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What If…Runaways #1 – Is This How You Won Your Oscars?

There are many universes. In the main 616 continuity, the Runaways, as they were called, chose not to join their parents, members of the secret organization The Pride. What would the world look like if, instead of running away, their parents told them about The Pride and welcomed them with open arms? That is the question at the core of What If….Runaways #1.

This review is brought to you by Nerd Initiative’s Megan and Shawn!

Creative Team

Writer: Rainbow Rowell
Artist: Zulema Scotto Lavina
Color Artist: Frank William
Letterer: Travis Lanham
Cover Artist: Lucas Werneck

Writing

Megan: The story of the Runaways is one that I feel has always been underrated and underappreciated in Marvel Comics, so to see the story get brought into the world of What If..? made me very excited. After reading the comic written by Rainbow Rowell, I have to say I loved everything that was done here. In the original story, Alex Wilder, Chase Stein, Gertrude Yorkes, Karolina Dean, Nico Minoru and Molly Hayes find out their parents are a part of The Pride, which is a group drenched in darkness with their sacrificial actions and answers to gods. The children runaway from home and form their own resistance against their parents with the main goal being to stop them by any means necessary. In What If…? Runaways #1, the question is asked what if they never ran away? What if they stayed?

In the story, the kids stay and become a part of The Pride, being trained by their parents and turned into supervillains. I found it very interesting how Rowell was able to show the vast differences in these kids versus the original story. You can see how hardened they are with their parents’ influences over them being very visible. It’s difficult for me to go any further without spoiling the story, but if you’re a fan of the Runaway comics, I think you’ll really enjoy this comic. Rainbow Rowell does a marvelous job in the writing and keeps your eyes glued to the pages throughout the read.

Shawn: I really enjoyed what Rainbow Rowell did with this issue of What If?. I thought this was a nice change of pace for the What If stories we have gotten this time around, and it was great to see the Runaways be a part of this series. It’s interesting to see Rowell show us what changes and what stays the same in a world where the Runaways are brought into The Pride rather than being shocked into running away. I thought Rowell captured that idea perfectly and even included a few nice twists for the story.

One thing that Rowell really does well with this story is keeping you drawn into it. You get a nice little recap, so you don’t need to have a ton of familiarity with The Runaways before reading. That combines into a narrative that is engaging and interesting. Rowell tells this alternate-universe story in a way that you still feel some connection to the characters you learned from the main universe while also seeing how things could have turned out so differently had one major point changed. Rowell also does an amazing job reminding us that even when a major plot point changes, some things are so ingrained that those aren’t altered.

Art

What If...Runaways #1 cover by Lucas Werneck. Image from Marvel Comics
What If…Runaways #1 cover by Lucas Werneck. Image from Marvel Comics

Megan: Zulema Scotto Lavina, Frank William, and Travis Lanham put their all into this issue and the readers will benefit heavily from it. The artists really captured the darkness that comes with the Pride and allowed most of the children of The Pride members to embody it. Then there’s Karolina, who looks nothing short of angelic with her beautifully vibrant look. The artists expertly captured the personalities of the characters through their looks and it really shows how far they’ve come in their parents plans for world domination and immortality.

The coloring work in the comic is striking and bold, which really hit the artwork out of the park for me. Frank William really captured the tones of the story perfectly throughout the comic through the colors. Travis Lanham does a fantastic job with having an even flow of dialogue with so many characters at play. Each character has their own tone and their own way of speaking, and Lanham illustrates that perfectly.

Shawn: Zulema Scotto Lavina, Frank William, and Travis Lanham put outstanding work into this issue. Scotto Lavina did a really great job with line work in capturing the new looks for the Runaways. The looks for this alternate universe maintained a few signatures of the characters from the original universe while giving them some distinct reimagining.

