The All-Nighter #12 by Chip Zdarsky, Jason Loo, Paris Alleyne, and Frank Cvetkovic (credit: Comixology originals)
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For this entry, we are following along the supernatural family serving the daily specials via Comixology Originals. Returning for their final arc, Ian, Cynthia, and Joy begin their plan to rescue their missing family member. However, after the ending of last issue, they might have some divine intervention on their side.
As Ian, Joy and Andrea converse in the diner, they quickly realize they are not alone. GOD is inside and making milkshakes? Ian is not believing the stranger is how he claims to be. Readers see a subtle way of proving the claim via Blood Milkshakes.
Ian still denies the claims. He thinks this figure might have more to do with The Takers. God tries explaining more in detail. A new thought is posed where not one being but rather all Humanity is God now. Ian isn’t exactly on board (still) but the rest of the group clearly has warmed up to the notion. From this conversation, a new member looks ready to join the group in their rescue attempt.
The All-Nighter #12 by Chip Zdarsky, Jason Loo, Paris Alleyne, and Frank Cvetkovic (credit: Comixology originals)
The conversation is interrupted by figures representing the Takers. With the action escalating, does the mysterious stranger sway fate in their favor?
With a hasty escape, the group reunites with Francis and Cynthia. It is at this moment, the dynamic changes forever. What course does the family now walk towards?
As one’s past comes to light, the rescue mission appears to begin, but not without a hefty cost. The emotional pull begins on readers leading into a closing page that won’t be soon forgotten as the end appears to be closer than anyone wants to fathom.
Zdarsky throws readers off their game with the introduction of a major player. Bringing in GOD to assist the team demonstrates a new look at the set-up of the story.
The explanation of reasons and motives are an easy follow to readers. It also allows new directions into where things lead. God’s story provides a huge set-up for when the group escapes the diner.
Featuring a stand-out character in the spotlight, Zdarsky elevates their story tremendously. The effects form this raise the stakes of the final act many notches.
Zdarsky taps into the emotional connections these characters have to completely bring the small wins crashing down. The final moments of this chapter drop a huge blow to all parties involved, lighting the match for an explosive final run.
The All-Nighter #12 by Chip Zdarsky, Jason Loo, Paris Alleyne, and Frank Cvetkovic (credit: Comixology originals)
Loo and Alleyne feature a few different looks to God’s introduction. From Ian’s disbelief to Joy and Andrea’s amazement of his “creation”, it provides a few light-hearted moments before cranking up on the emotions.
Once the group arrives back at the forest retreat, the tone shifts and focuses on the actions and feelings of a notable character.
The personal panels showcase a different side before ushering in an action that kicks off the conclusion. The imagery perfectly covers what each connecting character is feeling once the end begins.
It exemplifies how there is more to this story than just supernatural beings. It’s about the caring each major character has shown for their small group and how important the final act is to sacrifice so much.
FINAL POINT: 9 OUT OF 10
The road to Hell is paved with good intentions as a heavenly figure makes their presence known in another fantastic issue.
Zdarsky’s emotionally layered writing raises the stakes with Loo, Alleyne and Cvetkovic crafting the calm before the upcoming final play. There’s no reason this series shouldn’t be in your collection by the end of New Comic Book Day.
Hit me up on ODPH social media and let me know your thoughts on The All-Nighter #12. Thanks for reading Parlay points on Nerd Initiative!
Welcome to an all-new edition of Parlay Points, the comic book review blog to the ODPH Podcast!
For this entry, we’re following along the light of one of DC Comics’ first superheroes! Spinning out of the Justice Society of America mythos, Alan Scott has claimed his own spot with fans as being the first Green Lantern! Now featured in a solo story of his own, the emerald hero blazes a new trail that fans won’t want to miss.
ALAN SCOTT: THE GREEN LANTERN #2 by Tim Sheridan, Cian Tormey, Matt Herms and Lucas Gattonidives further into a mystery of Alan’s past. Let’s take a deeper look and see what’s happening now, shall we?
Being one of the most powerful heroes in the 1940’s Alan Scott is on the US Government’s radar. Being pressured to have a higher profile with the JSA is one of those gifts and curses Scott endures. Scott has his own reasons of past experiences to keep a distance from working with others.
Readers witnessed a happier time with him and US Army solider John Ladd. Their happiness is cut short during a previous mission in 1936 known as Project: Crimson. During that mission, Ladd was killed by a mysterious red energy.
Fast forward back to 1941 and Scott appears to a disturbance at a bank. With being credited with saving some hostages, Scott senses something isn’t right. Further complicating matters is the body of Ladd has re-appeared. Before anyone can breakdown more, Scott wakes up in a frightening place: ARKHAM ASYLUM!
This issue begins back in New York City 1941. Scott and his trusted ally Charles Dickles are breaking down what has happened.
However, this is all leading to a flashback from earlier as he now awakens in Arkham. Scott wakes up and sees his roommate Billie.
This leads to a moment of group therapy amongst Arkham residents. Readers see Scott was sent to Arkham as a form of “discharge” after Project: Crimson exposed his relationship with Ladd.
This becomes the start of a journey into Scott’s soul as he navigates being who he is and how he loves.
Readers follow along as he faces the challenges of society in the 1940’s and where his story takes him into becoming a beacon of hope with the Emerald Flame.
