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The Ultimates #10 – Who Is The Man Behind The Mask?

Josh Allen
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The Ultimates #10 – Who Is The Man Behind The Mask?
The Ultimates #10 – Courtesy: Marvel Comics (cover art: Dike Ruan & Neeraj Menon)

Hello there! Padawan J here, the resident Star Wars expert from the ODPH! And this week I’m going to be reviewing the 10th issue of The Ultimates from Deniz Camp and Marvel!

It’s a HUGE issue this week, and it’s one that will be sure to have everyone talking by the end of it. Things are still in a kind of limbo, with Tony recovering from his attack at the hands of The Hulk. All the while, they prepare for the return of The Maker. So without further ado, let’s jump into it!

The Ultimates #10 by Deniz Camp (writer), Juan Frigeri (artist), Federico Blee (color artist), VC’s Travis Lanham (letterer), Dike Ruan & Neeraj Menon (cover art) is an INCREDIBLE issue and a masterful story from Camp that will have EVERYONE talking once they read it!

The story this issue is pretty straight forward. Captain America, Hawkeye, Giant-Man, Wasp & The Human Torch have been tasked with infiltrating a location called “Castletown”. It’s a civilian stronghold, with a militarized skew, that’s associated with a secessionist group known as Red Skulls. Yes they are associated with THAT Red Skull, and YES they do align heavily with his beliefs.

The plot is pretty straight forward, as it’s trying to get inside without raising too much of an alarm. But of course that doesn’t go as planned and they’re confronted by Red Skull as soon as they enter the main building. And he’s brought a friend with him.

We’re introduced to John Walker, who is just a little different than what you might’ve seen in The Falcon and the Winter Soldier on Disney+. It’s a crazy take, and one I’ll be interested to see going forward if they decide to do anything with it.

But the bigger mystery is just who exactly is under the mask of Red Skull. We get a little bit of background into the mantle, before the identity is revealed in the final page. I’m not going to reveal it here, but what I will say is I was SHOCKED and excited at the same time. The possibilities with the story on this one are going to be incredible. And I cannot wait to see where this goes.

The artwork from Juan Frigeri & Federico Blee is absolutely top notch. The battle sequences throughout the issue are particularly my favorite. The colors give everything such a unique look and feel from what you usually might read each week. You won’t be disappointed with the art, I can assure you that!

FINAL POINT: Deniz Camp continues to impress with his storytelling, and just how far he’s willing to go for the story. He takes some big risks with the story, but in the end they pay off spectacularly. This is an issue that you do NOT want to miss this week, and it’s one you’re going to want to read ASAP.

Overall Grade: 10/10

Thanks for checking out my review on Nerd Initiative. For more of my content, check out ODPHpodcast.com, follow me on Twitter, and check out more of my reviews here on Nerd Initiative: https://nerdinitiative.com/author/padawanj/!

What did you think of the issue? Be sure to comment your thoughts below, or reach out to me on social media!

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Knights Vs. Samurai #6 – Chaos, Magic, and Unexpected Battles

Thomas Craig VIII
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Knights Vs. Samurai #6 – Chaos, Magic, and Unexpected Battles

Back with another review of “Knights Vs. Samurai,” and this time it’s issue #6! Jumping back into the fray, this issue adds mystical elements and modern twists to the usual swords and duels. Despite having followed every step of this series, I found this installment particularly challenging. The narrative is packed with multiple, sometimes confusing storylines that veer far from historical threads and dive deep into fantasy. While there are definitely exciting twists, those looking for a seamless continuation might find it a bit disorienting. Let’s unpack what makes this issue both intriguing and bewildering!

