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MARVEL ZOMBIES WAR ZONE #2: Death Packs a Punch!

New York City is a war zone where it’s impossible to tell friend from foe! As Frank continues his fight towards the source of the chaos, he is put on a collision course with Luke Cage and Iron Fist. Can the trio set aside their difference before the Daughters of the Dragon have their way with them?

Marvel Zombies War Zone #2. Credit Marvel Comics. Cover by Tony Parker.

Creative Team: Tom Waltz, Jaime Infante, Fran Mariscal Mancilla, Bryan Valenza, Travis Lanham, and Tony Parker.

The Story:

Tom is not slowing down in intensity with this second issue at all! We pick up in the middle of an intense battle and from there the reader is offered only a moment to catch their breath. With zombies there is always the fast or slow spreading infection and too often I have wondered why they can’t lop off the infected body part instantly. Tom has read my mind as this exact scenario brutally comes into play and so much more. This run has been mixing characters that don’t often share any page time together such as The Punisher meeting with Luke and Danny. Their differences show and we even get a heartbreaking backstory as to what happened to Jessica Jones. Waltz is getting creative with the flow of this story and adding in an array of fun concepts and ideas.

The Art:

The artwork is every bit as chaotic as the story; however, it doesn’t convolute the panels or make anything confusing. The inks and drawings have a natural feel that fits the bill and the world we are in. NYC is dirty and infected, and Jaime and Fran both portray characters in a horrifyingly unique manner. Bryan is having fun, and it shows as splashes of green blood fill the pages at times, and the variations of the infected stand out. When it comes to fighting and crafting the battle sequences the team uses the panels to their advantage and seamlessly moves in a linear way without making everything feel too cramped while, at the same time filling them with the fog of war. There is still a good amount of dialogue too and the way Travis manages to fit the characters arguing it out amongst themselves impresses me a lot. This is a fun issue all around.

Final Thoughts:

Marvel Zombies War Zone #2 brings characters together who don’t often share time with one another and introduces tragic backstories while making them make difficult choices if they want to stop the outbreak. The action is intense, and this is a gruesome issue perfect for the Halloween season.

Overall Grade: 9/10

What did you think of this issue? Be sure to let us know in the comments below and check out more from Matt!

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ABSOLUTE FLASH #20: Hidden Secrets

Wally is recovering safely thanks to Ray Palmer who has taken him, Grodd, and Linda down to the size of an Atom. Meanwhile, they are not out of the woods yet as Ray Palmer has hidden secrets and the threat above has adapted to lure them out into the open.

Absolute Flash #20. Credit DC Comics. Cover by Nick Robles.

Creative Team: Jeff Lemire, Nick Robles, Haining, Adriano Lucas, and Tom Napolitano.

The Story:

This issue takes a beat off of Wally West to focus more on Ray Palmer and dive into the backstory with him, Silas Stone, and Barry Allan. Jeff does a great job of giving us the backstory without needing to overcomplicate the overall story and arc. Ray has a sternness about him, but there is a hint of charm rounding out his character. Linda and he have a funny back-and-forth surrounding his name which adds humor to an otherwise difficult situation. Overall, despite not having seen her in a while Dr. Thawne’s presence is still felt as she pulls the strings in the background. With Wally and the team in hiding her crew has taken the streets and there is trouble ahead for Wally with video being taken by a lot of bystanders. Lemire brings in elements of reality surrounding government officials and it brings the reader into the narrative immersing us into the story in a bit of a hard hitting manner. The final pages however, rocked me the most as a character makes their appearance and leaves us asking what the heck is going on?

The Art:

Adriano Lucas color work in this issue pops out to me a ton. Ray’s colors offer a brighter blue mixed with red and black. While we are used to seeing reds and yellows, Lucas takes us into this Quantum Realm, offering up so much beauty in this universe we can’t see. Meanwhile, Haining’s line work and detailing, as Ray is shrinking down and playing in this tiny universe, craft a perspective offering an air of wonder and intrigue. The little fine details and the way they shape the background had me at times feeling like a kid in science class again. Tom’s letters helped craft a narrative and allowed the reader to understand the more complicated aspects of the script offering up little details about the sub atomic space blending in with the dialogue perfectly.

