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“Cassie Workman is Witchy AF” on YouTube Now!

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If there’s one thing I can count on when it comes to nerds, it’s that we’re inherently curious. We seek knowledge; hoard it like dragons, wear it like armor. Even though I know you can tell me every detail about your fandom, I also know that you’ve held space for fandoms beyond your comprehension, science beyond your understanding, and human experiences that exceed your own lifetime.

We want to know it all, or at least some of all of it. That’s why, when we find a new avenue of learning that combines thoughtful insight with humor and unique storytelling, we’re all in. And my friend, have I got something new for you.

There seems to be renewed interest in mysticism in America. Hell, I heard an ad on the radio for the Psychic Network last week, perhaps for the first time in thirty years. We seem to be, collectively, looking beyond ourselves to make sense of the world around us. It is with that in mind that ETCH Productions and Anarchists United have joined forces with Australian comedienne Cassie Workman to bring us “Cassie Workman is Witchy AF,” an adult comedy series premiering weekly on YouTube. 

Shot in an occult bookstore in Asbury Park, New Jersey, as well as its adjoining bar, Georgie’s, Cassie tells us each week about a different, fascinating aspect of mysticism along with her co-host, King Grimskwawk. “My manager Lawrence said ‘You know what we need, Cassie, is a puppet co-host.’ I had some time when I was at the Comedy Cellar in New York; they have these tables upstairs where you wait before you go on. They’re sort of blackboard tables and they give you chalk and you can just doodle, so I doodled this little guy who was like a raven with baby arms and a crown, and that was the very first drawing of King Grimskwawk. I took a photo of that and we made a puppet of him.”

Cassie Workman and King Grimskwawk
Cassie Workman and King Grimskwawk / Courtesy of ETCH Film

A show with this sort of format doesn’t work if your host is either unlikeable or unknowledgeable. Luckily for us, Cassie is neither of those things. Originally hailing from Perth, Australia, Cassie has cut her teeth with award-winning comedy and one-woman shows, so she’s funny and naturally attuned to public speaking. Furthermore, the show is well-researched and she actually has an interest in the subject matter; she’s not just a show pony. “For probably 25 years, I’ve been practicing Western Esoteric ritual and Qabalistic ritual.”

Combining Workman’s research and humor with puppetry from Direct Message, practical SFX makeup from Monster in My Closet, and a blistering opening track from Ostraca, “Cassie Workman is Witchy AF” manages to be both informative and entertaining. Think “Beakman’s World” or Alton Brown’s “Good Eats” if they opened every episode with “Hail Satan!” Profiling notable mystic figures like Anton LaVey, Aleister Crowley, and Vlad Tepes (aka Vlad the Impaler), as well as interviewing demons in her upstairs apartment, Cassie bounces around the set and nearby bar to deliver her insight directly to the viewer. She frequently draws parallels from her history lessons to conditions in the present day, explaining “In a sense, there is no past; it’s all the same thing again and again, right? To me, whenever you’re talking about history, you’re talking about the present. That’s the important thing about history, right, is that it’s human beings screwing each other over for hundreds of years, and you can learn so much from that because we’re still doing it.”

I also took the opportunity during our interview to ask Cassie for some advice on the Ouija Board I’d found in the back of the closet in the house I purchased four years ago. To her credit, she was very understanding of my fears and put me at ease, despite the fact that in Episode Three she says, repeatedly, “Do not use a Ouija Board. Seriously, if you take nothing else from this series, take this: Do not use a Ouija Board.”

“Cassie Workman is Witchy AF” is free to view right now on YouTube, with eight episodes in its first season, four of which have already aired. If you like all things witchy, demonic, or just plain weird, you’ll love Cassie Workman’s explorations of this often secretive corner of our boundless world.

Cassie has since moved back to Australia, but admits “I miss the States. I love the States. I really, really deeply love the United States.” Maybe, just maybe, that means we can get her back here to shoot a second season of this delightfully unconventional show.