All the while, readers witness a final vision that gives a sense of what is really unfolding in Scott’s world and causing his misfortunes/ Get ready for a highly emotionally charged read of one of DC’s best heroes.
Sheridan delivers readers a story of triumph over overwhelming odds. Scott’s struggle to survive in Arkham is a very powerful moment in which conforming never is an option.
The interactions with him and Billie tell a bigger tale of heartache as Scott comes to terms with the loss of Ladd. Its’ fallout defines his character through tragedy.
The tale takes a heroic turn with its’ direction from here. Readers clearly see that through his actions, Scott was the perfect choice to wield the power of the Emerald Flame. The pacing gives enough breaks to tie it back to the current 1940s timeline and further cement Scott’s pledge to defeat this evil.
Sheridan’s writing is excellent in making that connection with the audience. It really made this issue stand out more for the feeling and emotion. Scott proves you don’t need powers to be a champion for good, you just need to live it in your actions.
Tormey, Herms and Gattoni bring to life the true horrors of Scott in Arkham. The brief moments with Billie come across as pleasant and only lead to what transpires as a terrifying experience.
The struggles Scott faces inside Arkham pop off the panels through his expressions of frustration and sadness. This is on full display with the “Goodbye Now” portion.
The fallout brings things back into a more adventurous part of the story. The creative team builds up these panels into a superb full-page panel where Alan Scott becomes what he was always meant to be: a Hero and symbol of strength for those who need it.
This plays into an excellent parting visual of where things are currently. However, without the great work bringing the past to life, readers would be missing out on the full impact of this tale.
FINAL POINT: 9 OUT OF 10
Through the powerful writing of Sheridan, Alan Scott’s journey into becoming a hero instantly wins over readers with this issue. The creative team of Tormey, Herms and Gattoni bring out the intense will of Scott as he presses forward even when society tries shoving back.
Don’t miss your chance to get this story into your collection on New Comic Book day!
Hit me up on ODPH social media and let me know your thoughts on Alan Scott: The Green Lantern #2. Thanks for reading Parlay Points on Nerd Initiative!
Editor Note: This is a MATURE READERS story. Some of the images might be difficult for younger readers. Discression is advised.
Welcome to an all-new edition of Parlay Points, the comic book review blog to the ODPH podcast!
BLACK SIGHT #3 by Stephanie Phillips, Conor Boyle and Tom Napolitano (credit: Comixology Originals – Cover: Dave Johnson)
For this entry, we’re diving further into the madness and mystery of Alex Greer. Since its’ debut on Comixology Originals, the psychological thriller set in the 1960’s has kept readers on the edge of their seats. Now approaching the midway point, all bets are off on what levels of danger awaits the lost American in Amsterdam.
BLACK SIGHT #3 by STEPHANIE PHILLIPS, Conor Boyle and Tom Napolitanocontinues to peel back the layers of the haunting story. Let’s take a closer look to see where things head now, shall we?
*** POSSIBLE SPOILER WARNING ***
Alex Greer has been through quite the ordeal. After waking up next to a dead woman, Alex has been placed under psychiatric watch. With a vested party watching her every move, Alex tries to find a way out.
This is easier said then done. After seeing the alleged victim working as a nurse, Alex is convinced more is going on. Will she get the chance to prove her innocence?
This chapter opens up with Alex waking up in the middle of a residential street. With kids poking her with a stick, Alex comes to and knows something is wrong. When she looks at a house, readers find out that Greer is “home”.
BLACK SIGHT #3 by Stephanie Phillips, Conor Boyle and Tom Napolitano (credit: Comixology Originals – Cover: Dave Johnson)
As she walks in, Greer sees her mother riving in pain. Readers see the relationship between the two is fragile at best (if at all). As the moments progress, it ends with a chilling message of blaming Alex.
Once it ends, Alex is back at the hospital. Restrained and confused, Dr. Kincaid is standing over her. The drama intensifies as Alex and the doctor have a conversation that doesn’t bode well for his patient.
What over evils are lurking? Can Alex survive another night? More questions arise as Dr. Kinciad is just starting to impose his plan with Alex. Once the final image is revealed, any hope of survival sees further and further out of reach.
Phillips kicks this chapter off pushing Alex’s psyche into an uncomfortable state. Dealing with her relationship with her mother, Alex experiences a truly terrifying experience. Once it concludes, the reality of the situation might be worse than the dream itself.
The verbal chess match between Kincaid and Alex is a strong point to this issue. With everything falling around her, readers see Alex is sill holding onto hope that she will be free soon. Phillips takes this moment of hope and throws readers a curveball with the parting panels. Just when readers think they have an idea, Phillips changes the questions.
BLACK SIGHT #3 by Stephanie Phillips, Conor Boyle and Tom Napolitano (credit: Comixology Originals – Cover: Dave Johnson)
Boyle and Napolitano being with a nightmare that will shake readers to their core. The imagery of Alex’s mother reflects their broken state. The lettering only amplifies the fear being felt by Alex.
For anyone who’s seen Napolitano’s work, this is no surprise as he is one of the best in the field. Its a connection easy for the readers to make.
This leads into another strong use of Yellow to establish where the story leads now. It’s complimented by a four panel page exemplifying the terror.
As Alex descends further into the dangerous world of Kincaid, the art mirrors the hellish landscape. This builds towards the closing act with captures a facial expression that perfectly closes out another excellent chapter.