Credit: Mad Cave Studios. Cover: Zach Howard & Nelson Daniel

Written by David Dastmalchian

Art by Fede Mele

Colors by Ulises Arreola

Letters by AndWorld Design

Consultant Thersa Matsuura

Creative Director Todd McMarfane

Editor-in-Chief Thomas Healy

Published by Image Comics

***Possible Spoiler Warning***

Plot Summary

The issue opens with Baggi poisoning an injured soldier back at camp. This act reinforces his sinister nature. Meanwhile, in the forest, Lord Charles and Lord Musashi continue dealing with the mysterious forest witches. A close companion of Musashi is chosen to stay behind with the Yammauba, devastating him. Notably, there’s an inconsistency—issue #5 marked captives with a green patch, but this issue uses a red scrap.

The witches provide Lord Musashi with dragon parts, essential for defeating Gin Kiyohime. They also reveal that Lord Charles’s cleric, Fletcher, has untapped magical potential. She receives the “Bister of Light,” a potion recipe with a power I’ve been wanting for issues now. Fletcher uses the Bister of Light to craft a formula that finally enables them to understand one another.

Just as they grasp their mission’s full scope, the warriors face an even greater challenge—Gin Kiyohime fully awakens. Through magic, they establish communication with the great dragon. This shifts their mission from slaying it to discussing their findings with their hatamoto (high-ranking officer). Seeking guidance, the group approaches Lord Tomaya to relay their discovery. But tensions flare, and a battle erupts. Amidst the chaos, an English soldier is stabbed, triggering a shocking transformation—he becomes a werewolf. At the same time, a Japanese warrior undergoes his own monstrous shift, revealing himself as a weretiger.

An ominous force stirs beneath the surface as the battle concludes and the dust settles. Deep underwater, a closeup eye slowly opens, hinting at an even greater danger on the horizon.

The Art And Letters

The artwork in this book is beautifully drawn, with detailed shading and line work in every panel. The horror elements shine, especially in the eerie design of the witches. However, at times, it’s difficult to tell which character is performing what action from panel to panel. For example, the transformation of the weretiger was unclear to me. Though the characters’ faces are expressive, making emotions easy to read on the page. Being Japanese myself, I feel the Japanese characters lack some cultural accuracy. Their facial features, don’t fully reflect traditional or historically accurate depictions, which pulled me out of the story at times.

The paneling is creative and visually engaging. While the book avoids over-explaining, some scenes could use more clarity. With so many different plot points in this issue, understanding who is speaking or acting can be difficult at times. As a positive, the action is chaotic and brutal, adding intensity to the battles. This is especially evident on page 22, where both forces clash against Lord Tomoya.

The lettering remains top-notch. Including Hiragana and Katakana alongside English dialogue enhances immersion. Gin Kiyohime’s dialogue stands out with a black background and yellow text, making their presence feel powerful.

MORE FROM IMAGE COMICS!

The Writing

In previous issues, the story avoided an easy magical fix for the language barrier, adding realism to the interactions. However, while previous issues have struck a careful balance between character development and action, this installment feels a little overstuffed. Too many plot points are introduced throughout the story, making certain moments feel rushed. Some scenes could have been allowed to breathe, giving the individual character moments more weight and impact.

While this issue continues the ongoing narrative from the past five issues, the pacing feels too jumpy. The story quickly shifts from Baggi and Godwin to the group in Hanai Forest. Then, it moves to the selection of who will stay behind. After that, cleric Fletcher awakens her powers—just to name a few. So many major developments happen so fast that it’s hard to keep up. Each moment passes quickly, making it difficult to fully absorb before the next one takes over.

The dialogue generally fits the characters and their motivations. However, some exchanges could have been clearer in identifying who was speaking to whom. Given how much is packed into this issue, a brief recap or smoother transitions could have helped reorient the reader before diving into new plot points.

Despite some confusing moments—especially certain character deaths—there are still intriguing mystical possibilities introduced here. Gin Kiyohime’s departure could have been handled in a more impactful way, but the setup for future interactions remains compelling. This issue packs in a lot of content. A brief recap or smoother transitions could have helped reorient the reader before diving into new plot points.