So, what are your thoughts on “Cassie Workman is Witchy AF?” Have you seen it, would you like to see it, or is all that “Hail Satan” stuff just a bridge too far? Sound off in the comments below and, as always, check back here at Nerd Initiative for all of your film, comics, streaming, and gaming news.

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Indie Initiative: “Lizard World” is A Crazy Ride

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In 2011, writer Terry Richard Bazes wrote a book full of satirical humor and body horror, Lizard World. The story follows a dentist searching for immortality in Florida, but finds far more than he bargained for after his car breaks down and he encounters the mysterious Fobrey family. Artist Louis Netter has brought the story to life in graphic novel form with help from Black Panel Press.

Image Courtesy of Black Panel Press

The Fobrey Family

After a short story about a grave digger and the strange delivery he had to make to an English nobleman with reptilian feet, we pivot to New Jersey dentist Max Nathan Smedlow. Smedlow is looking for immortality in southern Florida in the most logical way: with a map from explorer Ponce De León and the fountain of youth. What he finds instead is the Fobrey family. Smedlow agrees to accompany them after they offer to take him to a gas station, only to find himself brought instead to their home in Lizard World. Smedlow knows immediately that there is something off. As the story unfolds, the history of the Fobrey family is revealed while Smedlow becomes the latest subject of their experiments as a splicer.

Image Courtesy of Black Panel Press

The Creative Team

Terry Richard Bazes’s source material is well adapted here. The story spans centuries and shows not only the degradation of the family’s status through time but also its collective mental decline. There’s very much a Tales from the Crypt vibe here, with campy horror and sharp satire informing the story’s strange events. Beneath the absurdity is a critique of obsession, status, and humanity’s endless pursuit of permanence.

Image Courtesy of Black Panel Press

Louis Netter’s artwork feels like a cross between Ralph Steadman’s nightmarish interpretations of Hunter S. Thompson and the whimsical illustrations of Cloudy With a Chance of Meatballs artist Ron Barrett. It’s the right mix of beauty and weirdness for a story this strange. For all the horror on display, there is a surprising elegance to the visuals. My only complaint is the lettering, which relies heavily on caption boxes and feels like a missed opportunity to elevate the presentation another step.

Overall Grade 8/10

Bazes and Netter have come together to make a strange tale that combines satire, family decline and body horror. Lizard World is one of the strangest things I’ve read in a while. Its sharp, almost Jonathan Swift-like satire should make it a cult classic in literature, but because it is being released as a graphic novel, it may not get the attention it deserves. That’s a shame because this book has a lot to say in its one hundred twentyish pages and does so masterfully. Readers who enjoy EC Comics-style horror, absurdist satire, and grotesque body horror will find a uniquely unsettling experience in Lizard World.

Lizard World is available now through Black Panel Press.

Check out more articles by Forrest, here.

Have you checked out Lizard World? Let us know in the comments.

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Marvel Comics Reveals New X-Men ’92: Incursions Variant Covers

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Marvel Comics revealed new variant covers for an upcoming X-Men project. 

MORE FROM NI’S COMICS BULLPEN HERE 

X-Men ‘92: Incursions is coming out soon, and Marvel released a new look at some of the variant covers releasing with Issue #1. Now, Writer Christopher Yost & Artist Craig Kyle are working on this project, and it is pitting the 90s’ animated X-Men team against the team from the 2000s’. 

Now, the series’ official description reads: 

“X-Men ‘92 Vs. X-Men: Evolution!

The X-Men of the 90’s must save their world! But can they do so when it means destroying another world in the process? Especially one filled with younger versions of themselves who still have hope for Xavier’s dream?” 

Artist Craig Kyle had this to say about reuniting with Writer Christopher Yost: 

“Chris and I wrote our very first script together on X-Men: Evolution. It was called ‘X-23,’ and it changed both of our lives. But we’re comic fans first. This is our first story together in 15 years, and returning to the Evo kids a quarter century later to tell the biggest story of their lives, in the pages of Marvel Comics, is a dream and an honor. We owe four generations of die-hard X-Men animation fans a story worth the wait. With Salva Espin drawing it, we’re going to stick the landing.” 

