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Star Wars: Shadow of Maul #2 – Game Tactics

Janix is a planet ridden with crime. It is up to Captain Lawson to keep the criminal syndicates at bay. But will his actions justify the means? What is Maul’s purpose on Janix…?


Creative Team

Benjamin Percy (Writer), Madibek Musabekov (Artist), Luis Guerrero (Colorist),
VC’s Joe Caramagna (Letterer), Derrick Chew (Cover Artist)

Carlos Lao (Designer), Mikey J. Basso (Assistant Editor), Mark Paniccia (Editor),
C.B. Cebulski (Editor-in-Chief)

Publisher: Marvel Comics


Game Tactics

Issue two of Star Wars: Shadow of Maul is a continuation from issue one. You can catch up by reading my review of issue one in the links section below. Another item to note is that this mini-series is a prelude to the newly released animated series on Disney+, Maul: Shadow Lord.

Star Wars
Star Wars: Shadow of Maul #2, Credit Marvel Comics. Cover by Derrick Chew.


This issue opens up to Captain Lawson and his droid partner, Two-Boots, on a stake out of a notorious crime boss on Janix. This stake out reveals much needed information to Captain Lawson. So much information that he has no choice but to act on it.

The crime boss that is being watch is Nico Deemis, who is a rather large alien species. The crime in which he is about to commit will bring disorder to the entire crime syndicate as well as Janix itself. Which is the sole reason that Captain Lawson has no other options but to respond and stop this from taking place.

As the crime is about to take place, things take an alternative route for Nico Deemis. Another crime boss, Vario, arrives to attempt to take over the situation. Nico Deemis is not pleased by this but ultimately shows optimism in the idea of collaborating with Vario.

The end of this issue brings our title character back into the fold. At the end of issue one, Maul was making his way with his team, The Shadow Collective, to the planet Janix. Although it is still unclear the reasons for Maul going to Janix, the end of this issue finally puts him there. Maul and The Shadow Collective are on a mission, and that mission is still yet to be revealed.


The Writing

Benjamin Percy is an outstanding writer, especially for Star Wars. This series really captures the true essence of Star Wars while giving it a noir texture to it as well. The dynamic plot building mixed in with Star Wars dialogue makes Star Wars fans feel at home while reading. While this is a mini-series dedicated to Maul, Benjamin does an amazing job at telling a different story that ultimately will tie into Maul. I enjoy the fact that Maul is left for the end of the issue. In that capacity it foreshadows that Maul will get a bigger presence very soon!

The Artwork

Madibek Musabekov and Luis Guerrero truly do an amazing job of capturing the lore of Star Wars within the art. The attention to details within buildings, ships and tech used within this issue speaks volumes to what fans are used to seeing within the films. The coloration and texture displayed add even more to the noir theme of this story. Ultimately one of the better Star Wars arts I’ve laid eyes on!

VC’s Joe Caramagna yet again proves why he is one of the best letterers in the game. Being able to letter another new title from this week, Amazing Spider-Man #26, to working on this issue is astronomical! Two very different themed stories and lettering that sticks with the different themes. Sticking with Star Wars, the lettering stays on point with common Star Wars text styles. One example is the text style of Two-Boots, a droid. Completely different from the text used for Maul when he speaks. Amazing!


Covers


My Thoughts

This issue continues to bring the story of crime on Janix to life. Especially touching on the struggles that Captain Lawson is continuing to face. One of the driving factors for this book is the teases of Maul at the end of the book. Making readers beg for more from this title character. Dripping with Star Wars lore, this mini-series is not going to be one for Star Wars fans to pass up. Especially since it directly preludes the new animated Disney+ series. With that said, this mini-series provides you with back story details that you may not understand if you have already started the Disney+ show. But do not let that sway you, this is a great start to a great collaboration between comics and television!

Grade: 10/10!


Links

Comic Book Reviews & More: Nerd Initiative
Previous Maul Review: Star Wars: Shadow of Maul #1 – Broken Law
My Nerd Initiative Articles: TravisComicHaven – Nerd Initiative
My Personal Content: Travis’ Comic Haven


PLEASE SHARE YOUR THOUGHTS IN THE COMMENTS SECTION BELOW!