Overall Thoughts

As someone who has followed Knights Vs. Samurai from the start, I’ve really enjoyed its mix of historical fantasy, intense battles, and rich character dynamics. However, this issue felt overwhelming at times. It packed in too many plot points without giving key moments enough room to breathe. The story still carries strong themes of cultural alliances and mystical warfare which is awesome. But the pacing made it difficult to fully absorb everything unfolding.

That said, Knights Vs. Samurai #6 still has plenty to offer. The action remains brutal and chaotic in a way that fits the world. The introduction of new mystical elements keeps the stakes high. Some plot threads felt rushed or underdeveloped. However, the surprises—especially the werewolf and weretiger transformations—added exciting twists. These moments will likely have major payoffs later down the road!

Despite my mixed feelings on this issue, I’m still invested in where this series is headed. There’s a lot of great storytelling potential here. I’m eager to see how these new developments shape the conflict moving forward! Hopefully, the next issue will take the time to slow down and let these moments truly land.

Overall Grade: 7.0/10

This review was written by Thomas Craig of The Joy Schtick Show, where three friends from Hawaii explore the movies, TV shows, comics, and pop culture bringing us JOY! For more reviews and to catch up on all our episodes, head to linktr.ee/TheJoySchtickShow

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TWO-FACE #4: The Trial of Harvey Dent

Matthew Roth
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TWO-FACE #4: The Trial of Harvey Dent

Two-Face #4: Harvey has become trapped inside of his mind and must stand trial for crimes committed… against himself! It’s a battle of good versus evil, and the fate of his soul depends on the outcome.

Two-Face #4 by Christian Ward, Fabio Veras, Ivan Plascencia, and Hassan Otsmane-Elhaou. (Credit DC Comics. Cover by Baldemar Rivas.)

Creative Team:

Christian Ward (WRITER)

Fabio Veras (ART)

Ivan Plascencia (COLORS)

Hassan Otsmane-Elhaou (LETTERS)

Baldemar Rivas (COVER)

*SPOILERS AHEAD*

The Art:

Fabio opens up the issue with some intensely impressive scaling between characters. Harvey has been a source of strength and might, up until now, is standing, cowering in fear against his father. The way he draws Harvey as a character once larger than life now smaller than life is a shocking departure from the strength shown until now. As the issue rolls on the raw emotion drawn amongst Harvey and his alter ego are full of detail.

When it comes to the colors, Ivan matches intensity as the issue is a colorful array of emotion in which the anger and sadness shine bright and with each pulse of emotion shown explodes an array of brightness. Issue 4 is one of the most impressively colored issues yet and perhaps my favorite.

The Story:

Christian takes down a dark and depressing past, showcasing the motivations and origins behind Harvey’s “dark passenger.” It’s a tragic story and not one that has ever been explored before. It all builds up to a suspenseful twist that within his mind, his mother is the keeper of peace and justice within the prison he has built inside of himself. The story-telling is top notch and gives so much depth to this character and proves he is more than just another rogue.

Hassan brings his own intensity as the letters weave around the characters like musical notes. Each panel lettered fitting the tone and theme and bringing the emotion out fully.

Final Thoughts:

Two-Face #4 is the best issue of this series yet as it explodes with emotion and colors. We dive into Harvey’s backstory revealing motivation behind the anger and emotion buried deep within. I can’t get enough of this run!

Overall Grade: 10/10!

Are you reading this run? Let us know your thoughts and leave a comment below! Find more from Matt by checking out http://hops-geek-news.com

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HYDE STREET #4: It’s All in the Eyes

Matthew Roth
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HYDE STREET #4: It’s All in the Eyes

Hyde Street #4: Hollywood can be a cruel and cut throat town. Someone is always ready to step in and take your place and fulfill the role you ave always wanted. If you’re not careful, you may find yourself on a park bench upon a street…Hyde Street!

Hyde Street #4 by Geoff Johns, Ivan Reis, Danny Miki, Brad Anderson, and Rob Leigh. (Credit Ghost Machine and Image Comics. Cover by Brad Anderson, Danny Miki, and Ivan Reis.)