Writer Christopher Yost added: 

“It’s been gratifying to see so much love for the X-Men: Evolution kids, that show was my first job in the industry and was a dream come true. To be able to return to it after all these years — and to work with Craig again — has been an absolute blast.” 

X-Men ‘92: Incursions #1 releases January 6th.

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Marvel Comics Announces 2 New Avengers: Armageddon Spin-Offs

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Marvel Comics revealed new details for 2 Avengers: Armageddon Spin-Offs. 

MORE FROM NI’S COMICS BULLPEN HERE 

The last issue of Armageddon was released this past Wednesday, and we have details for an upcoming issue of Avengers, and a new One-Shot coming as well. And we start off with the Avengers Issue. 

Avengers #3 is due out late January, and it is kicking off the Chase The Devil storyline. The description for that issue reads: 

“Mephisto literally unleashed Hell on Earth, and Spider-Man’s new team of Avengers is determined to make him pay! But that’ll be easier said than done, as Mephisto has some shocking new allies…” 

Meanwhile, the new Immortal Soldiers one-shot got announced, and it is charting the future of the Marvel Comics Universe. The one-shot’s description reads: 

“Bucky Barnes tragically died during the conflict with Red Hulk… but was mysteriously reborn. How did he come back to life? What’s Nick Fury Sr. got to do with it? Answers and more questions await…” 

Immortal Soldiers #1 releases January 13th, while Avengers #3 drops on January 27th.

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Critical Role Announces 2027 Live Shows

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Critical Role has announced their live show tour dates for 2027. 

MORE FROM NI’S GAMING TEAM HERE 

As part of their recent State Of The Role, the team announced their 3 live shows for 2027. The major thing with these live shows is that they will be one-off one-shots, so you won’t need to get caught up on any of the campaigns to enjoy them. CR’s Director Of Events, Brittany Walloch-Key, had this to say about next year’s shows: 

“With a new Game Master and cast of characters at each stop, fans in every city will get to experience a different side of Critical Role. We can’t wait to reunite with our nerdy best friends, both at the table and in the audience!”

One show is during Gen Con weekend, one is North Of The Border, and the other is heading to Scandinavia. Details for all 3 live shows can be seen below: 

  • April 10th, 2027: Scotiabank Arena In Toronto, Canada
    • Join Critical Role for a live Darrington Brigade adventure as Sam Riegel takes the Game Master’s seat alongside Matthew Mercer, Marisha Ray, Taliesin Jaffe, Ashley Johnson, Liam O’Brien, Travis Willingham and Laura Bailey. 
  • August 5th, 2027: Gainbridge Fieldhouse In Indianapolis, Indiana
    • Step into the world of Aramán as Game Master Brennan Lee Mulligan leads members of the Campaign 4 cast on a new adventure, live on stage. 
  • November 9th, 2027: Avicii Arena In Stockholm, Sweden
    • Bells Hells takes the stage for a Daggerheart adventure in Exandria, with Matthew Mercer as Game Master. 

Beacon member pre-sale for all 3 live shows is on November 4th, followed by Venue pre-sale on November 5th, and then general on-sale on November 6th.

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Marvel Comics Reveals New Details For Star Wars Crossover Series

Marvel Comics has revealed new details for their upcoming Star Wars crossover series. 