FINAL POINT: 9 OUT OF 10
The slow-burn breakdown of Alex Greer sinks into a dangerous low with another thrilling chapter. Phillps’ strong writing tears away another layer of Alex’s psyche with Boyle and Napolitano delivering magnificent imagery to ensnare readers throughout the pages. You don’t want to miss this one on New Comic Book Day.
Hit me up on ODPH social media and let me know your thoughts on Black Sight #3. Thanks for reading PARLAY POINTS on Nerd Initiative.
Welcome to an all-new edition of Parlay points, the comic book review blog to the ODPH Podcast!
For this entry, we’re checking out the start of a major event happening in DC Comics. Since the “Dawn Of DC” has been in full effect, the premier super hero team hasn’t been the Justice League. It’s been the Titans.
Emerging from the “Teen” moniker, the heroes have finally stepped into the spotlight. With a brand new series started in 2023, Nightwing and company have been making some noise at the comic shops. Now poised to be the center of a DCU event, fans are excited to see how things fare.
TITANS: BEAST WORLD #1 by Tom Taylor, Ivan Reis, Danny Miki, Brad Anderson, and Wes Abbottushers in a monster challenge for DC’s standout superhero team. Let’s check out the first chapter and see how things are going.
*** POSSIBLE SPOILER WARNING ***
The story begins with a figure known as Brother Eternity addressing a mass audience watching world wide. His message is that of despair and dire extremes. “The World Is Ending” in his opinion.
Readers see the conversation switches to one of hope as members of the Church Of Eternity have ventured into space. The claim is a discovery of refuge on Titan, the moon of Saturn.
Once landed, the crew (known as “Forevernauts”) discover a temple. Under Brother Eternity’s orders, they proceed with mics open. Eternity speaks in a lost language: ancient Tamaranean! The language is very familiar to one noted on-looker: Starfire!
Readers quickly see that the Forvernauts voyage was doomed from the start. With Eternity watching and smiling, an evil has been unleashed.
Knowing danger at hand, the Titans make their way to Titan. Once they arrive, they see first hand what has been unleashed.
After making a daring escape from the failed rescue mission, Starfire debriefs the DCU heroes on what she witnessed: The Necrostar! Will the united front of the DCU’s most powerful be able to stop the creature?
With every crucial minute passing, the heroes brace for battle. Readers see one hero rise to the occasion as the fate of the Earth hangs in the balance. However, what happens next, no one will see coming.
By the time the final page is viewed, a swift change in direction takes this story into a completely new direction. Brace yourself for impact as the next DCU event has arrived.
Taylor constructs an exhilarating start to the latest DC event. Right from the beginning, the pace moves things along fast enough to impact readers with how dangerous the threat truly is.
Tying the Necrostar to a classic DC character throws a different look to the conflict at hand. Once the story moves to the middle act, Taylor takes a risk and it pays off in spades.
Putting the most unlikely Titan as the focal character opens up many avenues to take the story in. The interactions with Batman alone provide great moments. Readers don’t wait long to see how this unfolds. The creative use of powers is an element that a lasting impression.
Once things roll into the final act, Taylor brings out multiple surprises that will keep readers guessing. This is great modern storytelling and fans will have much to enjoy with the writing.
Reis, Miki and Anderson paint the visions of a true event with the artwork. The Forevernauts’ arrival on Titan feels epic and the tensions readers will sense instantly. This is capped off with a strong two-page spread showcasing the evil unleashed.
The following image of Starfire addressing the DCU heroes makes a big statement as to where the Titans stand with the fellow heroes. The action visuals elevate the scenes up a few levels as they reflect the “event” feel needed.
The emotional impact of the story is another key factor here, especially with Abbott’s lettering. The art team delivers a personal moment between two Titans than amplifies later in the story. With multiple full page panels mixed in, the issue has much that will capture fans attention, right to the shocking final visual.
FINAL POINT: 9 OUT OF 10
The premier DC superhero team strongly steps up to embrace the spotlight in DC’s next big event. With Taylor’s creative writing lays a strong foundation while Reis, Miki, Anderson and Abbott give their excellent finishing touches to lock readers in for what looks to be one story that no one will want to miss!
Hit me up on ODPH social media and let me know your thoughts on Titans: Beast World #1. Thanks for reading Parlay points on Nerd Initiative!
Thanksgiving has passed us by now tis the season for great comics. Well, every season is the season of great comics if you ask me. A good mix of books this week so let’s get to the Top 10 Most Anticipated Comics for this week…
Editor note: All Description portions come directly from their respected publishers
Description: While Hellboy’s robotic counterpart battles giant monsters on a faraway island, the scientists running the mission scramble when things at the lab get more than a little out of hand. Inspired by Mignola’s viral-hit pencil drawings from Mike Mignola: The Quarantine Sketchbook, Giant Robot Hellboy gets his own story in this 3-part miniseries from Mignola and longtime Hellboy artist Duncan Fegredo!
Why it Made the List: It’s crazy that an idea that was nothing more than a random sketch on social media has turned into such a fun comic. Somehow Mike Mignola finds new ways to keep this legend going. I mean Hellboy first came out at a time when dial-up was just hitting big, and now stories are being made based on social media posts. Considering that foundation this is not the most complex story ever and that is completely okay. What it lacks in depth it makes up for in pure fun. Even if you have not read a Hellboy series before you can pick this up and have yourself a blast.