Creative Team:

Geoff Johns (WRITER)

Ivan Reis (WRITER and COVER)

Danny Miki (INKS and COVER)

Brad Anderson (COLORS and COVER)

*SPOILERS AHEAD*

The Story:

Geoff and Ivan take this horrifying tale of demons and soul reaping and turn it all on its head in this issue. Showing the reader that not all monsters are scary and bloodthirsty was a great twist that they brought us. Seeing that this creature was actually a man who fell victim to Hollywood and the insecurities that can come with acting. The story is tragic and I have found Mr. Oddman’s character to be instantly captivating.

Meanwhile, Rob Leigh has done some of the best lettering yet within this issue! His work creating and bringing the anguish to life truly made every scream felt. It was impressive and emotional hitting all of the right notes.

The Artwork:

Wow. What can I say but, Anderson, Reis, and Miki bring some very intense art sequences in this issue. There is a shot of Oddman’s face in a close-up as he screams in mental anguish that just hits incredibly hard. The amount of detail in the lines of his face and the bolts, along with the green makeup, is just astounding.

The impressiveness does not stop there as the sequence he is being beaten and the colors shift to black and white leaving only the red blood streaming down his face was cinema on the pages. This entire issue was so well drawn and colored!

Final Thoughts:

Hyde Street #4 is a horror from another angle. This time, it is a mental horror of being trapped with your own mistakes, and it’s an issue full of raw emotion that shows the diversity of characters trapped within the hell of Hyde Street. This issue levels-up the series to new heights. DO NOT MISS OUT!

OVERALL GRADE: 10/10

Drop us a comment with your thoughts on this issue below, and find more from Matt by heading to http://hops-geek-news.com

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Ultramega #8 Review – Noah’s Brutal Training & Earth’s Chaos

martystoked
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Ultramega #8 Review – Noah’s Brutal Training & Earth’s Chaos
Credit Skybound Entertainment and Image Comics

As the world spirals deeper into chaos, Noah embarks on a grueling training regimen with the Ultramega masters, tasked with unlocking his full potential. To wield their ancient techniques, he must sharpen every instinct and push himself beyond his limits. Meanwhile, the Queen and the Kid continue their reign of destruction on Earth, leaving devastation in their wake. With darkness looming, Noah’s journey toward mastery feels more urgent than ever, but the road ahead is riddled with challenges he may not be ready to face.

Creative Team: James Harren (Writer, Artist), Dave Stewart (Colors), Russ Wooton (Letters)

The Writing:

James Harren crafts a story that relies heavily on visual storytelling, making each panel an essential part of the narrative. While this approach heightens the immersion, it can also make some moments difficult to follow, requiring readers to engage deeply with the artwork to fully grasp the unfolding events. This issue isn’t one to skim through—it demands patience and attention, rewarding those who take the time to absorb its chaotic beauty.

When dialogue is used, it’s sharp, purposeful, and emotionally resonant, adding weight to key moments. Noah’s training arc is filled with both comedic struggles and intense pressure, making his journey feel tangible and compelling. The issue sets the stage for a dramatic shift in his character, leaving readers eager to see how he evolves under the crushing expectations placed upon him.

Credit Skybound Entertainment and Image Comics

Check Out Another Ultramega Review Here!

The Art, Colors and Letters:

Harren’s art continues to be the beating heart of Ultramega. His raw, kinetic linework brings every punch, explosion, and grotesque transformation to life. Dave Stewart’s colors amplify the intensity, painting a vivid and often brutal landscape that feels as alive as it is terrifying. The battle-worn environments and monstrous designs further elevate the book’s signature aesthetic, immersing readers in a world where survival is never guaranteed.

One of the most visually striking moments in this issue involves Noah navigating a labyrinth using a map tattooed on his finger, a brilliant and unconventional storytelling choice that highlights both his ingenuity and desperation. His struggles with changing size add a layer of humor but also serve as a stark reminder of how much he still has to learn. If he hopes to stand a chance against the horrors to come, he must master his powers quickly, or he’ll be doomed before the real fight even begins.