MORE FROM NI’S COMICS BULLPEN HERE 

The new Star Wars | Marvel: Hope Assembles mini-series is releasing in January, and we got a new look and details about the variant covers. Now, the first look gives a good idea of what to expect from the first issue: 

Now we also got details about the covers, and those include:

Star Wars | Marvel: Hope Assembles #1 Crossover Variant Cover By Rafael Albuquerque (Credit: Marvel Comics)
  • Main Cover: 
    • The main series connecting covers by series artist David Marquez 
  • Alliance Variant: 
    • Marvel heroes and villains join forces with their Star Wars counterparts in action-packed pairings 
  • Battle Variant: 
    • Marvel and Star Wars collide in impossible one-on-one showdowns
  • A New Hope Variant: 
    • Iconic moments from Star Wars: A New Hope are re-created with Marvel characters 
  • Crossover Variant: 
    • Characters wield the legendary weapons, costumes and symbols of the other franchise 
  • Retro Variant: 
    • New artwork channeling the unmistakable look of Marvel’s original Star Wars comic book run 
  • Marvel Homage: 
    • Legendary Marvel covers are re-created with characters from both universes

Editor Mark Paniccia had this to say about the new series: 

“One of the most exciting things about this series is seeing familiar moments through an entirely new lens. Kevin Smith and David Marquez understand exactly what makes these characters so enduring, and they find surprising, emotional, and often exhilarating ways to bring them together. Every issue has moments that will leave fans smiling, cheering, and eager to see what happens next.” 

Star Wars | Marvel: Hope Assembles #1 releases January 13, 2027.

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REVIEW: ‘Clayface’

Studios have been all in on bringing us stories of villains who may not be such bad people after all and telling the story from their perspective. Sony has been doing it with the Spider-Man franchise, and now, just on their third film after a hard reset, we have Clayface entering the fold. The film is directed by James Watkins and written by Mike Flanagan and Hossein Amini. It stars Tom Rhys Harries playing Matt Hagen, a beloved actor who turns murderous after a violent incident at the hands of Gotham mob boss Markois Szabo (David Dencik) leaves him deformed. Enter Caitlyn Corr (Naomi Ackie), who is running clinical trials using nanobots to regenerate cells. But does the film land, or is this just another attempt to humanize an irredeemable villain?

READ MORE: Batman: One Bad Day – Clayface – “No Notes”

This film really worked for me for a variety of reasons, all coming together slowly. Rhys Harries does a beautiful job as Matt Hagen, giving his character a slight accent that feels almost New Yorkish and allowing us to buy into his slow descent into madness. We spend most of the time in Gotham City, making this our first time seeing Gunn and Safran’s vision of what Gotham looks and feels like in this universe. From afar, it is a beautiful city with shiny high-rises and has the East Coast feeling we would expect it to. On the streets, however, the true character comes to life, and the city feels dangerous, grimy, and every bit corrupt. There is no Jim Gordon; however, we do have Max Minghella playing John Borrelli, who is engaged to Caitlyn and a Detective with the GCPD. Through his character, we experience Gotham City corruption at its finest and sowing the seeds of hopelessness that Gotham often portrays.

Tom Rhys Harries in ‘Clayface.’ Courtes of DC Studios.

The body horror elements were brutal, with the camera not pulling away at times. The eye sequence we were teased with in the trailer is even harder to watch as it unfolds. The way they manage to have Hagen transform between various looks was seamless and extremely clever. Some of the deaths get creative as well, with him leaning into his abilities in suffocating ways. My only complaint would be some of the choices they make with Hagen and Corr. At times it felt uneven and off-putting, but not enough to detract from the fact that it is a film about a man’s slow turn into a monster.


Final Thoughts

Overall, this movie was excellent, and it was refreshing to see a villain done properly in one of these universes. This is a character I would love to see return and go against Batman. Speaking of Batman, it is time Gunn brings him into this universe, as they have teased him enough as is. One thing that stood out to me was in the credits; they give special thanks to some of the creators who have worked on Clayface. Bob Kane, Bill Finger, Paul Dini, Bruce Timm, and Sheldon Moldoff. But the creators of the one-shot Clayface: One Bad Day are Jackson Lanzing, Collin Kelly, and Xermanico. Seeing DC give credit to these creators was a refreshing highlight, and if you have not read the one-shot, I cannot recommend it enough.

Clayface is in theaters now, and it is one you will not want to miss!