Description: The battle against the dragon hits far too close to home, and the Johnson family is left reeling in the aftermath.
Why it Made the List: The penultimate issue of Fire Power. I just do not want to believe it. This series has been one of my favorites since it burst onto the scene. It was quite the move to debut an entire trade paperback worth of the story along with the opening issue when it first came out, but it has proven to give this story a great deal of depth. Not many people outside of Robert Kirkman could take a chance like that. I am also happy that Chris Samnee got to do such a high-profile book like this. He has done so much great work over the years, especially with Mark Waid. However, he does not get put on the biggest series which I simply do not understand. Imagine him doing Spider-Man. Maybe he simply does not want to and would rather do Fire Power which is fine for me. This series fits his style perfectly.
Description: Looks like Bobby and Dahlia are home free! Chased down the backroads by a pack demon cops, they’ve made it to the Reverend Roscoe’s Roadside Revival, somewhere no self-respecting hellspawn would be caught dead or alive. The only thing is, the Rev isn’t exactly on the up and up with the big man upstairs. And Bobby’s new car seems to have a mind of its own.
Why it Made the List: The first issue of Drive Like Hell lived up to its name. It was chaotic, full of energy, and put the proverbial pedal to the metal. With that though I am still getting my barrings with this series so I am looking forward to seeing how things progress with this issue. Alex Cormack’s style seems a bit different with this series thus far, which makes sense because it’s a much different story than something like Road of Bones. Glad to see his versatility as an artist.
Description: Double-sized one-shot introducing an all-new talking weapon, Flail! Best-selling, Gemmell Award-winning Fantasy author Nicholas Eames (Kings of the Wyld) teams up with Michael Moreci, Nathan Gooden, and Julius Ohta to tell the tale of Sir Borys the Righteous Paladin and his trusty, talking Flail, as he enlists the help of Owen, Axe, and Soren on his noble path. There will be virtuous bloodshed! There will be wailing protests! There will be two talking weapons! And there will be wyvern burgers served (for better or worse) with pickles!
Why it Made the List: I love what Michael Moreci, Vault Comics, and the rest of the creative teams are doing with the Barbaric Universe. It’s been expanding with new characters, tales of violent glory, and now even more talking weapons. You can see the influence of things like Conan, but it has taken that influence and created its own legacy. There’s a bit more of a wink with its bloodshed that makes it more of a joyous romp. If you enjoyed the Dungeons and Dragons movie that came out and want something similar just with a bit more violence this is a great option.
Description: CHIP ZDARSKY, JOE QUINONES & FRIENDS HELP HOWARD CELEBRATE HIS 50TH ANNIVERSARY IN THIS ALL-NEW ONE-SHOT! Meet Howard. He’s a hard-boiled P.I. with problems by the duckload. But a cosmic, all-seeing friend(?) known as the Peeper(!) is giving him a chance to see what his life COULD be! The joys he COULD have! All the ways his life COULD suck way less than it does now! In other words: “Whaugh If?”
Why it Made the List: Happy Birthday to Howard the Duck! He does not like a day over 49 years old, or whatever that would be in Duck Years. I am sad this is only a one-shot as I was a big fan of the last Chip Zdarsky series, but at least Marvel is doing something to honor this milestone. Personally, I think they could do a lot more, but maybe if this is the success it should be we will get even more. This will be an anthology issue with a bit of a twist. Each installment will be asking a different question ‘What if Howard the Duck Was President” or “What if Howard the Duck was Star-Lord”. Seems mean to the character to just run through a bunch of ways he could have had a better life, which is perfect for Howard the Duck.
Description: “THE END OF ANHEDONIA” Via therapeutic hypnosis, a man travels through his subconscious to try to find his inner child—and a way to be happy again. A comic that doesn’t look like any other comic ever made, this issue is done in full collage art by the spectacular ALEX ECKMAN-LAWN—a veritable dream in four colors. The end is almost here; this is just one of many SWAN SONGS.
Why it Made the List: I do not know how W. Maxwell Prince keeps up the pace he does as a writer. To write so many fantastic one-issue stores for this series, Ice Cream Man, as well as Ha Ha is quite the feat. Comics are better with series like this because you can pick them up at any time and enjoy a great story. W. Maxwell Prince also knows it is important to work with great artists who fit the style of the story and this time around we get Alex Eckman-Lawn. I have seen some great covers by him in the past but this is the first time I am getting to see him work interiors. Let’s see what he can do.
Description: The reader is held hostage as the caustic origins of a town of fire are revealed, along with the guilt, fear, and penance tied to Patti’s past, and those who stayed in Trier.
Meanwhile, Roxanne discovers a horrific truth after pursuing Zach, on the run from death…
Why it Made the List: I was excited for this series largely do the Ollie Masters’s past work on books like Snow Blind and Killer Groove. This is a different book than both of those but I love the ‘slow burn’ mystery that is being developed. Pierluigi Minotti’s art has impressed me as well, and based on this book went back to check out his previous series Lost Falls. As a fan of character-based drama, there’s a lot to like here. I really hope the comic community gives it the attention it deserves, because comics are better when we get more books like this.
Description: “THE DRY SEASON,” Part Two Local Man gets creative in his search for a murderer, as Inga prepares to bring the superhuman trade to Farmington. On the flip side…while Crossjack attends celebrity weddings and goes on dates with models, Inga is going to save Farmington, one person at a time. But how?