Rus Wooton’s lettering complements the artwork perfectly, ensuring the dialogue and sound effects blend seamlessly with the chaotic energy of each page. The placement of text never detracts from the visual storytelling but rather enhances it, allowing the action to remain fluid and impactful.

Final Thoughts:

Ultramega #8 is a testament to the power of visual storytelling, delivering a high-energy, immersive experience that demands reader engagement. While the reliance on artwork over exposition may be challenging for some, it ultimately strengthens the book’s unique identity. Noah’s training arc sets up thrilling possibilities for future issues, making this a must-read for fans eager to see his evolution.

Overall Grade 8/10

Want More Reviews From martystoked? Click HERE

Thanks for checking out my review for the NI Comics Bullpen. Let me know what comics you’re reading and hit me up on any social media platform here! Till next time…

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Batgirl #5 Delivers a Haunting Dive Into Cass’s Past

martystoked
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Batgirl #5 Delivers a Haunting Dive Into Cass’s Past
Credit DC Comics

Batgirl #5 continues to showcase why Cassandra Cain remains one of the most compelling members of the Bat-Family. This issue, written by Tate Brombal with art by Takeshi Miyazawa, inks by Wayne Faucher, colors by Mike Spicer, and letters by Tom Napolitano, plunges Cass into a hallucinatory state where the boundaries of past and present blur. As she grapples with the complex relationship she shares with her mother, Batgirl must navigate a dangerous and deeply personal battle within her own mind.

With a minimalist but effective script, breathtaking visual storytelling, and some of the most creative lettering techniques in recent memory, Batgirl #5 delivers an unforgettable reading experience.

Batgirl #5 – DC Comics

Creative Team: Tate Brombal (Writer), Takeshi Miyazawa (Artist), Wayne Faucher (Inks), Mike Spicer (Colorist), Tom Napolitano (Letters)

The Writing:

Credit DC Comics

Tate Brombal’s writing in this issue is a perfect example of how comics are a visual medium first and foremost. Instead of relying on heavy exposition or inner monologues, Brombal allows the art to carry much of the emotional weight. This approach works brilliantly, immersing the reader in Cassandra’s fractured psyche without over-explaining what she’s going through.

The opening pages immediately set the tone, seamlessly blending past and present as Cass’s hallucinations take hold. Brombal’s script keeps dialogue minimal, allowing the visuals to do the storytelling. This not only enhances the emotional impact but also puts the reader in Cass’s shoes, making them experience her confusion and disorientation firsthand.

Throughout the issue, Brombal masterfully uses silence to his advantage. Certain panels linger just long enough for the weight of Cass’s emotions to sink in. When familiar Bat-Family faces appear to help her navigate her subconscious, it feels like a natural extension of the story rather than a forced cameo. These moments serve to reinforce Cassandra’s isolation and struggle, reminding us that even when surrounded by allies, she often feels alone.

Check Out The Previous Issue Review Here!

Credit DC Comics

The Art and Colors:

Takeshi Miyazawa’s art and Mike Spicer’s colors elevate Batgirl #5 to another level. The issue employs clever paneling techniques to distinguish past events from the present, using pink-bordered flashback panels interwoven with present-day moments. This visual storytelling method not only keeps the reader engaged but also ensures clarity as Cass relives key moments of her past.

One of the standout elements of the artwork is the depiction of the Unburied’s hideout. Spicer’s color choices make this underground lair feel mystical, eerie, and otherworldly. The dominance of deep blues, glowing lights, and bioluminescent elements creates an unsettling yet beautiful environment that feels alive. Every panel radiates an ethereal quality, emphasizing the surreal nature of Cassandra’s predicament.

Miyazawa’s action sequences are another highlight. Each fight scene is fluid, dynamic, and cinematic, with well-choreographed movements that make every punch and dodge feel impactful. The interplay between Cass’s real-world battle and her internal struggle adds layers to the storytelling, making each panel more than just an action beat—it’s a reflection of her mental state.