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Amazing Spider-Man #26: Death Spiral Pt. 7 – Torment Evolves

Torment and Carnage have become one! Spider-Man is on a never-ending quest to stop Torment and save members of families of the one’s he loves!


Creative Team

Joe Kelly (Writer), Francesco Manna & Ed McGuinness (Artists), Francesco Manna & Mark Farmer (Inker),
Marcio Menyz & Erick Arciniega (Colorist), VC’s Joe Caramagna (Letterer)

Sarah Spadaccini (Designer), Kaitlyn Lindtvedt (Assistant Editor), Tom Groneman (Associate Editor),
Nick Lowe (Editor), C.B. Cebulski (Editor-in-Chief)

Publisher: Marvel Comics


Torment Evolves

Issue twenty-six of Amazing Spider-Man (ASM) is also part seven of nine in a cross over event between ASM and Venom stories titled Death Spiral. This cross over story is nearing its end and is becoming increasingly more attractive! With this issue being a continuation from the recent Venom issue that has brought a lot of controversy with the elimination of a spiderverse character. What else does Torment (the villain) have let up his sleeve?

Torment
Amazing Spider-Man #26: Death Spiral Pt. 7, Credit Marvel Comics. Cover by Ryan Stegman.


Within the beginning of issue twenty-six we have a continued introduction to the newly bonded Carnage and Torment. Which ultimately is a weird bond seeing as morally they are polar opposites. Carnage is all about blood lust and adding to his elimination list. While Torment has a disorder that causes his eliminations to create spirals that he must complete to feel whole. This bond of characters does have its comedic aspects as well with Carnage providing majority of the funny one liners.

Spider-man within this issue is facing something that continues to baffle him with every altercation. Sure, Spider-Man has fought Carnage on a number of occasions, but this is different. Carnage isn’t bonded with a human anymore. This combination of monsters bonded together is proving to be a true challenge for Spider-Man. Causing him to lose focus repeatedly because loved ones of his and of others that he cares for are being targeted by Torment. All to fulfil his spirals.

Another aspect to this issue is the Eddie Brock portion of this story. For those who do not know, Eddie Bonded with carnage in order to live. Same is said about Mary Jane and Venom. Within this issue we see the results of Eddie no longer bonded with Carnage and the mad dash to get him to the hospital by Venom. Eddie shares a very sentimental moment with Venom regarding their past and the bond they shared.

This issue ends on a chilling note. Spider-man is recovering from a recent run in with Torment. All the while Torment has moved on to hunting down his next spiral target. Which is going to make the next installment of this cross over one that you will not want to miss!


The Writing

Joe Kelly continues to bring a great delivery to this cross over event. The comedic dynamic with Carnage and Torment is entertaining to read. The emotional struggle for Spider-Man is something that fans are so used to seeing, and Joe is doing an amazing job keeping true to the character. The plot of this story is captivating and flows effortlessly. The intensity of the “cliff hangers” that the issues are left on entices the reader to continue with the next issue.

The Artwork

Ed McGuinness, Francesco Manna, Mark Farmer, Marcio Menyz and Erick Arciniega are an absolute powerhouse of an artistic team for this issue! The art is so sharp, detail driven and bright. When you first open this issue, you are met with an amazing two-page splash that is so beautiful and hits to the true lore of Spider-Man. This team did an astonishing job with bringing this story to life!

VC’s Joe Caramagna has yet to provide lettering that I haven’t been pleased with. The various styles used for each individual character help the reader to distinguish who is speaking. As an added plus the coloration and comment bubbles coincide with the coloration of the character they belong to. Placement of the comment bubbles is perfect as always!


Covers


My Thoughts

Issue twenty-six of ASM is a stellar addition this this amazing cross over event. You are introduced to so much more of the plot and given even more emotional pull from the characters. Joe Kelly continues to do his best with this ASM series! I highly recommend that you pick up the previous six parts of Death Spiral and of course this newest installment as well!