Do you plan on seeing the film this weekend? Be sure to let us know in the comments and check out more from Matt!

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The Best ‘Resident Evil’ Film You Haven’t Seen is Streaming Now on YouTube

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By now you’ve surely seen Zach Cregger’s Resident Evil, right? If not, we have, and we’re happy to let you know what we’ve thought. You’ve certainly heard Cregger defend his decision to omit legacy characters from his vision, explaining that Leon Kennedy, et. al, have been explored thoroughly in the games. For his tale, Cregger created an entirely new character to enter Raccoon City, giving us the “everyman” experience of the zombie invasion.

However, if you’ve played the games, you understand that Resident Evil 7 also features an everyman at its center: Ethan Winters, a systems engineer who is determined to find what’s become of his missing wife Mia on a cursed plantation in Louisiana. It is this relatable and grounded character that prompted Chandler Riggs, aka “Carl” from The Walking Dead, to make his own Resident Evil film based on the storyline of Resident Evil 7.

Chandler Riggs brings us a Baker Family Dinner
Chandler Riggs brings us a Baker Family Dinner / Courtesy of Spooky Feet Films

Riggs understood that Cregger had a vision moving into his own Resident Evil adaptation, and he respected that. As a fan of the games, however, he knew someone had to make something that used actual gameplay and characters from Capcom as inspiration for a faithful film adaptation. No shade (okay, a little shade) at Paul W.S. Anderson, but the Resident Evil 1 through 6 films that hit the box office from 2002 to 2016 are slam-bang action films that bear almost no resemblance to the classic horror-survival format of the games. I have to admit that I personally have only played Resident Evil games up until the 6th installment, as I have yet to graduate past a Playstation 3, which you can pry from my cold, dead fingers. Nevertheless, I’ve seen plenty of gameplay footage from Resident Evil 7 (and Village; I don’t live under a rock) and can instantly see the attention to detail in Riggs’s film.

Yes, Chandler Riggs has written and directed a fan film based on Resident Evil 7 called Biohazard, the original name for the game when it was being developed in Japan in the mid-90s. (It was changed largely thanks to New York rap-punks Biohazard, so there’s some fun music crossover for you.) The film runs a lean nineteen minutes and stands alone as a brutal yet fun and reverent adaptation of the game. However, one could also view the film as the prologue to a much longer film, or, as Riggs puts it, “it would have to be a series. To try to do it as some feature film would be really tough. I mean, if you look at “The Last of Us,” it’s the same kind of, roughly the same amount of play time: like around a 10-15 hour game, so you have to do it as a series for “The Last of Us.” So the way to do it for RE7, to do all of it and to do it justice, as close to the game as you possibly can, you’ve gotta do a TV show.”

I viewed Biohazard, which you can do right now on YouTube, twice before I sat down with writer/director/star Chandler Riggs and was delighted to see that he’s a genuine fan of this game, this genre, and this idea. Coming of age on a massively successful television show about zombies, one might imagine that Riggs would want to distance himself as much as he could from the trope, but it is to our benefit that he loves these stories and has an insider’s view on what makes them work.

Biohazard is a stunning achievement. The sets are game-accurate and excruciatingly detailed, the acting and makeup effects top-notch, and the action, viscera, and dread expertly realized. This is THE film to watch if you’re a fan of any of the Resident Evil games and a blueprint for future filmmakers to follow if they want to appeal to the built-in audience that the games have garnered.

Check out my interview with Chandler Riggs here:

WATCH MORE: Chandler Riggs Discuss ‘Biohazard’

Biohazard is streaming for free now on YouTube, and Riggs has made it no secret that he would be delighted to partner with Cregger if and when he takes the franchise forward. I, for one, can think of few hands in which the series could be better placed. 

Have you seen Cregger’s Resident Evil and what did you think? Have you seen Riggs’s Biohazard and are you a fan? Be sure to sound off below and check back with us for all of your film, streaming, comics, and gaming news.

