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AN EMOTIONAL SONG THAT NEVER STOPS IN DEEP CUTS #4

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Deep Cuts #4 by KYLE HIGGINS, JOE CLARK, RAMON K PEREZ, Igor Monti and Hassan Otsmane-Elhaou (Credit: Black Market Narrative / Image Comics)

Welcome to an all-new edition of Parlay Points, the comic book review blog to the ODPH podcast!

For this entry, we are finally returning to an ambitious project from Image Comics via Black Market Narrative. Since its’ inception, Jazz has been a vital part of the history of music. As seen through the previous issues, its’ impact has been felt for generations. It’s a powerful entity to say the least.

Readers have seen the effects from New Orleans to Chicago then Kansas City. Now, the history of Jazz stops in New York City in the 1950’s.

Deep Cuts #4 by KYLE HIGGINS, JOE CLARK, RAMON K PEREZ, Igor Monti and Hassan Otsmane-Elhaou presents a tale of finding oneself through the power of music. Let’s take a closer look and see what’s happening now.

READ LAST ISSUES REVIEW!

*** POSSIBLE SPOILER WARNING ***

The setting is New York in 1956. A man stands outside a run-down building. The story shifts to 1947. A narrator brings up conversations from “Dorian Emmaus: A celebration”. The previous run-down building is full of life and song. The crowd gathering outside exudes anticipation. A man in all yellow cuts across the street into the club. He seems focused on his task to play in a jam session. He will need to be.

As the man gets on stage to play, Dorian arises from his chair. The stranger can’t hang with the band on stage. He quickly leaves. Only the best can take the spotlight. Dorian focuses and begins to create. The band takes notice and sing their praises.

Deep Cuts #4 by KYLE HIGGINS, JOE CLARK, RAMON K PEREZ, Igor Monti and Hassan Otsmane-Elhaou (Credit: Black Market Narrative / Image Comics)

This is a far cry from 1953. Dorian is the man outside looking in. With the conversations from the article filling the pages, Dorian’s life has been anything but perfect.

Readers get taken on a journey through the rise and fall of a promising musician. Dorian’s path is plagued with tragedy and distractions. Now at a new phase of his life, can he make a comeback? The answer comes to fruition as the years pass by. Once the final page hits, there is no doubt a legacy has been left as timeless as the music is.

Deep Cuts #4 by KYLE HIGGINS, JOE CLARK, RAMON K PEREZ, Igor Monti and Hassan Otsmane-Elhaou (Credit: Black Market Narrative / Image Comics)

The writing reflects a grittier story fitting for New York City. Dorian is a multi-layered character. At first glance, his journey starts out with optimism and a love for music. It takes many turns in the course of years since that moment. The testimonials form the article give a fresh perspective as Dorian’s life hits peaks and lows. The closing act gives a bittersweet ending to Dorian’s story. It provides a fitting end to a compelling tale.

Perez constructs an intimidating feel to New York right from the start. The sequence of the jam session sets a loud tempo for where things start in Dorian’s journey. The testimonial panels stand out for their coloring scheme. They are very basic to reflect the blunt honesty of the events. This builds off the emotional range Dorian displays throughout the story. The closing pages conclude events with a parting image that leaves it to the audience to come to their own conclusion of Dorian’s story.

FINAL POINT: 8

The music leads a tale of triumphs and tragedies as it stops in 1950’s New York City. With emotional writing and superb imagery, the saga of Dorian Emmaus is sure to leave a lasting impression on comic book fans.

Hit me up on ODPH social media and let me know your thoughts on Deep Cuts #4. Thanks for reading Parlay Points on Nerd Initiative!

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Ken M.
Ken M.https://odphpodcast.com/
Executive Producer/Host of the ODPH (Ocho Duro Parlay Hour) Podcast. Ken is also Nerd Initiative's Comics Editor-In-Chief/Brand Advisor and host of "Turn A Page". Ken is also a freelance Pro Wrestling Blogger and an all around fan of Sports, Movies Tv, Comics and Pro Wrestling

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