Grade: 9.5/10


Links

Comic Book Reviews & Much More: Nerd Initiative
Previous ASM Review: The Amazing Spider-Man #25: Death Spiral Pt. 5 – Unrelenting Torment
My Nerd Initiative Articles: TravisComicHaven – Nerd Initiative
My Personal Content: Travis’ Comic Haven


PLEASE SHARE YOUR THOUGHTS IN THE COMMENTS SECTION BELOW!

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Iron Man #4 – Madame Masque Gets What She Wants!

Iron Man #4 – Cover – Ryan Stegman & Frank Martin (Credit Marvel Comics)

Iron Man #4

Writer – Joshua Williamson

Artist – Jan Bazaldua & Carmen Carnero

Colorist – Nolan Woodard

Letterer – Joe Caramagna

Cover – Ryan Stegman & Frank Martin

Read the review of the last issue in this series HERE!

Iron Man #4 – Cover – Skottie Young (Credit Marvel Comics)

The Story:

Trapped in a puzzle by Madame Masque and A.I.M., Tony must find a way to escape and save the other captives before they create a new Iron Man for the evil organization! What will happen to Madame Masque when she makes Tony desperate enough to do anything and everything to survive?

The Writing:

Joshua Williamson is crafting a truly wonderful story, centering on who Tony Stark is and what makes him tick. At the same time as building a new story, Williamson is also honoring the past and deepening the already deep dynamic between Iron Man and Madame Masque. This story is building towards a wild finale and with each issue I am more and more convinced that Joshua Williamson is absolutely the right person to bring the Iron Man character back to the forefront where he belongs.

Iron Man #4 – Cover – Carlos Nieto (Credit Marvel Comics)

The Art:

The art team put in another solid bit of work with this issue. Each page and panel are wonderfully mapped out and the line work and colors meld perfectly to enrich the story being told. I won’t spoil anything here but what really stood out to me were a couple of trippy pages that highlighted the difficulty of the maze that Iron Man was trapped in. Excellent work from this team!

Overall Grade: 10/10

What an incredible issue this was! The creative team really gets what makes Iron Man Iron Man! With deep emotional beats, great action, and a killer final page this issue is one you don’t want to miss!

Check out more from Derek here!

Have you read this issue? What did you think? Let us know in the comments below!

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SIRENS: LOVE HURTS #3 – A New Target

Creative Team – Tini Howard, Babs Tarr, Miquel Muerto, Becca Carey

Published by DC Comics

Catch up with Sirens: Love Hurts #2!

The Story

Sirens: Love Hurts #3 kicks off and again, the writer, Tini Howard, somehow fits so much chaos into the pages of one comic but still has a perfect flow making everything feel perfectly balanced. As the Sirens try to continue to find Horoscope, they keep turning up empty handed. Every lead they have goes nowhere. That is, until Ivy and Harley explore the secret tunnels aqt the wine shop. From there, Harley and Ivy are lead straight to the home of Horoscope herself. Once they’re in the home, they discover something horrible; Horoscope is planning an attack Sirens at Dinah’s wedding.

Cover art by Babs Tarr. Published by DC Comics

Sirens: Love Hurts #3 does a beautiful job at showing how high the stakes are while building up the characters in their own right. What I love that Tini Howard excels at is showing the chemistry of the characters loudly in the story, making it easy to see how well the team works together. The chemistry between Harley and Ivy is off the charts, which is a testament to Tini’s writing talents.

The Art

Babs Tarr, Miquel Muerto, and Becca Carey go out of their way to make this issue full of emotion. Sirens: Love Hurts #3 covers every feeling under the sun such as happiness, passion, jealousy, or annoyance. Babs Tarr does a fantastic job at showing these emotions through the characters, letting their stories speak for themselves.

Miquel Muerto handles the colors, and brings so vibrancy to the pages of the comic, showing that his top quality work in the series is consistent. There are parts of the story that Muerto’s talents shine the most like in Horoscope’s home or at Dinah’s bachelorette party where the colors give an otherworldly feel to the setting. Becca Carey handles the lettering, and provides a perfect flow of dialogue throughout the comic while having the characters portray every emotion of the story.

Final Thoughts

Sirens: Love Hurts gets better and better with each issue that comes out!