Frank William manages the colors well, choosing tones that really make the tones pop for the moment. Karolina Dean is beautifully colored, with William making the glow from her highlight beautifully illuminate the dark spaces. I loved that William used familiar colors as a callback while still making each character feel unique. The color choices for Molly were way more in your face than the other characters, but knowing Molly from the original run, they just work. There were a few issues in the lettering where Alex was called by his last name and Wilder was not capitalized. While not being a major issue it did disrupt the flow of the comic just a little bit, but the flow was still really well done, letting the art shine.

Final Thoughts

Megan: 9/10. This was such a fun spin on the original story! Rainbow Rowell did a fantastic job on the writing while the artists made this comic nothing short of stunning. Beautiful work all around!

Shawn: 9/10. This was a great way to tell a new story. I really loved how Rainbow Rowell managed to give us not only a new Runaways story but also a different version of a What If? story. The art was spectacular. While it would likely go unnoticed by most, the missed capitalization became a distraction before I was able to jump back into the story.

Overall Grade: 9/10

What did you think about this story? Let us know in the comments

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Witness Point #2 – A Small Town Full of Podcasters & Former Criminals

Witness Point recently kicked off with issue one and introduced us to a small and unique town, that has been the dumping grounds for the Witness Protection program for years. After a headless body was found, the natives got restless. A local chill sheriff introduced us to the town in issue 1. Now in issue 2, the investigation continues from the perspective of our out of town no nonsense Fed.

Creative Team

Created by: Nathan Fillion, Heath Corson, and Soo Lee; Script by: Heath Corson; Art & Colors by: Soo Lee; Letters by: Joshua Reed; Cover by: Soo Lee.

Check out the review for WITNESS POINT #1

Witness Point #2 Cover. Image courtesy of Dark Horse Comics
Witness Point #2 Cover. Image courtesy of Dark Horse Comics

The Story for Witness Point #2

As this murder mystery continues, our narrator shifts this issue. Now from the perspective of the cynical Fed we get a more serious look at the creepy and odd murder in this small town. Can people truly change, if given a second chance? People have strong opinions on this, and Witness Point is putting it to the test. As the investigation continues the sheriff takes a step back, as our hotshot fed is ready for a fight. However, her confidence starts to diminish when their most recent suspect doesn’t fit any of her theories, and instead creates more questions.

The Art

I absolutely love the art for Witness Point. At times you get that old school, who dunnit feel, while still perfectly capturing the feelings of our characters through their facial expressions. With internal and external dialogue the lettering is perfect to smoothly move the story along, and never feel confusing or overwhelming. Meanwhile, the colors create a feel of oooh spooky, while still maintaining an incredibly light feel. As should be done in a small town full of criminals and circus performers.

A stand-out moment for me with the art was the introduction and history of Salvatore “the Shotgun” Ballintine. It was informative, succinct, entertaining, and a lot of fun to look at.

Finals Thoughts

While this seems like a typical small town sheriff/big fed type of case, where they both inevitably learn from each other and become better people in the end, this case it too odd to fit the tropes. Wrenches continue to get thrown into theories and cliches, making this a fun murder mystery that leaves you scratching you head and wanting more. Witness Point is turning into a story as unique and interesting as the town it takes place in.

Overall Grade: 9/10

If looking for a new and fun who dunnit, that might include circus performers and former mobsters… look no further! So far, Witness Point has been non stop entertainment and mystery, and I can’t wait for more!

Check out more from Lauren

Did you read Witness Point #1 yet? What are your thoughts?

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Captain Marvel: Dark Past #5 – You Got A Big Problem In One Direction

With her seventh sense returned, Captain Marvel battles the Desecrator. Paul Jenkins and Lucas Werneck bring this series to a thrilling conclusion. What started as another high-stakes cosmic conflict has become deeply personal as more about the connection between Carol and the Desecrator has been revealed. Carol’s powers may have to reach past their limit in order to deal with this threat once and for all.

This review is brought to you by Nerd Initiative’s Megan and Shawn!