The Lettering: A Masterclass in Visual Storytelling

Tom Napolitano’s lettering in this issue is nothing short of brilliant. His use of typography to enhance the story is one of the most effective I’ve seen in recent comics.

One of the most striking examples comes when Cassandra is put to sleep. The word “SLEEP” is rendered in a way that not only conveys its meaning but also subtly affects the panel borders of the following pages. As Cassandra enters her dream state, the borders become cloudy and hazy, reinforcing the dreamlike atmosphere. This small but powerful touch helps the reader instantly understand the shift in reality without needing any additional explanation.

Additionally, the way Napolitano integrates sound effects into the action is stellar. Every impact feels more visceral thanks to his strategic placement of onomatopoeia. When Cassandra is finally jolted awake, the sharp, bold font used for “WAKE UP” slams the reader back into reality just as suddenly as it does for Cass. It’s an incredibly effective technique that makes the moment hit even harder.

Final Thoughts:

Overall Grade 9.5/10

Batgirl #5 is a shining example of how comics should embrace visual storytelling to their fullest potential. Brombal’s script smartly lets the art take center stage, while Miyazawa, Faucher, and Spicer craft a breathtaking world that feels both surreal and emotionally raw. Napolitano’s lettering is the final piece that ties everything together, making this issue one of the best Batgirl stories in recent memory.

Want More Reviews From martystoked? Click HERE

Thanks for checking out my review for the NI Comics Bullpen. Let me know what comics you’re reading and hit me up on any social media platform here! Till next time…

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The Powerpuff Girls #8- A Wonder World Of Pets

Kat
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The Powerpuff Girls #8- A Wonder World Of Pets

The girls get to hangout with pets this issue. Writer Amanda Deibert, Artist Silvia De Ventura, Colorist Giulia Lafranceschina, and Letterer Jeff Eckleberry created another amazing issue. 

Read The Powerpuff Girls Valentine’s Day Special Review Here

The Powerpuff Girls #8 Cover A By Paulina Ganucheau (Credit: Dynamite)

This starts off with traffic moving, and the girls flying through Townsville. We then see Princess Morbucks on a pony, which Bubbles sees, and gets very excited about it. It’s then found out that Morbucks is returning the pony, as they both have irreconcilable differences. She then mentions that she doesn’t need anyone else to work with, which gets Buttercup very angry. 

Bubbles then sees a pet adoption fair, and files off to it. Blossom and Buttercup follow to keep an eye on Bubbles. The next panel shows us that Bubbles is in Animal Heaven. Blossom and Buttercup make it to the fair, and a lot is happening. We see The Roudyruff Boys looking at pets. Mojo Jojo then shows up, and it’s down to Blossom and Buttercup to stop him. 

While Bubbles is distracted by animals, Blossom and Buttercup are struggling to take on Mojo Jojo. Later on, another monster is attacking the city, and Bubbles is still distracted by the animals. Blossom works on getting everyone evacuated out, and Buttercup struggles to defeat the monster. We then see the 2 of them come home, beaten and slightly bruised. The 3 of them go to sleep, and when the morning comes, the mayor calls. 

We then see the purple monster again. Meanwhile, Bubbles once again is distracted by animals. It’s at this point that Princess Morbucks shows up, tries to help out Blossom and Buttercup. The 3 of them first try food to stop the monster, but that doesn’t work well. They then find Bubbles, and she’s with the pony that Morbucks returned. 

Morbucks then reveals she paid people to return their pets. The book ends with the monster getting a pet turtle, and then leaves and stops destroying Townsville. 

Overall Grade: 10/10

This book continues to push the limits of what good Powerpuff Girls stories can be. Amanda and the team are continuing to show why it is one of the best books on the market.

Let Us Know Your Thoughts On The Issue In The Comments Below:

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WOLVERINE #7 – It all comes down to “Ancient History”

LaurenHoppyGeek
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WOLVERINE #7 – It all comes down to “Ancient History”

Logan has been claws deep in a mystery involving the metal covering his entire skeleton: adamantium. He’s got some help from his favorite elf, his daughter, and a wendigo kid he’s trying to help. However as the adamantium mystery thickens last we saw Wolverine he was suddenly facing an incredibly old and all too painful foe.