Overall Grade – 9/10

Let me know in the comments what you thought of Sirens: Love Hurts #3!

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This review was written by Megan from the Vigilante Vibes Podcast! If you liked my review, be sure to check out my other reviews! Let me know what you think of Sirens: Love Hurts #3, or tell me what comics you’d recommend me trying out! Find me on my socials, and check out my Marvel podcast, Vigilante Vibes, by clicking here!

D’Orc #3 – On The Run From A Crazed Dwarf!

D’Orc #3 – Cover – Brett Bean (Credit Image Comics)

D’Orc #3

Writer – Brett Bean

Artist – Brett Bean

Colorist – Jean-François Beaulieu

Letterer – Nate Piekos

Cover – Brett Bean

The Story:

D’Orc is on the run through the Scar and helping everyone in his path. Meanwhile, a Dwarf, sent by the Light to destroy D’Orc is hot on his trail. Can D’Orc outrun and out maneuver this zealot of an adversary? Or will he be wiped from existence for simply being born?

D’Orc #3 – Cover – Mirka Andolfo (Credit Image Comics)

The Writing:

Brett Bean continues this story with incredible humor and action while also keeping the reader engaged emotionally with D’Orc. The pacing of this issue is perfect and never lets up. I am especially impressed with the little bits of lore that is being given in each issue. New creatures, new factions, and new threats are being peppered in to populate this world and make it feel alive.

The Art:

Much like with the writing, Brett Bean is crafting a story for the ages with the help of colorist Jean-François Beaulieu. The art in this series complements the story so perfectly that I cannot imagine this book with a different art style. With the incredible blend of cartoony violence and over the top action, this art team can do no wrong!

Overall Grade: 10/10

What can I say? D’Orc has become my most anticipated book each month. With incredible art and an engaging and wildly entertaining story, D’Orc is a must read and an easy 10/10!

Check out more from Derek here!

Have you read this issue? What did you think? Let us know in the comments below!

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“Alice: Forever After #3” Review – A Wild, Unexpected Trip

Slipping Back Into Wonderland

In this reimagining from writer and artist Dan Panosian, we see Alice in her adult years with her daughter Evelyn. The walls between the real world and Wonderland are thinning and the Cheshire Cat seeks to influence Evelyn while Alice falls under the influence of her own father. Will Alice break free and save Evelyn from the whims of the Cat? What are the plans of Alice’s villainous family? Let’s find out together in issue #3 of “Alice: Forever After”!

Writer: Dan Panosian
Artists: Dan Panosian, Giorgio Spalletta
Colorist: Francesco Segala
*POSSIBLE SPOILERS AHEAD*

Source: Dan Panosian, BOOM! Studios

Wonderous Writing

As expected from a legend in the industry, the writing from Panosian is absolutely spellbinding. Having missed the first two issues, I was a tad bit confused going in, but it was easy enough to catch up. This is due to the expert uses of both exposition and implied intent in key scenes. One particular scene that really stood out to me was when Evelyn’s grandfather was working with her on making tea for Alice. New readers seeing this scene will get a true sense of just how wicked Alice’s father is while being given nod to his role in Wonderland. As I’m writing this, I’m still in awe by how far he went.

The other half of what makes this so great is the use of exposition. It’s so perfectly between telling what needs to be told without it feeling overbearing. As I was reading, I never once felt bogged down or that any piece of information wasn’t necessary. Every piece adds something to the story and absolutely all of it is intriguing. I really, desperately want to read more!

Source: Gian Galang, BOOM! Studios

Mixed and Matched

First, when it comes to the actual artwork from Panosian and Spalletta, I actually kind of love it. The way everything’s penciled and colored reminds me of the Disney classic animated film, but a bit darker, matching the writing’s tone. When it comes to Wonderland especially, the shading is absolutely remarkable. To top it off, all three covers are just absolutely incredible!

Second to this is my one and only drawback, the paneling. For something like “Alice in Wonderland”, and for this story especially, one might expect something topsy-turvy, but everything feels concise and normal. I feel as if this choice limits how stylistic and crazy the art could potentially be. On top of that, the art not exactly being encompassing due to the paneling limits just how much the reader can feel sucked in. The writing, while fantastic, is only half of the puzzle.