Creative Team

Writer: Paul Jenkins
Artist: Lucas Werneck
Color Artist: Rod Fernandes
Letterer: Joe Carmagna
Cover Artist: Lucas Werneck

Writing

Megan – What an ending! If there’s one thing Paul Jenkins knows how to do, it’s how to feel the story in your core. Captain Marvel: Dark Past #5 brings this exciting and emotionally heavy story to a close and does it in the most beautiful way imaginable. Carol has spent this comic series going through her past traumas and learning new things about her past. Things she forgot, memories that were taken from her, and things she just didn’t know. It all comes to a head in this final issue with a wonderfully natural ending that proves Captain Marvel is as strong emotionally as she is physically.

This comic series highlights the things that make Carol into the character she is. She is someone who can be strong enough for herself and anyone else that needs it. She’s someone that doesn’t act out of spite, but acts on what’s right. Time and time again, she puts other’s needs before her own, but this story was made to highlight her own life. After all the trauma she’s endured, she remains strong, empathetic, and someone who will save the day no matter what. Absolutely stellar job by Paul Jenkins!

Shawn – Andddddd breathe! What an all gas and no brakes finale from Paul Jenkins. What a satisfying end to this run. Not only did Jenkins craft a beautiful ending in Captain Marvel: Dark Past #5, but he crafts an emotional connection to the characters. This issue alone is filled with moment after moment of poster-worthy quotes. Carol has been through hell and back in this series, but the hottest fires forge the toughest steel and Jenkins really lets Carol’s growth shine through on this issue.

To put it simply, Jenkins seems to understand Carol at the most basic level of the character. Carol shows extensive growth throughout the series that comes to a head in issue #5, but Jenkins also helps remind us that, through the trauma, anger, hurt, addiction, and growth, Carol has had the same care for doing the right thing at her core, and that is what makes her worthy of the mantle of Captain Marvel. Captain Marvel: Dark Past #5 sees Jenkin’s narrative feeling as much like Carol giving herself a pep talk as it is a reader enjoying a story.

Art

Captain Marvel: Dark Past #5 Cover by Lucas Werneck. Image from Marvel Comics
Captain Marvel: Dark Past #5 Cover by Lucas Werneck. Image from Marvel Comics

Megan – I cannot say enough good things about the artwork to explain how much I appreciated all the artists did. There are extraordinary tonal shifts in the story, and the characters are made to represent that. The characters wear their emotions on their sleeves with their facial expressions practically telling the story for themselves. Along with that, we’re given some really excellent action scenes that raise the energy up exponentially. The fight between Carol and Eric was exciting but also emotional, which was illustrated beautifully.

Accompanying the wonderful drawings is the excellent use of colors that have been consistently gorgeous in every issue. In Captain Marvel: Dark Past #5, there’s a fantastic contrast between the beach setting and Eric’s electric green powers that makes the fight feel larger than life. With the excellent drawings and beautiful use of juxtaposing colors, the lettering is what ties it all in a perfect bow. Joe Caramagna does a great job capturing the tones of the characters through the dialogue. Whether it’s Carol’s more even tone or Eric’s loud and expressive way of communicating, it’s easy to see the huge differences between the two characters in their words.

Shawn -Lucas Werneck continues to show why he is one of the absolute best in the business at the moment. Every line, every stroke felt perfect. Werneck captures the emotion of every moment so perfectly in this issue. It’s difficult to explain without spoiling but Werneck beautifully captures the moment when Carol steps comfortably and fully into not only her powers but who she is, tragedies and all.

Rod Fernandes really complements the art in this issue with beautiful colors. There’s a panel where there’s a streak flying through the air, and Fernandes colors it perfectly so that you know, even though you can’t see her, it’s Carol barreling through the air. The color choices by Fernandes really create a nice contrast between the Desecrator and Carol in the monumental face-off that happens in this issue. Joe Caramagna really gets to shine with some nice SFX work in addition to helping the story flow.

Final Thoughts

Megan – 10/10. This was the perfect ending to what’s been an excellent miniseries. Paul Jenkins had me hooked in the first issue and didn’t let go until the very end of the last issue. Excellent work all around!