Why it Made the List: If someone were to ask what exactly is Image comics my response would be Local Man. This book has encompassed the history of the publisher from its extreme origins to the more down-to-earth books it publishes today. The second arc is just as strong as the first as I get the feeling this story is just getting started. Every time I think we have run out of ways to tell superhero stories we get a book like this to prove me wrong. In cases like that, I love to be proven wrong. Also double points or Seeley who has been doing the art for the backup stories as well. They are really building something special with this series.
Description: In the climactic FINAL ISSUE, Flo and Roddy are at the mercy of the aliens, and it’s up to Old Thom and Eddie to create a distraction. But in order for their plan to succeed, someone will have to make the ultimate sacrifice…
Why it Made the List: Sad days as this is the final issue of this series. Hopefully, it is not the end of getting books from this world, because this is actually the third volume. This is loosely connected to the past series so if that fact surprises you that’s okay because it has not been super up-front about that. This is a very British book with a lot of references to what life was like during and after World War II. Much is placed upon endless resolve that allowed the people of England to soldier on after the constant bombings of the German army. All of that is told in a book with talking animals. Something I love about comics is when you can combine the absurd with the harshness of reality.
Description: WHO FRAMED ALAN SCOTT? Alan’s search for the killer framing him continues! But why are the murder victims people from Alan’s past, and how does this connect to his brief stint in Arkham Asylum?!
Why it Made the List: Going into Alan Scott: The Green Lantern I was unsure if I was going to like it because I have not been reading the Justice Society series, but after reading issue number one that is not an issue. I was impressed with issue one from the opening page. Using the front page of a newspaper to help catch people up regarding where we are in the history of the DC universe. Also loved the clever way they placed the credits on that page. Not to downplay to story that came after. Another big reason this hit number one was how that issue ended. All appeared to be going well, but then the final page hit and things became far more serious. Rather curious to see where this series goes from there.
Honorable Mentions: Action Comics #1059, Grim #15, The Penguin #4, X-Men Blue: Origins #1, The Amazing Spider-Man Gang War: First Strike #1, Conan the Barbarian #5, Teenage Mutant Ninja Turtles: Saturday Morning Adventures #7, Kaya #13, BRZRKR: Fallen Empire #1, Crave #1, Almost Dead #2, End After End #9
There are very few films that can claim to be a “Thanksgiving” movie, but 1987’s Planes, Trains, and Automobiles is one of the best! The movie has a beloved cult following, and with good reason. It’s a funny, relatable, heart warming story brought to life by Steve Martin, John Candy, and a cast of memorable side characters. John Hughes very rarely misses with his dynamite scripts and with him in the directors chair, it’s usually a recipe for success.
Tom Hanks Please!
Hughes wrote the script in just 3 days after being inspired by a terrible flight experience of his own, resulting in him spending a week in Wichita, Kansas. John Hughes’ first choices for the main characters Neal and Del were Tom Hanks and John Travolta. Hanks was busy working on the film Big and John Travolta’s career was in a bit of a tail spin at the time. The studio opted for casting Rick Moranis and John Goodman. At this point Hughes was frustrated and decided to step away from film and hand directing duties to someone else. Eventually Steve Martin and John Candy would sign on, and Hughes asked to step back in.
Fast Facts
John Candy requested exercise equipment in his film contract. Steve Martin claimed that he never used any of it.
The outside shots of the airplane in the film is the same as those from the movie Airplane!
The Marathon Car Rental scene is exactly one minute long and the “F” word is used nineteen times. The film could have been rated PG or PG-13 by the MPAA if it weren’t for this one scene.
The original cut of the film was 3 hours ad 45 minutes long! Almost twice the standard amount of film was used to shoot the movie.
Dylan Baker created the Owen character himself. The snorts, facial tics, and twisted expressions are all his own making. John Hughes directed him to surprise Steve Martin by spitting in his hand before shaking it.
Elton John was commissioned to create a song for the film but contractual issues between Paramount the Elton’s record label prevented it from being finished.
To commemorate Disney’s 100 year anniversary, it was only right for its animators to create a film centered around hopes and dreams as a way to kick off the final leg of the celebration. Directed by Chris Buck and Fawn Veerasunthorn, and written by Jennifer Lee and Allison Moore, Wish follows the story of a hopeful young girl, Asha, as she approaches adulthood. Asha lives in the kingdom of Rosas ruled by King Magnifico and his Queen Amaya, where wishes of their subjects are sacrificed and kept safe until the time is right to grant them. When Asha discovers the truth about the wishes, she finds herself dreaming a little too hard, leading her on an adventure to save the kingdom from evil.
Ariana DeBose voices Asha in Disney’s “WISH”. All Rights Reserved by Walt Disney Studios.
Disney’s Wish is certainly imaginative as it takes the one thing we all have and turns it into a story about hope, despair, and unity within a community. Our main character, Asha, voiced by the wonderful Ariana DeBose, feels like a representation of the audience. At a young age, we’ve generally all been made to believe that our wishes or dreams will eventually come true. But it’s never disclosed to us that sometimes, wishes can change as we grow, and sometimes, they might not ever happen. After a century of countless stories where our favorite leading characters are always wishing upon a star or hoping that their hard work gets them what they want, Wish tackles the “what if” question in such a genius way that makes us want to question our own dreams.
Star in Disney’s “WISH”. All Rights Reserved by Walt Disney Studios.