Source: Giorgio Spalletta, BOOM! Studios

Overall Thoughts – 8/10

While the panel work draws this back a bit, the writing and overall artwork from Panosian and Spalletta make this an absolutely spellbinding read! Always turning on it’s cruel heels, “Alice: Forever After #3” will leave you both speechless and with plenty of questions with future answers.

Read more from me here and be sure to follow my socials!

Comments

Are you a fan of the “Alice in Wonderland” franchise? Have you been reading “Forever After” and what are your thoughts? Let’s discuss in the comments below!

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UNCANNY X-MEN ANNUAL #1 – New Team of the Past

Creative Team – Gail Simone, Mikki Kendall, Francesco Mortarino, Elisabetta D’Amico, Mattia Iacono, VC’s Clayton Cowles, David Marquez, Matthew Wilson

Published by Marvel Comics

MORE FROM NERD INITIATIVE HERE!

The Story

This comic is reviewed by Nerd Initiative’s Shawn, and your truly, Megan!

Shawn – Whoo boy did Gail Simone and Mikki Kendall craft a tale. I LOVED hearing about The Regulators. Simone and Kendall put a great deal of heart into this story. Even more than the fact they put so much heart into this issue is that it didn’t come at the expense of the narrative.

Getting to see not only the history of how the Regulators came to be but their connection to the modern X-Men world was satisfying. Simone and Kendall move seamlessly between the days of yesteryear and today in this story. It’s a self-contained story that gives us a glimpse at yet another adventure in the long line of adventures in the life of one of everyone’s favorite mutants. On top of Simone and Kendall working all of that into the story, the story helps provide a little backstory on Haven, making it not just a location chosen by some of the X-Men as a home base, but a place of rich heritage steeped in the darkness and hatred of the time.

Cover art by David Marquez and Matthew Wilson. Published by Marvel Comics

Megan – I’m not even sure where to start when discussing what I loved about Uncanny X-Men Annual #1. Gail Simone and Mikki Kendall brought something genuine and beautiful to the pages that just can’t be created unless it’s pushed by passion. In Uncanny X-Men Annual, Logan asks Jubilee to accompany him on a mysterious trip. On this trip, it’s discovered that Logan is here on his own mission to keep a woman safe. Who’s the woman? You won’t know until the end and I promise it’ll warm your heart.

While Wolverine does his hero work, we’re taken back to the past of the Haven House. Introduced to new characters who are used to being hated for what they are, mutant or a person of a different skin color. Slaughter Freedman is one of our new characters that’s new to town and has a mission of his own, to bury his passed son. Upon riding into town, he comes toe to toe with some townsfolk who make their prejudices extremely well known. What they don’t know is that Slaughter has a few tricks of his own for people like this. After the battle, Freedmon happens upon a very familiar character who is in need of immediate help. They end up at the Haven House, where they find safety and people who understand what he’s been through in more ways than one.

That feeling of safety and calmness is fleeting as Slaughter’s actions come back to haunt him, and it’s up to the Regulators of Haven House to set things right.

The Art

Shawn – Franceso Mortariono, Elisabetta D’Amico, Mattia Iacono, and Clayton Cowles crafted such a beautiful issue. Everything about the art of this issue was simply spectacular. Mortariono drafts beautiful lines and beautiful character artwork for the Regulators. Elisabetta D’Amico adds perfect shades with her inks, making spanish moss that feels like it’s crawling off the trees. Mattia Iacono brings it all together by expertly jumping back and forth with color palettes, utilizing cooler, more muted colors for the older setting while contrasting them beautifully not only with the warmer, bolder colors of modern times but also with the bold colors of Jubilee.

The art feels perfect for the setting. The early-century art feels particularly impressive, expertly invoking the images of the swamps surrounding New Orleans at the turn of the century. The panels contain such depth, bringing not only faces and emotions to the front of the scene but also highlighting bark, moss, and blades of grass while other trees fade into the background.