Final Thoughts:

Absolute Flash is proving that comics are a marathon and not a sprint. This is a story that continues to gain steam, making it slowly rise in intensity and intrigue. The team is building out the Absolute world with familiar characters coming into play and teasing us about the world at large while still focusing on Wally’s story.

Overall Grade: 9.5/10

What are your thoughts on Absolute Flash #20? Let us know in the comments, and check out more from Matt!

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WONDER WOMAN #38 – Making a Statement

Creative Team – Tom King, Daniel Sampere, Alejandro Sánchez, Clayton Cowles

Published by DC Comics

Catch up with Wonder Woman 2026 Annual: Wonder War – The Matriarch Issue!

The Story

In Wonder Woman #38, the Matriarch makes her presence known by going against Elizabeth, at Diana’s despair. The Matriarch has her hands on the wheel and is driving this chaos machine straight through the family of Diana and Steve and she shows no signs of slowing down. That’s until Nubia gets involved.

Cover art by Daniel Sampere and Tomeu Morey. Published by DC Comics

What I really appreciated about Wonder Woman #38 was how well Tom King was able to portray the vast differences between Wonder Woman and The Matriarch. Both women think they’re in the right. Obviously we know that Wonder Woman is the beacon of strength and constantly makes morally right decisions, but The Matriarch thinks she’s the good guy in this, even referring to Wonder Woman and Elizabeth as the bad guys. It’s very interesting to see that juxtaposition happening and a first hand look at how delusional The Matriarch truly is.

Another thing that Wonder Woman #38 does well is keeping you on your toes. There’s a few moments you just don’t see coming and they take you by surprise. That includes the ending when there’s an appearance that I was caught off guard by. I’m very curious to see where this goes in the next issue and how Wonder Woman plans on handling The Matriarch when she was put in an impossible situation by the villain.

The Art

Daniel Sampere, Alejandro Sánchez, and Clayton Cowles bring a lot of beauty to the pages of Wonder Woman #38. Sampere gives a lot of great detailing work that I think shines the brightest when it’s in an action-heavy panel. What Sampere does that I love is allow the characters to wear their emotions on their sleeve by having excellently drawn facial expressions. You can see the smugness of The Matriarch loud and clear while Diana’s despair is on full display. Alejandro Sánchez brings a ton of vibrancy to this issue, that contrasts excellently with The Matriarch’s darker look. When powersets are involved, Sánchez excels with the Green Lantern’s powers and makes it a beautiful focal point on the pages. Clayton Cowles handles the lettering and has some phenomenal uses of the sound effects, that allow the reader to experience the story in a much bigger way. Together, the artists made this a beautiful issue!

Final Thoughts

Wonder Woman #38 does a great job showing the huge contrast between Wonder Woman and The Matriarch with their differing personalities and how far they’re willing to go to do what they feel is morally right.

Overall Grade – 7/10

Let us know in the comments what you thought of Wonder Woman #38!

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This review was written by Megan from the Vigilante Vibes Podcast. If you liked my review, be sure to check out my other reviews! Let me know what you think of Wonder Woman #38, or tell me what comics you’d recommend me trying out! Find me on my socials, and check out my Marvel podcast, Vigilante Vibes, by clicking here!

END OF LIFE #9 – Far From Over

Creative Team – Kyle Starks, Steve Pugh, Chris O’Halloran, Becca Carey, Gerald Parel

Published by DC Comics

Catch up with End of Life #8!

The Story

Eddie Stallion has gone through just about everything during his time in Pluto, and of course, the hits keep comics. When one door closes, another one opens, and if you’ve kept up with End of Life, you know that you’ll never be able to guess what’s next. That’s how I felt reading End of Life #9. I truly didn’t know what was coming next as Kyle Starks is a master at keeping you on your toes. Big Cock was on the verge of beating Eddie’s brain in when Little Cock made his grand entrance. Remember, Big Cock wanted to kill Eddie because he believed he killed Little Cock. To be fair, Eddie thought the same so this was a big surprise to all. In the confusion, Rumplemindt made his presence known as well and had every plan to kill Little Cock. It’s a smorgasbord of violence and confusion and could possibly work in Eddie’s favor.