Shawn – 10/10. For the second straight limited series, Paul Jenkins has left me sitting at the end of a fifth issue, wondering who is cutting onions. Captain Marvel: Dark Pact #5 was poignant, impactful, and heartfelt. This is everything a Captain Marvel story should be and more.

Overall Grade -10/10

What did you think about the ending? Let us know in the comments

The Lucky Devils #9 – No Good Deed Goes Unpunished

What was supposed to be the finale for THE LUCKY DEVILS, is now the penultimate issue, as there was too much story to still tell. The last issue hell was literally continuing to break loose, and we saw that Rake and Starr are not on the same page anymore. Starr believes the power of Christ compelled Rake away. Meanwhile, Collar and Cam have become bros, and they’re getting ready to spread their good word via a podcast.

This review is brought to you by Nerd Initiative’s Lauren

Creative Team

Written by: Charles Soule;

Art, Design, & Cover A by: Ryan Browne;

Cover B by: Steve Seeley & Ryan Browne;

Colors by: Ryan Brown & Kevin Knipstein;

Letters by: Christopher Crank;

Logo by: Thomas Quinn;

Production Design by: Erika Schnatz.

Check out the review for ‘The Lucky Devils’ #8 from Image Comics.

The Lucky Devils #9 Cover. Image courtesy of Image Comics
The Lucky Devils #9 Cover. Image courtesy of Image Comics

The Story for ‘The Lucky Devils’ #9

Virtue is seeping into hell as the lower level devils have switched from the literal devil on their humans’ shoulders, to a metaphorical angel. In response a high level devil has made a demand for “truly heinous” behavior. This is the only way to preserve all that is bad and satanic! As this demand is made, the truth is revealed about a certain devil’s actions, the response is both hilarious and a true lesson for all those in hell.

Back on Earth the podcasting bros are hard at work making the world a better place. Meanwhile, Starr suddenly finds herself in an insane position of power. Determined to do good, she’s unaware that Rake is still whispering sweet evilness into her ear. When truths are set free, tables are turned, and our humans are left wondering what the hell to do next.

The Art

I can’t get enough of Ryan Browne’s art. It is just so much fun to take in. Not only does it perfectly move the story of our lucky devils along, it also always has little stories in the background. I absolutely loved how 2 stories were essentially taking place simultaneously at the end. There is never any space wasted when Browne is on the art. Easter Eggs can also pop up. This isn’t the first time Soule and Browne have teamed up. They also brought us the amazing comic book Eight Billion Genies. A comic that Cam is clearly a fan of.

Another moment of art and story coming together beautifully was a scene that reminded me of one of the best (if not THE best) openers for a comic book movie: X2. Whether that was an intentional nod or not, it was so much fun to see. Throw in the gorgeous colors that don these pages and you really have some perfect (and sometimes gross… I mean, they’re devils) art.

The Lucky Devils #9 Variant Cover. Image courtesy of Image Comics
The Lucky Devils #9 Variant Cover. Image courtesy of Image Comics

Final Thoughts

In this penultimate issue, ‘The Lucky Devils’ continues to suck me in with the amazing story, make me ooh and awe over the gorgeous art, and make me laugh. There are definitely parallels to the real world today. While we should all be the change, we also have to laugh at the absurdity of it all. I am of course referring only to the truly heinous act of cancelling a favorite TV show out of nowhere (cough… WONDER MAN… cough) and nothing else. Now we wait for the final issue to wrap up this hell of an awesome story. While, I’m sad to see it end, I can’t wait to see how it does!

Overall Grade: 10/10

Check out more from Lauren

Have you checked out The Lucky Devils yet? Let us know your thoughts!

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Inglorious X-Force #8 – The Larger Conflict Begins To Unfold!

Inglorious X-Force #8 Main Cover
Inglorious X-Force #8 – Cover – R. B. Silva & David Curiel (Credit Marvel Comics)

Inglorious X-Force #8

Writer – Tim Seeley

Artist – Luca Maresca

Colorist – Romulo Fajardo Jr.