Megan – On each and every page of Uncanny X-Men Annual #1, there’s beauty, there’s depth, and there’s power. Francesco Mortarino, Elisabetta D’Amico, Mattia Iacono, and Clayton Cowles bring so much of their own talents to the art. The characters are drawn in a way that makes you clearly see their personalities such as Slaughter Freedman or Mother Witchfire. These characters aren’t just regular citizens, but mutants, so of course their mutant abilities are on full display.

Mortarino and D’Amico bring these characters and their otherworldly powersets to life, showing how powerful they are in more ways than one. Iacono, who handles the colors, somehow achieves vibrancy in a time where everything was much more muted. Where I think Iacono’s talents absolutely thrive are when Mother Witchfire’s mutant abilities are shown. While they are incredibly beautiful to see, there’s still a mysterious energy surrounding them showing that we don’t know how powerful she truly is. Cowles is the letterer of the comic, and allows the reader to feel the emotions of the characters clearly through their dialogue. The artists all came together to make one of the best annuals I’ve read in a long time.

Final Thoughts

Shawn – 10/10. Uncanny X-Men Annual #1 is a beautiful, heartfelt story full of action, adventure, and a bit of history. I started reading, excited to learn about the Regulators and left wanting at least a limited series about those same Regulators. Easy one of the best X-Men Annuals of any of the X-Men line in a while.

Megan – 10/10. While Uncanny X-Men Annual #1 was gorgeous and full of life, there was an incredible amount of depth to the story and the characters. Gail Simone and Mikki Kendall shed light to the hatred and aggression that was felt by, not only mutants, but people who had a different skin color than those who went out of their way to destroy them. Impactful, heartwarming, beautiful, and powerful. That’s how I’d describe Uncanny X-Men Annual #1.

Overall Grade – 10/10

Let us know in the comments what you thought of Uncanny X-Men Annual #1!

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Teenage Mutant Ninja Turtles #17 – Fears Conquered

Master Splinter’s worst fears come to life. The Ninja Turtles attempt to help but are baffled by Splinter’s actions!


Creative Team

Gene Luen Yang (Writer), Freddie E. Williams II & Fero Pe (Artists),
Andrew Dalhouse & Luis Antonio Delgado (Colorists), Shawn Lee (Letterer)

Nathan Widick (Designer), Jake Thomas (Editor), Tommy Stella (Assistant Editor),
Ben Bates (Ujigami Designer)

Publisher: IDW Publishing


Fears Conquered

Issue seventeen of Teenage Mutant Ninja Turtles (TMNT) by Gene Luen Yang is another action-packed issue! I say that with such excitement because not every issue within this TMNT series has had action in it. Which is beautiful within itself because that shows the range of Gene Luen Yang‘s writing ability in regard to action issues and more plot-oriented issues. This issue has a ton of action as well as emotional plot dynamics.

Turtles
Teenage Mutant Ninja Turtles #17, Credit IDW Publishing. Cover by Freddie E. Williams II & Andrew Dalhouse


This issue is a continuation from issue sixteen, and you can find my review of that issue below in the “links” section. At the end of issue sixteen we left off with Master Splinter being forced to face his worst fear in life. In this newest issue you will learn the reason for that! And the way the writing is done for this particular section of this story is absolutely devastating to the readers emotions. Especially if you are a father.

Now comes the action! The Turtles make their way to save their father from the grasp of the villains in this story. But what they see when they arrive causes them to lose focus on the task at hand because this whole scene is like nothing they’ve ever seen before. Magical elements are at play, and they are witness to their father acting in a fashion they cannot register.

As the story moves on there are things that take place that will make you stop just to gather your composure. Previous characters from this story also play a role in you losing your emotional composure. As well as one cliff hanger that you are left with on the final page of this issue…


The Writing

Gene Luen Yang continues to bring a shock & awe essence to this series with every issue. Previous issues have drawn on the emotion factor within that essence. But this issue brings the emotional with the action. Gene gives you multiple different aspects between all the characters within this issue. And that is very impressive considering he has only so many pages to complete that task in. Love this series, this story and Gene’s unapologetic way of toying with my emotions.