Cover art by Gerald Parel. Published by DC Comics

I don’t think it’s been said yet how truly funny some of the moments are in End of Life. It’s certainly filled with action and violence, but there were a few moments in this issue that made me chuckle. Kyle Starks has the timing down perfectly and you get caught off guard in the best way by something as funny as “you boys up to some weird white people sex stuff in the woods”. On the opposite end of that, we also get to here from Sophie who is at her wits end with Eddie, understandably so. She has been tending to his father who just spent the week in the hospital and was very aware of Eddie’s absence. We finally get to see where her head is at when it comes to Eddie, and it’s not in a great place. Rightfully so, she believes nothing of Eddie’s story and blames him for leaving her a decade ago alone. It seems everyone is at their limit emotionally but of course, the story is far from over.

The Art

What can I say about this team of incredibly talented artists that brought the story of End of Life #9 to life that hasn’t already been said? Steve Pugh and the fantastic linework he brings yet again? Perfectly capturing the high emotions of the different situations? Having the ability to draw the violence and action that makes the reader feel they’re apart of it all? End of Life #9 is another example of the excellent work Pugh brings to the pages of the comic and doesn’t have any chance of slowing down. How about Chris O’Halloran and his beautiful work with the colors? The bold and striking colors in a story so dark is beautifully handled, bringing light and vibrancy to the pages of a story that’s drenched in violence. Becca Carey does another outstanding job with the lettering, perfectly capturing the many emotions of the characters through their dialogue. You can feel the relief of Eddie when he isn’t killed and you can certainly feel Sophie’s anguish as she makes her feelings known. Together, these artists truly outdid themselves yet again and the readers will benefit heavily from it.

Final Thoughts

At the risk of sounding like a broken record, End of Life #9 continues the excitement of the story and the wonderfully high quality work the creative team has put in.

Overall Grade – 10/10

Let me know in the comments what you thought of End of Life #9!

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D’Orc #9 – D’Orc Is About To Be Dead Meat!

D'Orc #9 Cover by Brett Bean
D’Orc #9 – Cover – Brett Bean (Credit Image Comics)

D’Orc #9

Writer – Brett Bean

Artist – Brett Bean

Colorist – Frank William

Letterer – Nate Piekos

Cover – Brett Bean

Read the review of the last issue in this series here!

D'Orc #9 Variant Cover by Derek Laufman
D’Orc #9 – Cover – Derek Laufman (Credit Image Comics)

The Story:

D’Orc and his crew are still on the hunt for the Bone Witch! Freezing and lost, D’Orc finds himself in the clutches of a dangerous and deranged necromancer! D’Orc must make a desperate and tenuous alliance to get out of harms way…

The Writing:

Brett Bean brings in a new threat for D’Orc to deal with and it may be my favorite yet. The way that Bean is able to weave humor into his characters while maintaining the seriousness of the situation is impressive to say the least. The writing in this series has been at a perfect level since issue one and it doesn’t show any signs of stopping. With each issue, D’Orc is put into an impossible situation and I’m always thrilled to see how he gets out of it by the end. Brett Bean has found a way to take a formulaic story and keep it fresh and new each month.

The Art:

The Brett Bean hype train continues! The design of, not only, the necromancer but his creations in this issue are just fantastic. Each time a new creature is introduced in this series I get excited. Brett Bean and Frank William work together so perfectly and bring to life such an interesting and visually rich world. The action and gore, the desperation and emotion, and the humor are all on display in this issue in a wonderful way. Another excellent outing for the art on this book!

Overall Grade: 10/10

Again, I keep saying it… you HAVE to read D’Orc! This is the best book of the year and with each issue, the creative team finds a way to surprise me and leave me ravenous for the next installment.

Check out more from Derek here!

Have you read this issue? What did you think? Let us know in the comments below!

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“The Folk of Dooney Hollow #2” Review – Wicked Ways

The Run Down

Picking up where the first issue left off, writer Jeremy Haun drops us right in the middle of a terrifying and heated chase. That’s just one amazing segment that kicks off a truly fantastic issue. As Kerri comes upon the town and learns of its history, will she remain safe? Even more horrors and fears arise, if not in the way she expects. Now that you’re settled, join me as I review Haun’s second issue of “The Folk of Dooney Hollow”.

Writer: Jeremy Haun
Artist: Alex Lins
Colorist: Trish Mulvihill
Letterer: AndWorld Design

Source: Jeremy Haun, Ignition Press

The Writing

Doing what he did, Haun really started things off in this issue with an electric bang! When he set out to create a terrifying tale, he really seems to have delivered. The chase sequence we’re led into this with kept my heart racing, and he never let up. At each and every point, he has you questioning what’s a threat and what isn’t. This especially goes for the town itself, which is giving parallels to something like a sundown town.