Letterer – Joe Caramagna

Cover – R. B. Silva & David Curiel

Read the review of the last issue in this series HERE!

The Story:

Cable and his team of X-Force are on the trail of a live-streaming revolutionary. But, how does this new threat connect to the mystery of the first Mutant president’s future assassination? Also, can Domino get her memory back in time to stop what is coming?

Inglorious X-Force #8 Variant Cover
Inglorious X-Force #8 – Cover – Romy Jones (Credit Marvel Comics)

The Writing:

Tim Seeley has done a really admirable job of taking a book that could have easily been a formulaic, mission of the week story and, instead, peppering in a deeper mystery that keeps the reader intrigued between all the super powered punching. One major part of the success of this series has been Seeley’s ability to get into the mind of Cable, a character that is not an easy one to write. The inner monologue/journal entry framing device helps the reader understand what is happening on a deeper level and endears the character quicker than writing him in the third person constantly. Speaking of the deeper mystery of this series, just when I felt like this story may have been starting to sag under the weight of itself, this issue kicked me in the chest with a massive curveball that left me excited to see what comes next.

The Art:

This may be the best artwork in this series. Luca Maresca and Romulo Fajardo Jr. work effortlessly together to elevate the story with incredible visuals. This art team did not have an easy task, the number of characters on the page at one time, the bombastic action, and the use of time travel and Mutant abilities would have been a hinderance for lesser artist. Even with very busy pages, I never once felt like I was lost or overwhelmed. Instead, I got to bask in the greatness of pure, unadulterated, comic book chaos!

Overall Grade: 9/10

With solid writing and great artwork, this is another win for the series. This issue wins with it’s mind boggling twist at the end and continues to tease a larger conflict to come!

Check out more from Derek here!

Have you read this issue? What did you think? Let us know in the comments below!

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REDCOAT #19: Acceptance

Everything comes with a price. And for Simon Pure, his family’s acceptance of who he is may come with a price greater than anything he could have imagined. Simon and Albert are hot on the trail, searching for Benedict Arnold, taking them through the streets of Boston. Simon had finally found the perfect life for himself, but what’s the cost?

Redcoat #19. Credit Image Comics/Ghost Machine. Cover by Bryan Hitch and Brad Anderson.
Redcoat #19. Credit Image Comics/Ghost Machine. Cover by Bryan Hitch and Brad Anderson.

Creative Team: Geoff Johns, Bryan Hitch, Brad Anderson, Andrew Currie, and Rob Leigh.

The Story:

This issue is nothing short of an emotional roller coaster from the very first panel until the shocking final splash page. We have come to grow with Simon and feel as though we are a part of his family, as he is ours. I could live in a story of Albert and Simon adventuring as though the two are Indiana Jones forever, and I could read about Simon being a family man forever. The way Geoff shows us how endeared Simon is to the people of Boston, whether it is the flower lady or a passerby, he has finally found his home. Nothing could have prepared me, however, for the final few pages where Geoff and Bryan stabbed us in the heart and twisted that knife deep. This issue truly made me sit in silence for a bit after I had finished reading it.

The Art:

The State House of Boston is a staple of Boston and a place I would find myself around often growing up near the city. The detail that Andrew, Bryan, and Brad captured with it standing as a beacon in the city was excellent. The trio captures so many fine details within these pages, such as the dirt and grime on Simon’s clothes as he mourns his family who has left. There is a beautiful detail in the pages that stood out to me the most and what made this issue land tremendously in my soul. There’s the sequence where Simon is looking at Maggie, where they reconcile, and the way that the tears were welling up in Simon’s eyes. They managed to catch the glossy look before a tear comes out of our eyes so perfectly and life-like. And then again, where a panel shakes and reverberates, the way the art is captured in that moment. The art was gorgeous and emotional throughout this issue, and it’s not lost on me how well Rob captures the raw rage and pain Simon feels as he is racing in a panic through the streets of Boston at the end.