Creative Team

Writer: Saladin Ahmed;

Artist: Martin Coccolo;

Color Artist: Bryan Valenza;

Letterer: VC’s Cory Petit;

Cover Artists: Martin Coccolo & Bryan Valenza;

Variant Cover Artists: David Balde N & Jesus Aburtov; Alessandro Cappuccio & Marte Gracia; Stephen Platt.

Check out a review for another current Wolverine comic: Laura Kinney: WOLVERINE.

WOLVERINE #7 Cover. All images by Marvel Comics.
WOLVERINE #7 Cover. All images by Marvel Comics.

The Story for Issue 7

Believed to have been rotting on The Raft, Romulus is doing anything but. Full of ancient stories and a need for power, Romulus goes claw to claw with Logan as he tells the story of The Adamantine. As well as the lie that he believes is adamantium. While, Wolverine is the best at what he does, a literal god complex and a lot of strength make for a dangerous recipe. This is all leading up to the next issue: the 400th issue of WOLVERINE.

Wolverine #7 Variant Cover. Image by Marvel Comics.
Wolverine #7 Variant Cover. Image by Marvel Comics.
Wolverine #7 Variant Cover. Image by Marvel Comics.
Wolverine #7 Variant Cover. Image by Marvel Comics.

The Art

Issue 7 went full Wolverine fight scenes. As Romulus and Wolverine fight, the close ups, far away shots, and everything in between were all epic and gorgeous. Amongst the chaos of violence and claws, there’s a history lesson. Drawn beautifully along side the continual battle for survival.

Overall Grade: 9/10

I have loved this run from the beginning. WOLVERINE hits everything I love about a Wolvie story with lots of unexpected twists and turns. Seeing Romulus at the end of issue 6 got me pumped for what’s to come. Throw in all the ancient stories from Romulus alongside his plans in this issue, and I couldn’t be more pumped for the upcoming 400th issue. Coming out in April.

If you haven’t jumped into this story yet, there’s still time to catch up for the ultimate showdown of Wolverine V. Romulus. SNIKT!

For more from Lauren, check out Hops GEEK News.

Wolverine #7 Variant Cover. Image by Marvel Comics.
Wolverine #7 Variant Cover. Image by Marvel Comics.

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Sister Imperator #1- Meet The Woman Behind Ghost

Kat
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0
Sister Imperator #1- Meet The Woman Behind Ghost

The story of the force behind Metal band Ghost is finally getting revealed. Dark Horse is releasing Sister Imperator, with an all-star team working on it, including:

  • Writers: Tobias Forge And Corinna Bechko
  • Artist: Puste
  • Colorist: Thiago Rocha
  • Letterer: Jimmy Betancourt
Sister Imperator #1 Cover By Mikael Eriksson (Credit: Dark Horse)

Now, this issue starts off in a very unexpected way. It shows a man tied up to what looks like a dresser of some sort. We then see a female, and she is holding a knife in her hand. She then the guy’s tiny model of London’s Westminster Abbey, and mentions that she loves an iconic ending. 

Now, before she can end him, the police show up and arrest her. She asks one of the reporters to come and talk to her about what happened. She goes and talks about what happened to her in 1953 Hartford, Connecticut. Her family had invited the new reverend of their church to dinner. The parents then have a conversation about the events of the night before, and it’s interesting to see the dynamic of that conversation. 

We then see our main character with her dad in the car, and then she sees his dead body, and the reverend putting the gun in her dad’s hand. We then cut to all of these different moments, her dad’s funeral being one. Then we see her and her twin sisters watching Elvis on the tv, before the reverend unplugs it. 

In another scene, it’s Halloween, and the twins are able to go out and Trick Or Treat, but our main character can’t because she’s dressed up as a witch. We then see something that foreshadows what almost happened to the man at the beginning of the issue. She gets hit with the model Westminster Abbey. Her mother then comes home, and she immediately says the reverend hits her. 