But is the magic of Disney still alive and present in the film? To be honest…yes but also not quite. There is wonder and joy spread throughout the film with its music and new cast of fun characters. Asha herself isn’t like the legendary Cinderella or the iconic Tiana, and she never aims to be. Instead, she’s her own dream chaser, one whose wish is for the good of all and not just for herself, which is the relevant path for Asha’s story. Not only is the audience able to connect to Asha but we are, in a sense, also able to relate to the people that make up the kingdom of Rosas. And we cannot forget the animation that combines Disney’s traditional hand-drawn style with its more recent CGI styles which create something new and unique, at least for Disney’s standards. Many of the backdrops for the film are reminiscent of older animated films, and the subtle easter eggs throughout Wish blending into the background or onto character designs are a magical sight.
Alan Tudyk voices Valentino in Disney’s “WISH”. All Rights Reserved by Walt Disney Studios.
However, it’s hard to ignore the decreasing magic coming out of Disney in recent years, and it certainly shows in Wish. The story, while hopeful and inspiring, has an obvious gaping hole in it causing the overall film to feel a bit empty at times. Chris Pine as a villain on his own is great, but feels less of a genuine threat over time as the story moves along with a predictable and lackluster moment. And while sidekick characters are welcome to steal the show at some point, a majority if not all of Asha’s friends felt boring and one-dimensional, as if refusing to catch our attention. Frankly, there’s something to be said when your most hilarious and likable characters are a talking goat voiced by Alan Tudyk with the best one-liners and an adorable non-verbal star that wants to throw hands every five seconds.
And look, no one can deny the way music shapes Disney’s films. And while there are absolutely a few great hits from Wish, not a single song feels memorable enough, with the exception of the title song, “This Wish” performed by DeBose. Not even the iconic villain song feels like one that would make its mark in history that is akin to “Be Prepared” or “Poor Unfortunate Souls”, even with Chris Pine’s interesting performance. One can only hope to be wrong entirely, and that the soundtrack for Wish blows up when the film reaches Disney+, but as it stands, that famous Disney magic is almost nonexistent within its music.
Chris Pine voices King Magnifico in Disney’s “WISH”. All Rights Reserved by Walt Disney Studios.
While Wish can’t exactly be labeled as one of Disney’s best-made films, it still makes a hard-hitting attempt at sending a hopeful message to audiences of all backgrounds. It’s not the music or its villain that makes the film what it is but rather the reminder that it’s perfectly alright to make wishes, no matter how old we are. But it’s also important to accept that it’s alright if our dreams change and that it’s ultimately our responsibility to make it happen. And in a time of constant uncertainty, that is a fantastic message to portray during Disney’s 100th anniversary.
The Ultimate Universe (Earth 1610) at its conception was fairly successful in its first few years for Marvel back in the early 2000’s. It simplified many of Marvel’s ideas from when they first started publishing their universe by modernizing some characters and their stories for new readers who might have felt intimated by the decades long catalogue of stories. Some of these changes were well received enough that a few years later the MCU would actually adapt them for their films. Sadly the Ultimate Universe did not stay viable for long though, as a pillar of its creation would be one of its ultimate downfalls.
Now almost 11 years later though a new Ultimate Universe has been born. One kickstarted by the talented Jonathan Hickman and seems to be quite different from the main 616 universe and the Ultimate Universe of old. This new Ultimate Universe’s designation is Earth-6160 and started in Ultimate Invasion (2023) and Ultimate Universe (2023) with no prior reading material being needed. The ground work was being laid by Donny Cates for a while and due to some unfortunate circumstances it had prevented him from furthering his image of what this new universe can be. Hickman however has now opened the door for this new universe so that others can help expand, explore, experiment and fill out this new Marvel universe. So hopefully Cates can come in one day to write for the universe. At the moment it has been announced by Marvel that Ultimate Spider-Man (releasing on: January 10th) will be written by Jonathan Hickman, Ultimate Black Panther (releasing on: February 7th) will be written by Bryan Hill and Ultimate X-Men (releasing on: March 6th) will be illustrated and written by Peach Momoko.
Ultimate Spider-Man – Writer: Jonathan Hickman Artist: Marco Checkhetto
With Hickman writing Spider-Man it should be interesting to see how much further he might expand on the universe in this book while still focusing on the wall-crawler since he is known to do a fair bit of world building in most of his Marvel books. The book is focusing on an older Peter Parker who gains his spider abilities later in life when he is already married to Mary Jane with two kids. Usually a story about a married Spider-Man is told with a Peter Parker who has had his powers since he was a teenager and the kids also have powers, so to have a Peter Parker that breaks that mold should make for very fascinating stories. Spider-Man tales are famous for the fact that Peter can’t have it all and that the responsibility of being Spider-Man is what gets in the way of Peter Parker’s life, so to now have a family dynamic and multiple other possibilities involving a change to the standard Spider-Man status quo sounds highly enticing. Is Uncle Ben still alive since Peter didn’t get bit as a kid? Is Gwen Stacy alive since there was no Spider-Man for Norman Osborn to emotionally scar? What villains will he fight since he lives in a world where The Maker prevented so many heroes and possibly villains from being born?