For those who don’t know, a sundown town is an area that’s intentionally kept all-white. When Kerri comes upon the town, it being all white people was the first thing I noticed and it helped lend to the very eerie atmosphere. I won’t say much more so as to not spoil, but when you read, you’ll know exactly what I’m talking about. Speaking of the town, we learn plenty of history here of both the town and Kerri and it all has me very excited for the next issue!

The Art

While they fantastic in the previous issue, the art and colors were somehow severely stepped up here! Here, illustrator Alex Lins really amped up the horror with how the town’s lit and designed. He somehow made it feel stuck in three eras at once, creating an environment that feels both familiar and uncanny. Not only that, but the facial expressions he draws make some characters feel sketchy or others, outright terrifying.

As for the colors from Mulvihill, they really lend themselves to the overall eerie vibe of the town. I particularly love how the colors create the lighting, coming only from things like the moon, a setting sun or a lonely fireplace. So when I say the colors lend to the spooky nature of the town, that’s exactly what I mean. Lastly, the lettering was done phenomenally well here, lending a distinct creepiness or booming tone, depending on what the moment or character called for.

Source: Alex Lins, Ignition Press

Final Thoughts

While I didn’t think it would be possible, “The Folk of Dooney Hollow #2” was an improvement over the first issue in almost every way. Not only has Haun crafted a spectacular horror story, but it’s one made with love, meaning and depth. He and his crew are creating something that feels truly memorable.

Overall Grade: 10/10

Read more from me here and be sure to follow my socials!

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“Yumi 00-EX #3” Review – Rogue Agent

The Run Down

From the last issue, we learned that Yumi will go to great lengths to be untouchable in the mission to rescue her man. However, as writer Doug Wagner proves, that level of luck has to run out at some point. Will Yumi be able recover? Or will she flounder under the weight? Well, find out alongside Eddie and I as we review Wagner’s “Yumi: 00-EX #3”!

Writer: Doug Wagner
Artist: Hoyt Silva
Colorist: Kevin Lennertz
Letterer: Frank Cvetkovic

Source: Eliza Ivanova, Image Comics

The Writing

Eddie: Yumi has finally tracked down Richard. She’s been running all over the world cutting through resistance like a hot knife through butter, but there is a surprise or two waiting for her. 

Yumi: 00EX #3 continues this visually frenetic story. The writing of Doug Wagner is witty, something fans of his work will always recognize. The action he writes is kinetic. Where the third issue of Yumi: 00EX falls short for me is in the lack of physical stakes and emotional resonance in the story. Yumi slices through villains like John Wick, but even John Wick meets a decent match at times. The frenzied pace of the story also never gives us a chance to feel for Yumi or those…well…the one she loves.

Eda: I’ll admit, Wagner did prove me wrong just a bit from the previous issue. Where before I was worried about Yumi being untouchable, he manages to show here that she isn’t. However, the caveat is we aren’t allowed too much time in that moment, which is a real shame. The moment itself lent the story a ton of necessary emotional weight, yet it felt like it left the room two pages later when Yumi was immediately back on her feet.

This particular issue is mainly due to the pacing. While the plot twist that happens is great, it feels as if we aren’t allowed to live in these emotionally impactful moments as we have to get to the next plot point. While kinetic, frantic pacing matches the character of Yumi, the storytelling suffers as a result. That being said, there’s still a very interesting story here full of fun energy and intriguing characters.

The Art

Eddie: The strength of Yumi: 00EX lies in the art. The pencils and colors of Hoyt Silva and Kevin Lenmertz are nothing short of gorgeous. The action comes alive and the shift in between the environments of reality and Yumi’s consciousness are vibrant. Frank Cvetkovic’s letters add a cinematic flair and texture. The visuals of the story are second to none.

Eda: At now several issues in, illustrator Hoyt Silva continues to design these characters and the world phenomenally well! This is especially true in the characters of Ms. V and Yumi herself. While Yumi’s designed intentionally to have a look that matches her spunky personality, Ms. V very obviously came to aura farm as she looks highly intimidating.