Cover by Bryan Hitch

Final Thoughts:

Redcoat #19 is beautiful, it is heartbreaking, and it is perhaps the most gut-punching issue of this entire series to date. The artwork is so finely detailed, and there is a level of acute care within these panels that delivers due justice to the magnitude of this issue. Geoff and Bryan deliver a script that puts us through the wringer I never thought possible. This is why this is one of my favorite comics in existence currently.

Let us know how long you sat in silence after reading this issue, and be sure to check out more reviews by Matt!

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Queen In Black: Defenders of Light and Dark #2 – Chaos Is A Dance

Queen In Black: Defenders of Light and Dark #2 brings us back to the two-fronted battle against both Hela and Knull. Two teams have been developed to attack both the Queen in Black and the God of Light. As the battle rages, surprises have come calling. Plan B is looking better and better. Can it turn a battle around before Team Light and Team Dark fall?

This review is brought to you by Nerd Initiative’s Eda and Shawn!

Creative Team

Writer: Al Ewing and Tom Waltz
Artist: Zé Carlos
Color Artist: Fer Sifuentes-Sujo
Letterer: Joe Carmagna
Cover Artist: Matteo Lolli
Cover Color Artist: Rain Beredo

Writing

Eda: In this latest issue of Queen in Black: Defenders of Light and Dark, writers Al Ewing and Tom Waltz show both immense love and appreciation for the history and breadth of Marvel. They reach deep, bringing together several unjustly lesser used characters while giving two of my faves… well, you’ll see, as my lips are sealed! Long story short, longtime comic readers will be more than happy with this issue, while wondering why previous writers haven’t done some of these things already.

As for the story and pacing, I’m loving where this event is continuing to go and how all of the stories seem to be getting tied together. If you read last week’s “Mortal Thor”, then this is where you want to bring your attention next. While the connection is small, it’s still there, proving that they’re willing to show great attention to detail throughout the event.

Shawn: Al Ewing and Tom Waltz crafted a story both new and old. The ability to use this story of light and dark to tap into the lore of Cloak and Dagger in such a meaningful way was a surprise. Everything about this issue was perfect. I was on the edge of my chair during the end of the last issue, and Ewing and Waltz combined to make that cliffhanger pay off in such a meaningful way. Not only was the issue satisfying narratively, but the pacing was really well done.

From a pacing perspective, it was nice that some time was dedicated to showing how these teams were assembled. It’s a reminder that while this may be a ragtag band of defenders protecting Earth, each was chosen for a specific reason. Ewing and Waltz also used Queen In Black: Defenders of Light and Dark #2 to humanize some of the characters. For some, they came into the team with doubts, while others were immediately sold on joining. It serves as a good reminder from the writers that characters, even ones like Cloak and Dagger who are often underused, can be so multifaceted.

Art

Queen In Black: Defenders of Light and Dark #2 cover by Matteo Lolli and Rain Beredo. Image from Marvel Comics
Queen In Black: Defenders of Light and Dark #2 cover by Matteo Lolli and Rain Beredo. Image from Marvel Comics

Eda: Zé Carlos, Fer Sifuentes-Sujo & Joe Caramagna all absolutely killed it. Several pages are done in such a way that take a certain degree of artistic skill. One example in particular is a page showing Cloak & Dagger floating together, hand-in-hand in the cosmos. When I first looked at it, I swear I could see galaxies beyond and that’s an absolute chefs kiss.

The artwork is perfected by the colors of Sifuentes-Sujo. The way he colors, it’s as if everything is in a chaotic balance, swirls of beauty gracing every panel. This all works in perfect harmony with Caramagna’s lettering, creating a book that’s enticing to look at and easy to follow.

Shawn: Zé Carlos, Fer Sifuentes-Sujo & Joe Caramagna really brought their A game for this issue. From the cover by Matteo Lolli and Rain Beredo to the final page, the art shone in this issue. Carlos’s lines, particularly in the close-ups of Tandy and Ty deserve special mention. While the writing shows you they will be front and center in this issue, it’s the line work from Carlos that draws you into the story.