Ultimate Black Panther – Writer: Bryan Hill Artist: Stefano Caselli
Ultimate Black Panther writer, Bryan Hill is no stranger to writing for Marvel, he’s currently writing Blade and wrote the Killmonger (2018) series. Based off those two series it peaks the interest for what he can bring to the table, but what draws the most attention to this series is what has been helped established in Ultimate Invasion. Based off the cover and synopsis for issue #1 it seems that the series will see Black Panther taking on the duo of Moon Knight. The idea of having Moon Knight be a duo of avatars for both Khonshu and Ra is a unique idea that has not been seen in other interpretations in the Moon Knight mythos, so that alone is quite different from other Moon Knight stories. The first arc at least will see them wanting to expand their influence in Africa and thus put them at odds with Wakanda and the Black Panther. As the Moon Knight duo was one of the members of the prior power in this new universe it will be fascinating to see if they grow to become the hero that is known in other universes or if they will continue to be an antagonist for the heroes of this world after they take on the Ultimate Black Panther. In this world it also seems as though Wakanda had never revealed themselves to the rest of the world, nor does the Black Panther seem to be known to this world’s collective power. While the conflict is what’s most intriguing, the potential that comes about from that conflict is what draws the most interest with this new version of Black Panther and Moon Knight. Will Wakanda become known to the rest of the Ultimate Universe? Will Black Panther join Thor, Iron Lad (Tony Stark), Captain America (Steve Rogers) and Doctor Doom (Reed Richards)?
Ultimate X-Men – Writer/Artist: Peach Momoko
Ultimate X-Men marks the first time in Marvel’s history where a woman/POC is the writer for a main title X-Men series. Not exactly the main 616 X-Men title, but it is the main X-Men title for a new universe that holds great potential for further expansion. From reading Momoko’s work on Demon Days and her recent Star Wars: Visions one-shot she is a very talented writer and the fact that she is pulling double duty by illustrating as well bodes for some very beautiful pieces of visual story telling. There is a beauty in comics when the writer is also able to illustrate their story since they are far more aware of the story they are trying to tell and can provide very serene character moments with just the art and no words. Which is something that can be expected from Momoko. They’re a creative who allows their art to do more of the talking than her actual words. There is little known about this universe’s X-Men since the only mutants seen are the Rasputins and the Yoshida Clan. From the descriptions given, the X-Men series will take place in East Asia and will explore new takes on mutant-kind in this universe, as well as new takes on some classic characters. The most enticing piece of information known so far is that mutants will be tied to folklore, legends and magic which bodes well since the two prominent mutant groups shown so far are Asian and Slavic. Those two cultures carry centuries of culturally significant stories that can be as enticing as any X-Men story told since their conception, so long as the right writers are put behind the titles who have a respect for the cultures and groups then it will allows for an amazing new take on mutants. Mark Millar was one of the architectures behind the creation of the Ultimate Universe and is quite infamous for his form of writing and story telling. While he has created some excellent stories, he is known to have many edgy ideas that sometime do not service any deeper forms of story telling. With such a style in mind Millar would help create the Ultimate Universe with such a philosophy at the forefront for this world’s version of the Avengers (AKA: the Ultimates). This desire to have edgier and more hardcore interpretations of characters was at first a fun gimmick, but would not allow for longevity due to a lack of nuance and understanding of the characters; having them commit actions purely for shock value with that lack of nuance and having no room for growth beyond this status quo of shock value over quality is what inevitably helped seal the fait of this universe. Having the likes of Captain America be a conservative soldier who would not question his superiors got stale, making Quicksilver and Scarlet Witch commit incest as their implied father Wolverine watched and having numerous counts of cannibalism was effective for shocking readers to get them to talk about the books. However, that did not lend itself well to having readers commit to the stories that were going on since there was a lack of quality in the story. By the end of the universe’s existence little to none was worth salvaging so when Secret Wars came by Marvel took just a few characters and moved on from the rubble of the world of the Ultimates.
Invincible Iron Man #12 – Written by Gerry Duggan, Art by Ig Guara, Colors by Bryan Valenza, Letters by vc’s Joe Caramgna Cover by Kael Ngu (Credit Marvel Entertainment)
The Invincible Iron Man #12
Writer: Gerry Duggan
Guest Artist: Ig Guara
Colorist: Bryan Valenza
Letter: VC’s Joe Caramagna
Invincible Iron Man #12 – Written by Gerry Duggan, Art by Ig Guara, Colors by Bryan Valenza, Letters by vc’s Joe Caramgna Cover by Kael Ngu (Credit Marvel Entertainment)
The Story:
Tony Stark calls in some help from Riri Williams, Iron Heart. However, when he neglects to tell his new bride, Emma Frost, the two women clash and draw the attention of a Stark Sentinel!
The Writing:
This issue was masterfully written by Gerry Duggan, who is weaving so many storylines into the fantastic tapestry that is the Fall of X storyline. The conflict between Emma and Riri and the threat of conflict between Tony and Kingpin were a blast to read. This issue continues the theme of building tension and concern for the characters while also showcasing the ways they are out maneuvering their opponents. I was not expecting to get a toast around a Thanksgiving feast but I am so happy that it was included. One of my favorite things about Marvel Comics is the sense of community and comradery between the super heroes and it was on full display here. All of these story beats on top of the final pages, which left me desperate to read the next issue, made for a fantastic read!