The Artwork

Freddie E. Williams II, Fero Pe, Andrew Dalhouse and Luis Antonio Delgado come together again after issue sixteen to continue their delivery of beautiful art. The combination of these artists brings this story to a whole new level. The art is PERFECT! The pencil work, the color choices, the shading and the details are all fantastic. Freddie has expressed recently in an interview with Nerd Initiative about having a passion for drawing for TMNT and it shows within his work.

Let’s not forget about Shawn Lee! His lettering for this issue is spot on as well! If you are an avid comic book reader you know that the way lettering and comment bubbles look adds to the telling of the story. It adds texture to the dialogue and narrative. You get more of an emotion feel based off of how the lettering is presented. Shawn does an amazing job lettering this issue!


Covers


My Thoughts

If you couldn’t already tell, I am a big fan on this TMNT series. This series by Gene Luen Yang is taking you down emotion tunnels that need to be explored. I will say that this series of TMNT is meant for fathers out there with early teenage kids. The emotional draw you receive from Splinter and his fears as a father are so relatable to fathers of today. This issue helps to better solidify that claim, and you will have to pick up a copy to see what I mean.

Grade: 9.5/10


Links

Comic Book Review & More: Nerd Initiative
Previous TMNT Review: Teenage Mutant Ninja Turtles #16: Ujigami Pt. 4 – Fear Factor
My Nerd Initiative Reviews: TravisComicHaven – Nerd Initiative
My Personal Content: Travis’ Comic Haven


PLEASE SHARE YOUR THOUGHTS IN THE COMMENTS SECTION BELOW!

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SPACE GHOST Vol. 2 #10 – Time is of the Essence

As Space Ghost continues kicking ass and taking names across the galaxy, he faces a foe with nothing but time on their hands. Things get taken to another level, as Space Ghost and his companions are left with a whole new set of problems.

Writer: David Pepose;

Artist: Jonathan Lau;

Colorist: Andrew Dalhouse;

Letterer: Taylor Esposito;

Cover: Francesco Mattina;

Editor: Joseph Rybandt.

Special Thanks to Josh Anderson, Victoria Selover, and Megan Logan.

Check out a review for SPACE GHOST Vol. 2 #8

Space Ghost Vol. 2 #10 Cover. Image by Dynamite Entertainment
Space Ghost Vol. 2 #10 Cover. Image by Dynamite Entertainment

The Story for SPACE GHOST Vol. 2 #10

With an enemy that knows Space Ghost all too well, him and his team of kids and a primate are up against an epic challenge. This enemy only wants what it needs, and nothing more. However, that doesn’t make him any less evil. While, he’s taken by surprise as to Space Ghost’s capabilities, this enemy is also not afraid to get his hands dirty to get what he wants. We wrap up with Space Ghost taken back…way back. Meanwhile, the kids come face to face with a familiar voice that signifies BIG trouble.

The Art

There isn’t a single moment that isn’t absolute gorgeous art. Space Ghost takes place (obviously) in space. However, we travel to other areas as well, and every single setting is beautiful with epic action moments and perfect coloring and lettering to tie it all together. From the emotional facial reactions to a perfectly detailed cape. I truly loved taking in the art on every page.

Some highlights this issue were Space Ghost going full rage with a beautiful close up comic book action moment, and a very serene moment from space, looking down on Earth. I love when comic book art can perfectly capture different moments and tones, and this issue nailed that.

Space Ghost Vol. 2 #10 Variant Cover. Image by Dynamite Entertainment
Space Ghost Vol. 2 #10 Variant Cover. Image by Dynamite Entertainment
Space Ghost Vol. 2 #10 Variant Cover. Image by Dynamite Entertainment
Space Ghost Vol. 2 #10 Variant Cover. Image by Dynamite Entertainment
Space Ghost Vol. 2 #10 Variant Cover. Image by Dynamite Entertainment
Space Ghost Vol. 2 #10 Variant Cover. Image by Dynamite Entertainment

Final Thoughts

The dilemma Space Ghost found himself in at the end of this issue had me smiling and worrying. However, the kids definitely got me hooked for next issue. We end with a little twist and nod to a past issue that I loved, and I can’t wait to see how it all plays out and ties together.

Overall Grade: 9/10

For more from Lauren, check out ‘Hops GEEK News.’