Part of the big reveals that happen in this issue pop the way they do because of the work of Fer Sifuentes-Sujo. The palettes utilized from panel to panel perfectly encapsulate this split team of light and dark. Sifuentes-Sujo’s highlights add nuance and definition to the Knullbuster armor from Iron Man and other key details. Joe Caramagna helps the story flow easily as we jump back and forth between teams.

Final Thoughts

Eda: 10/10. Queen in Black: Defenders of Light and Dark is exactly what it sounds like: a light in the darkness. Ewing and Waltz did something here that I hope changes things for years to come, while the artists created some of the best stuff I’ve seen this year. This is an absolutely incredible read from start to finish

Shawn: 10/10. Queen In Black: Defenders of Light and Dark #2 may be my pick of the week this week. There is so much potential in the character of Cloak and Dagger, and this creative team shows that a series centered on them not only works but can be impactful and trajectory-altering. This is the kind of arc that can change how readers view characters in the best way.

Overall Grade: 10/10

What did you think about this story? Let me know in the comments

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ABSOLUTE FLASH #18: We’re the Good Guys

When one issue is resolved, another rears its big and ugly head for Wally West! Wally isn’t ready to take The Flash public yet; however, he may have no choice as Hunter Zolomon has come to Central City, and Dr. Thawne promises that they’re the good guys. Things go from bad to worse for Central City, which is at the mercy of a violent old magician.

Absolute Flash #18. Credit DC Comics. Cover by Nick Robles.
Absolute Flash #18. Credit DC Comics. Cover by Nick Robles.

Creative Team: Jeff Lemire, Nick Robles, Adriano Lucas, and Tom Napolitano.

The Story:

I don’t know if Jeff and Pornsak sat with DC and decided this would be the week to bring body horror into the Absolute Universe, but there was so much to take in with this issue of Flash! Hunter Zolomon is here, and his introduction as a DEO agent immediately had me out of my seat and excited. He’s able to see into the future and past for about a minute, giving him an edge when it comes to fighting Wally. The Absolute Universe is starting to expand more and more, as Dr. Thawne returns and we see who it is that she is teaming up with, putting us on a crash course for an epic team-up at some point. For now, though, I love how Jeff continues to elevate the story with Wally and doesn’t give him a chance to breathe at all. This issue had me saying WTF every other panel and it’s time to jump on board if you haven’t already!

The Art:

For a second, I thought we were getting Ralph’s backstory and power abilities as Nick and Adriano twist him and Mrs. Dibny into elongated and stretchy versions of themselves before flipping the script and turning their characters into something resembling a blister as it pops. The way in which we get the yellow shading of Hunter, who is beating down Wally and Tom, who is so matter-of-factly having him narrate how it’s nothing personal, endears us to the cause further. Mr. Bones makes an appearance, which is more like a jump scare, as this issue bends between superhero action and twisted horror thanks to how creative the art team gets!

Final Thoughts:

Wow, Absolute Flash #18 introduces another historic Flash villain and leaves our mouths agape as this issue gives Wally no time to relax. Something bigger is in play, and I truly think this entire run has been left so underrated. I think this issue may begin to change some minds.

Overall Grade: 10/10

Let us know how you feel about this issue and check out more reviews by Matt!

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Vampyrates! #2 – The Road to Absolution

Nira is a stowaway. Vampyrates #2 sees Empress Nira, or should I say, former Empress Nira, awakening on a ship. With Sepulchre taken by force, Nira finds herself on unfamiliar waters, a guest of sorts of Captain Akeyo. However, in Vampyrates, there are no free rides on the Abyss, and Nira must pull her weight. What will happen when the Empress is asked to serve instead of being served?

This review is brought to you by Nerd Initiative’s Shawn!