Invincible Iron Man #12 – Written by Gerry Duggan, Art by Ig Guara, Colors by Bryan Valenza, Letters by vc’s Joe Caramgna Cover by Kael Ngu (Credit Marvel Entertainment)
The Art:
While it can be jarring to get a guest artist on a book that has had a particular style, I feel that Ig Guara’s art fit right in with the tone of the book. Of course, it helps that the colors are being handled so well by Colorist Bryan Valenza. This team worked great together, capitalizing on slick movement and cinematic layouts. The action scenes looked stunning and the depiction of the mental battle between Emma Frost and Riri was a delight.
The Verdict: 9/10
While not a perfect book, issue 12 was a great step toward the coming battle. The creative team keeps teasing us with the reveal of Tony’s new armor and I feel like a kid on Christmas morning being told to wait to open my presents! I want to see it! I am enjoying this ride and I am so happy that the creative team are taking their time and allowing this story to breathe. Well done to all involved, this series has been one win after another and I can’t wait to see what kind of wild ride I am taken on next month!
Rocky and Adam find themselves on Mistress Viles’s ship. After the usual banter, they shout to identify other potential inmates from their cell. Zoom out, revealing a lineup of spandex-clad alumni. We expected to see Shelby and Ivan from Dino Charge, but surprisingly, it doesn’t just extend beyond space; it spans even time. Conversely, a new villain lackey, Angel, is also introduced. Thoughts on him below.
An arch, A triangle, and A gun.
Billy and Coinless Trini, trying to reopen the Master Arch hidden in the Bermuda Triangle, are ambushed by The Phantom Ranger. Trini diffuses tension in her unique style while the Morphinaut-turned-Phantom explains how his connection to the grid propels him to seek the Emissaries to fix the Dark Specter-infected Morphin Grid.
Mighty Morphin Power Rangers #114 by Melissa Flores, Simona Di Gianfelice, Raul Angulo, and Ed Dukeshire Credit BOOM! Studios
Back to Action: In Angel Grove
The Hyperforce Rangers, accompanied by a motley crew of Rangers picked up along the way, engage the Thralls in a random quarry. Sqautt and Finster fashion a monster from an industrial crane. The Chronos Megazord steps in since the home team can’t deploy their zords!
During the battle, the Death Ranger sneaks up on Kimberly, attempting to possess her. Using her fears and doubts, he manipulates her to morph into one of his puppets. Matt tackles the immortal embodiment of death, rescuing his ex and ally. Before departing, Skull-head conveys his regards to Kim’s love, Tommy.
Not so Safehaven
Having been captured by Vile and Specter, Tommy is subjected to torture and manipulation. Even when he morphs, a concussive blast from Dark Specter shocks the White Ranger. Playing possum, Tommy lands a cheap shot on Dark Specter, only to be blindsided by a now corrupted Adam and Rocky.
Mighty Morphin Power Rangers #114 by Melissa Flores, Simona Di Gianfelice, Raul Angulo, and Ed Dukeshire Credit BOOM! Studios
Come Together.
Back on Earth, the Omegas reunite with the refugees and enjoy some cat cuddles. Kimberly is distraught, and Matt again is self-loathing, believing they should have sacrificed themselves to save Tommy from his current state.
The Phantom Ranger and Zordon share a brief but meaningful moment, reflecting on the past 10,000 years. They find themselves in yet another predicament against evil, facing it together in a new capacity.
At this juncture, they recognize the need to locate the Emissaries, but the question remains: How does one traverse from Earth to wherever in the universe they are? Billy proposes returning to the Bermuda Triangle to rebuild the Master Arch and travel to save their friends and the entire universe.
Drakkon tags along “for support,” running his mouth. In response, Kim lands her fist into his gut, having given up on THIS Master Arch and ready to lead an assault on Safehaven to reclaim the last working Arch and save the universe and, more importantly, their friends.
Thoughts from THE GRID
Once again, Missy Flores and the team over at BOOM are playing in the Morphin toybox and pulling out the great ones! To see Rose, Danny, Maya, Xander, Preston, and the always buttery Bridge was a treat! But I will say Xander and Danny were a bit unrecognizable till the roll call. Secondly, WHY does this Angel guy look like a Dollar Store knockoff version of Drakkon?
Using the Phantom Ranger in this cosmic capacity is a smart move! Knowing his connection to The Grid gives us a player/coach vibe that I think we will see down the line. Let’s hope he’s not too broody from all his years working solo. I can’t tell you how much I appreciate the few panels of The Phantom and Zordon having that kindred war bond alluded to, that there are just some things that can’t be fully said, but you “get it.”
The whole Matt and Kimberly back and forth with all the emotions and doubt, I hope, pays off soon. It’s not that I don’t like the characters, but I’m ready for others to shine.
Speaking of shine, this is a small gripe, but when Tommy got blasted, I would have liked to see his suit not fully materialize, not in just that one panel. It would have been a great parallel to his current situation.
Speaking of suits, there is a difference between the Death Ranger’s minions and Dark Specters Rangers. Seeing the MMPR diamonds changed to black pushed me to think that the other “Spector Rangers” (Because we’ve had way too many Dark Rangers) could have done something similar. Maybe do a full palette swap and fill the suits in black with a bit of color on the hands, arms, and helmets? Take Jack’s SPD RED suit: turn the Red side of his suit to Black and the #1 side Red. I think there was room for a better take on the corrupted Rangers.
ART thou Covered?
Mighty Morphin Power Rangers #114 by Melissa Flores, Simona Di Gianfelice, Raul Angulo, and Ed Dukeshire Credit BOOM! Studios
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