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EA is Shutting Down BioWare

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BioWare logo

Read more of Nerd Initiative’s gaming coverage.

News broke on October 21, 2026 that BioWare, the long-running video game developer behind franchises like Mass Effect and Dragon Age, would be shutting its doors after a three-decade-long run.

The loss of BioWare, which has been owned by Electronic Arts since 2007, is just another in a long list of shutdowns and layoffs in the video game industry this year. The move comes mere months after EA went private, being bought out by a group of investors that included Saudi Arabia’s Public Investment Fund and Jared Kushner’s Affinity Partners.

Alongside the doors closing on BioWare, EA is also laying off around 3% of its employees. The next title in the Mass Effect franchise has also been canceled as a result.

The news came via an internal memo from Cam Weber (President and Chief Studios Officer) and David Tinson (President and COO).

As we focus on these larger opportunities, we’ve had a small team at BioWare working on early-development for Mass Effect. We’ve made the decision not to move forward with this development, which means we’re closing the studio and our Edmonton workspace. BioWare is a legendary studio that helped define the role-playing genre, and we do not take this decision lightly.

The memo states that EA intends to continue investing in its other projects, including Battlefield, Apex Legends, and EA SPORTS, as well as upcoming projects like Marvel’s Iron Man and the next installment in the Star Wars Jedi franchise.

REDCOAT #21: Ballad of a Broken Man.

In the wake of the tragedy that has befallen Simon and the battle with Benedict Arnold, Simon has found himself paralyzed and a broken man. Through it all, his best friend Albert hasn’t left his side and is determined to bring him back from the depths of his lowest point.

Redcoat #21. Credit Ghost Machine/Image Comics. Cover by Bryan Hitch and Brad Anderson.

Creative Team: Bryan Hitch, Geoff Johns, Brad Anderson, and Rob Leigh.

The Story:

This issue may be the most powerful one of the series so far. The journey we have been on with Simon has been one that has had it’s fair share of ups and downs. However, Geoff and Bryan have brought us to Simon’s lowest point. There are no funny quips like we are used to seeing from him and it is soul crushing and emotional seeing the man on these pages. Throughout it all however, is something truly beautiful which is Albert and Simon’s love for one another. It is a friendship that we have seen the start of and the end of back in issue #7. What the duo are doing so well now is filling in the everything in between. The growing bond these two have and continue to build make previous issues stand out and hit so much harder. It is excellent storytelling when a writer is able to make previous issues feel just has large or hit even harder when you are much further along. This is an issue that I can relate to within my personal life as well. I may not be immortal but, a lot of the feelings Simon has hit home on a deep level in this issue. Geoff and Bryan continue to make this run one of the best in every manner.

The Art:

Brad leans into the somber feeling that this issue delivers by using more muted tones in the coloring. Bryan and Brad show us the funeral for Simon’s family, bringing the rainy cemetery to life in a way that I could almost smell the rain. As the pages go on and time passes, Simon’s appearance slowly begins changing as his hair and beard become longer, and the subtle details like that stand out, showing what he is feeling. There is almost no emotion drawn into Simon’s eyes either and the reader can see the shell of the man before us. There’s a softness in the way Rob letters the conversations with Simon and Albert where you can sense the determination Albert has to save his friend. While this is a somber issue there were two pages that stood out to me. As we see the passing of time the team delivers Boston in the fall looking down a back alley with orange leaves floating through the air. Instantly I was transported back to Boston having grown up there they captured those details perfectly and made brought the city to life.

Final Thoughts:

Redcoat #21 shows Simon Pure at his lowest yet. How does a man who cannot die move forward in life without the ones that he loves? The team brings so much emotion out of the panels, delivering hints of beauty and hope amongst the tragedy. Albert and Simon’s relationship continues to grow and is one of beauty as well, making this issue take us for a ride emotionally.

Overall Grade: 10/10

How do you feel about this issue of Redcoat? Be sure to let us know in the comments and check out more from Matt!

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