Creative Team

Writer: Fred Van Lente
Artist: Luca Pizzari
Letterer: Jodie Troutman
Color Artist: Adam Guzowski
Cover Artist: Luca Pizzari

Writing

Fred Van Lente does an amazing job picking up the story right out of the gate in issue two of Vampyrates. The action gets moving immediately, with Van Lente showing us the level of viciousness that the new Empress will go to to ensure any rebellion against her will be crushed. He does such an amazing job of establishing how crazy this world can be and how the world turns on a dime. The characters are multidimensional but their motivations are never in question.

I really like the dynamic between Akeyo and Nira. Akeyo throws Nira into a completely new world by understanding exactly who she is, but he realizes that, in this dynamic, he is the one in control. Van Lente does a great job of showing that Akeyo is more aware and smarter than he lets on. He is absolutely aware that he should protect Nira to some extent, but she’s not getting a free ride either. Van Lente provides a real treat near the end of the story not only with some twists that introduce new lore but also by showing how Nira is so much more than an Empress.

Art

Vampyrates! #2 cover by Luca Pizzari. Image from Boom! Studios

Luca Pizzari really captures the feel of the story through the art. The line work is simply spectacular. It captures the gritty feel of piracy and really draws you into the story. One of the things I really enjoy about Pizzari’s work on Vampyrates #2 is that he always seems to know when detail is perfect versus when nondescript, thick line work is better for the panel.

Adam Guzowski really does a spectacular job with coloring. The balance of the cooler tones of the water and the ocean looks perfect compared to the brighter pops of color in the interior scenes and battle sequences. Akeyo’s outfit is so beautifully colored that you really feel the impact of his station as Captain through proper coloring. Jodie Troutman does a splendid job helping the story move through well-done lettering. The SFX pop in the panels but allow the art to shine. Troutman captures the emphasis through perfect selection of bolding and shaping of word bubbles

Final Thoughts

This creative team does an outstanding job of keeping the momentum going from the first issue of Vampyrates. The issue leans heavily into the pirate aspect but masterfully weaves the vampire lore into the story. I can’t wait to see where this story goes and what happens to Nira from here.

Overall Grade: 9/10

What did you think about this story? Let me know in the comments

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DEATHSTROKE THE TERMINATOR #6: The Gloves Are Off

It’s all been building to this moment, and now the gloves are off as Ravager’s life hangs in the balance. Deathstroke has made many mistakes in his life and can’t make amends for every one of them as his past has finally caught up to his present. It’s a race against time to save the one he loves from the person who he used to love.

Deathstroke The Terminator #6. Credit DC Comics. Cover by Carmine Di Giandomenico.

Creative Team: Tony Fleecs, Carmine Di Giandomenico, Ivan Plascencia, and Wes Abbott.

The Story:

There is so much raw emotion packed into this issue that has been boiling and boiling in the previous five issues. Slade has felt as though he has been holding back to a degree, and Tony finally unleashes him. I loved how scary Slade became as the story opens up in such a shocking way. However, Tony doesn’t make Wilson a totally redeemable person. He is complex and has failed in various areas, including his marriage, and has only ever cared about himself. At the same time, there are moments of absolute destruction and chaos in terms of action in this book, and they allow us to put ourselves in Deathstroke’s shoes if we were in his position. The way Tony narrates all of this with Wes’s lettering through a letter Slade pens to Rose was tragic and beautiful the same.

The Art:

The action sequences in this book are fiery and hot! Explosions and bullets are flying, ramping up the intensity of the story that I thought Carmine and Ivan brought to life so well. There is nothing but rage across Slade’s face from the opening jump, where the duo lets us sit with what happens in the first couple of panels. I love the little details such as the hoodie Slade wears or the sorrow across the faces of those who simply wanted justice against Slade Wilson, who had lost his way. The artwork stood out immensely, and I can’t wait to see how they bring this whole thing to a close.

Final Thoughts:

Deathstroke The Terminator #6 is a heavy and action-packed entry into this storyline. Nothing is ever truly black and white in this world, and this issue puts those complex personalities to the front and center. With each issue, I love this run more and more, and I hope it gets its time in the spotlight!

Final Grade: 9.7/10

Let us know how you feel about this issue and check out more reviews by Matt!

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