupa’s father survive the experience?
Why It Made the List: Some might think I am crazy for having this book with talking robots ahead of Transformers. Do not get me wrong I greatly enjoy that book, but I thought Petrol Head #1 was one of the best first issues of all of 2023. I knew very little regarding the work of Pye Parr prior to the first issue. Now anytime I see his name on a book it is an instant read for me. Transformer designs are iconic of course. Here though I love the originality and personality he placed with these characters. I didn’t know I needed a giant robot smoking a cigar in my life but I am happy to have it. Plus with it being an original idea there is more mystery regarding what we are going to get, and mystery and anticipation go hand in hand. Ultimately both comics are great and having two in one week makes all of us winners.
Description: THE BIRDS VS. THE AMAZON WARRIORS! Chaos reigns as the first mission for the Birds of Prey has (unsurprisingly) gone sideways. Even with the collective battle prowess of her hand-picked team, did Black Canary bring enough firepower to fight their way off Themyscira?!
Why It Made the List:Birds of Prey and World’s Finest are battling it out for my personal favorite ongoing DC book. Usually the winner is the last one I read. The first three issues of this series have been everything I hoped for and more. I am not going into this being a huge fan of this property. Cannot think of the last run of this series I got into. I do love the work of Kelly Thompson, Leonardo Romero, and Jordie Bellaire. This is 100% hitting what I expect from them. Jordie Bellaire may even be exceeding my expectations which I did not think was possible. Just look at her colors (I assume) on that cover. She is trying a lot of new things and setting the tone for this book.
Description: A year ago, Reed Richards sent a whole city block the Baxter Building stands on—along with his own children and the children of his best friends Ben and Alicia—a year ahead in time. It was a desperate measure, but it saved them. And now, it’s time for them all to come back. But when the Fantastic Four arrive in NYC, they find something is being built in the pit where the block once stood—and worse, nobody seems to know exactly what it is or why they’re building it. With the clock ticking, they investigate this mystery—and discover a mysterious new threat that may have been pulling the strings this entire time…!
Why It Made the List: So why in this extremely strong week is Fantastic Four #14 number one on this list? That is because this is an issue that has actually been building for over a year now. When this series started we had a mystery regarding what happened to the Fantastic Four that drove them apart. That mystery was solved, but the ramifications of that answer would not fully come into play for an entire year. I did not think they would wait a literal year. Comics have a magic time line and a year could easily be a month or a decade. By doing that though they allowed fences to be mended and the anticipation to build. This should be a moment of celebration as a family is reunited, however knowing comics I expect a more challenges to arise. With this being Marvel’s current best book and this being such a key moment in this series it was easy to place it on top of this week’s list.
Honorable Mentions: Shazam! #6, The Sacrificers #5, Thunderbolts #1, Kill Your Darlings #3, The Sentry #1, Fire and Ice #2, Usagi Yojimbo: Ice and Snow #3, Midlife (or How to Hero at Fifty!) #3, Our Bones Dust #1, Dark Spaces: The Hollywood Special #4, Bloodrik #1, Invasive #1