Have you checked out Space Ghost yet? Let us know your thoughts!

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UNCANNY X-MEN #26 – New Changes

Creative team – Gail Simone, Luciano Vecchio, Matthew Wilson, Clayton Cowles, Edgar Delgado

Published by Marvel Comics

Catch up with Uncanny X-Men #25!

The Story

Gail Simone brings the most intriguing story to Uncanny X-Men that, by the end, you’ll be wanting more and more. What starts off innocent enough turns into something that’ll leave you with many questions. Starting off, Rogue and Gambit are on a date night with the conversation flowing about the future. Things are going beautifully until the two are interrupted with a scream. Now, it’s time for Gambit and Rogue to do what they do best and save the day.

Cover art by Luciano Vecchio and Edgar Delgado. Published by Marvel Comics

Back at Haven House, everyone is struggling in their own way. Nightcrawler’s girlfriend isn’t returning his calls after Mutina threatened to kill her. The kids are having horrible nightmares from the traumas of their pasts. With the nightmares of the young X-Men, we see exactly what kind of baggage these kids are carrying with them, which really puts it into perspective how strong they are. Building a new life while harboring these things like Ransom’s hostage situation or Jitter’s life with an abusive mother is admirable and inspiring. However, this isn’t even the part where things get weird.

We’re taken into a what appears to be a different reality, and the Outliers are all in new stories that resemble characters of the past. For example, Ransom is in a soccer game that goes negatively, which really resembles Sunspot’s origin. What’s even stranger is that the characters don’t remember each other once they’re brought together at the X-Mansion. By the last page, your mind is pretty blown by how the story ends, leaving you looking up the date for the next issue because you just HAVE to know more.

The Writing

When I tell you there’s no better time to jump into Uncanny X-Men if you haven’t already, I mean that. The things Gail Simone is doing with the Louisiana X-Men are some of the most depthful and compelling things I’ve seen done with the team. In this particular comic, the mystery is so large, that you can’t even fathom how high the stakes are. There’s a chance here to make a huge change to the X-lore, and there’s really no one better to take this on than Gail Simone.

In Uncanny X-Men #26, there’s a feeling of change with every member in the book. Rogue and Gambit are looking into the future and having their family heavy on their minds. Nightcrawler is in love and trying to figure things out with MacKenzie. The Outliers are finding themselves trapped in the past of the X-Teams and possibly having their own stories rewritten, but with the cloud of mystery surrounding the story, that’s only my assumption. Big things are happening in Uncanny X-Men and I am more than excited to see what happens next.

The Art

Luciano Vecchio handles the art of the comic alongside Matthew Wilson and Clayton Cowles. Something I love about Vecchio’s work is that he brings the emotions of the story to life in a way that is powerful. Throughout the comic, there’s many different heightened emotions felt by the different characters and each one is given their own room to grow. Whether it be the Outliers’ nightmares, or Rogue’s worry about Gambit, or Ransom’s confusion at the X-Mansion, there’s no denying the power that Vecchio put behind the drawings.

Matthew Wilson, who always delivers top quality when handling the colors, does it again with Uncanny X-Men #26. Making the mutants the vibrant focal points, Wilson lets the characters looks speak for themselves on every page. The comic is filled with bright colors juxtaposing the darker tones, but what really seals the deal is the last page we’re left on, which Wilson absolutely knocked out of the park. Clayton Cowles handles the lettering of the comic and harnesses the emotions of the characters perfectly. In the Outliers’ nightmares, Cowles allows the reader to feel every negative emotion the characters feel through the dialogue, making it easy to understand them.

Final Thoughts

The Uncanny X-Men gets better and better and at some point, I’ll sound like a broken record saying it. There are some extremely exciting things happening in this run, and it’s never too late to check it out!

Overall Grade – 10/10

Let me know in the comments what you thought of The Uncanny X-Men #26!

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This review was written by Megan from the Vigilante Vibes Podcast! If you liked my review, be sure to check out my other reviews! Let me know what you think of The Uncanny X-Men #26, or tell me what comics you’d recommend me trying out! Find me on my socials, and check out my Marvel podcast, Vigilante Vibes, by clicking here!