When it comes to the colors, Lennertz really put in the work on setting the tone. There’s some darker, more serious moments in this issue that are mirrored beautifully by Lennertz’ use of deep purples and striking dark blues. This makes for scenes that feel both dynamic and full of emotion. All of this is helped even further by the lettering of Cvetkovic, as he makes us feel every hit and gun shot.

Source: Chris Brunner, Image Comics

Final Thoughts

Eddie: Yumi is a gorgeous yarn when it comes to the environment it builds and action. It’s a lot of  fun to see. However, with a story about a woman trying to save her one true love, there is a bit of a void of emotion and challenge.

Eda: While Wagner’s writing isn’t perfect here, he continues to tell a story full of energy and intriguing characters. While the whole team shows effort, that book is carried by the fantastic visuals of Silva and Lennertz. While the first issue was a strong start, I’m a bit afraid of how things will end.

Eddie’s Grade: 8/10
Eda’s Grade: 7/10
Overall Grade: 7.5/10

Check out more from Eddie here!

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”If Destruction Be Our Lot #5” Review – Life Everlasting

The Run Down

Just in case you missed the previous issue, Abe is now out of his depths and into the fire. Upon once again finding the human girl, he runs off into the desert, unsure of what he’ll find. Now begins the new arc, where he learns the cruelty of the world. So join me, won’t you, as I review “If Destruction Be Our Lot #5”!

Writers: Matthew Rosenberg, Mark Elijah Rosenberg
Artist: Andy MacDonald
Colorist: Francesco Segala
Letterer: Hassan Otsmane-Elhaou

Source: Andy MacDonald, Francesco Segala, Image Comics

The Writing

As we start volume two of “If Destruction Be Our Lot”, the Rosenberg’s made sure to start it with a bang! Where volume had a heavy focus on humanity, this new arc seems like it’s going to be about life itself. This issue has very heavy themes of things like life, death and everything in-between. That being said, it also works to show that life isn’t fair.

This new volume looks as if it’s going to come with even harder truths. With that already is somehow even deeper storytelling. While reading, I couldn’t help but cry just a bit at what Abe was being put through. He’s really about to be put through the ringer and I don’t think any of us are ready for that.

The Art

Just as with previous issues, the illustrations here by Andy MacDonald are absolutely incredible. Hell,at times, they’re even terrifying. Without spoiling, all I’ll say is there’s so much here that was incredibly surprising and perfect for the month of October.

As for the colors from Segala, they feel very deep and rich. While one might normally think of bright and dry when it comes to the desert, Segala uses not just that, but darker and more tan colors as well. The blend of all of it together creates this space that feels depressing in a way that absolutely helps the story. Lastly, the lettering done by Elhaou is absolutely incredible! In both the onomatopoeia and dialogue, some panels include this very cool looking layered effect that I’m in love with.

Final Thoughts

This was such an incredible way to start of the next volume of “If Destruction Be Our Lot”! In what continues to be a masterpiece of a run, the Rosenberg’s find yet another way to tell a story of life. Couple that with the top notch artwork and lettering and you have yourself something truly special.

Overall Grade: 10/10

Read more from me here and be sure to check out my socials!

“The Eye Collector #5” Review – Sweet Dreams

The Run Down

This series keeps getting more insane issue by issue and I’m loving every minute of it! Now, the Eye Collector shows Nathan that he really isn’t all that bad! However, is that a lie? And just why is he showing Nathan the Valley of Eyeless Dolls? Well, lets take that walk alongside him as I review “The Eye Collector #5”!

Writer: Jonathan Ball
Artist/Colorist: GMB Chomichuk
Letterer: Lyndon Radchenka

Source: GMB Chomichuk, Image Comics

The Writing

At now five issues in, Jonathan Ball still has yet to let up off the gas. While not exactly heavy the outright scares for me, this issue was chock full of tension and questioning intention. Not once could I have predicted where things would go or what would happen next, yet it all makes sense. The combination of those two aspects really works here to make the reader feel uneasy in a much different way than before.

Not only does that combination work to create unease, but it keeps the pace well timed, almost making you feel anxious. The anxiety reaches a tipping point that I don’t see there being any coming back from, nor do I want to. With how this issue ends, I’m beyond excited to see what’s next!