After the cop leaves, out main characters packs a suitcase, and ends up leaving and going on a road trip around the world. Once she gets to Eastern Europe, she ends up joining a circus. The last scene shows her with the reporter, about to tell him more of the story. 

Overall Grade: 10/10

This comic, going in, was not what I was expecting at all. But after reading this first issue, I’m sold on this book. For fans of Ghost/Metal Music, this is for you. For fans of Horror comics, this is also for you. And for fans of really good stories, this is something you will want to check out. Dark Horse has another fantastic series on their hands.

Let Us Know Your Thoughts On This First Issue In The Comments Below:

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SPIDER-GWEN: THE GHOST-SPIDER #11 – It Got Weird

Megan Nichole
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0
SPIDER-GWEN: THE GHOST-SPIDER #11 – It Got Weird
Cover art by Mark Brooks. Published by Marvel Entertainment

Creative Team – Stephanie Phillips(writer). Paolo Villanelli(artist). Matt Milla(color artist). VC’s Ariana Maher(letterer). Mark Brooks(cover artist).

Published by Marvel Entertainment

Catch up with Spider-Gwen: The Ghost-Spider #10 here!

The Story

In Spider-Gwen: The Ghost-Spider #11, Gwen couldn’t have explained it any better when she said “it can always get weirder”. The story did just that; it got weirder, but in the best way. Last we left Gwen, Black Tarantula just jumped in front of a bullet intended for the crooked judge, and King Loki appeared out of nowhere.

It seems Loki has been searching high and low for Gwen, and I was excited to find out why. Loki appears while Gwen is crying over Black Tarantula dying from the gunshot wound, but Loki is unimpressed. He says that she can easily fix that, but Gwen is confused and demands Loki tell her how she can reverse it all.

Loki says to come with him and he can show Gwen how to restructure the very fabric of reality, but that’s not what Gwen wants. Gwen just wants to undo what’s been done, and bring Black Tarantula back. As it turns out, this is so much bigger than just bringing back Gwen’s crush, as Loki says she needs to save the entire universe.

What’s fascinating about Spider-Gwen: The Ghost-Spider #11 is that we finally find out why Gwen was put in this new universe by the TVA. Without giving away spoilers, it involves Loki, and it’s a doozy. The reason definitely ups the stakes in the story and I’m excited to see where it all goes from here.

Variant cover art by Todd Nauck. Published by Marvel Entertainment

The Writing

Loki and Spider-Gwen aren’t two characters that I would think would go well together, but they certainly did here. Loki, up to his usual schemes, while Gwen just wants to be the hero, added an exciting collaboration in the storyline. As for the reason Gwen was placed in this universe in the first place, I have to say I really liked the reasoning behind it.

It adds a lot more depth to the story, and shows just how much more powerful Gwen is than we were lead to believe. Stephanie Phillips did a great job making the already exciting story that much more powerful.

The Art

Paolo Villanelli, Matt Milla, and Ariana Maher did a phenomenal job at taking what’s been a more grounded comic and making it into an intergalactic thrill ride. From Gwen’s new space suit, to the different aliens she had to face off, the art was stunning all the way through.

The artists absolutely nailed the larger than life look of King Loki, which really elevated the tone of the story.

Some of my favorite panels are when Gwen and Loki are in space, one in particular showing us the Phoenix Force in the background. The colors were gorgeous, the details were fantastic, all around stunning.

Overall Grade – 9.6/10

Let me know in the comments what you thought of Spider-Gwen: The Ghost-Spider #11!

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This review was written by Megan from the Vigilante Vibes Podcast. If you liked my review, be sure to check out my other reviews! Let me know what you think of Spider-Gwen: The Ghost-Spider #11, or tell me what comics you’d recommend me trying out! Find me on my socials, and check out my Marvel podcast, Vigilante Vibes, by clicking here!

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