The Art

As with the previous issues, Chomichuk makes some insane yet amazing decisions in the art department. While the writing itself didn’t lend much in terms of scares, the art more than made up for that! As someone who has a fear of old dolls, the Valley of Eyeless Dolls will most certainly give me intense nightmares. I fear the final shot of the issue will also leave a lasting impact on many.

When it comes to the lettering, Radchenka did a truly incredible job. Not only did he keep the pace, but he made it super easy to know who’s talking.That and somehow kept up with Chomichuk, making dialogue super easy to follow and understand!

Source: GMB Chomichuk, Image Comics

Final Thoughts

Ball, Chomichuk and Radchenka have yet to miss on “The Eye Collector”. Each page delivers on the thrills and chills while making you question everything. If you want guaranteed nightmares, read this!

Overall Grade: 10/10

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“Sweet Paprika: Black, White & Pink Halloween Special #1” Review – Sweet & Salty

The Run Down

If you’ve been around the block in deep comic knowledge over the last six years, chances are you’ve seen “Sweet Paprika” at least in passing. While not exactly the kind of comic you’d think would make the rounds for a publisher like Image, Mirka Andolfo managed to break through. Within this issue however comes three stories from three writers, Andolfo being only one. With all of this in mind, join me on this ride of titillating thrills as we look at “Sweet Paprika: Black, White & Pink”!

Writers: Mirka Andolfo (“Rooms Back”), Rachelle Aragno (“Good Company”), Bartosz Sztybor (“50 Shades of Grey”)
Artists: Leirix (“Rooms Back”), Rachele Aragno (“Good Company”), Daniel Scalisi (“50 Shades of Grey”)
Letterer: Fabio Amelia

Source: Mirka Andolfo, Image Comics

“Rooms Back”

If you’re looking at that title and thinking “that sounds familiar”, you’re right on the money. In this opening story, Andolfo makes the odd yet exciting decision to place Paprika right in the internet’s favorite horror story. From start to finish, Andolfo creates a nice love letter to the backrooms. Despite being only a few pages long, the story is decently paced. She also manages to give it a good rising action and ends it with a satisfying finish.

When it comes to the art from Leirix, they absolutely knocked it out of the park! For any fans of the backrooms, you can rest assured knowing they managed to perfectly recreate some iconic spaces. The way they used the penciling and lines to create the facial expressions and scary creatures was also very titillating.

“Good Company”

In this story done completely by Rachele Aragno, we see as Cinnamon is alone and bored in her office. Without going into too much detail, Cinnamon here feels like a character I can relate to. While I’m mostly comfortable with it, being single can sometimes feel a bit alienating, especially when you’re physically left alone. In that, I was able to better appreciate this mini story and also have a bit of fun with it!

As for Aragno’s art, I really love the style that she brings here. I’m unsure of how else to describe it other than controlled chaos. The main thing that I particularly loved here was her choice to hide the other character’s true form hidden from the reader. The way and reason this was done was pure genius as it really helped put us in Cinnamon’s shoes. I also particularly love how the pink surrounds the black & white, giving everything this distinct punk look.

Source: Nicoletta Baldari, Image Comics

“50 Shades of Grey”

I’ll say right off of the bat that this story is very unique from the previous two. Where the last two are very straightforward, Sztybor forces us to think. Throughout the story, he begs the question “do we chase knowledge because we learn one thing and want to learn more, or is it the lack of knowledge that forces us to learn?” I’m not exaggerating when I say that this story had me pondering that for a good hour or two. What made this story even more beautiful was how the writing and illustrations worked hand-in-hand.

All throughout the story, it’s clear that Sztybor and Scalisi spoke heavily. Scalisi expertly depicts the bartender in the story as someone learning more and more about his customers. If the words weren’t there, the point of the story would still shine through as he makes it easy to piece things together. He also managed to include an intricate amount of detail to establish both characters and settings. Finally, the lettering all throughout the book was kept simple yet was exceptionally well done by Amelia!

Final Thoughts

All in all, “Sweet Paprika: Black, White & Pink” is two good experiences matched unevenly by an exceptional one. Anyone knowing what they want will get exactly that here, and then some. Andolfo and her team ride high on titillating thrills and chills that are sure to delight for hours.

Overall Grade: 8/10

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Are you a fan of “Sweet Paprika”? Are you looking forward to reading this special? Let’s discuss in the comments below!

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